Whistler 1860 Rotherhithe Etching

James McNeil Whistler: "Rotherhithe" label verso "From the Original Etching" from Whistler's Thames series, 1860. Rotherhithe is a graphic picture of the Thames as it looked during Whistler?s lifetime

Etching, "Rotherhithe", SD in plate 1860. Etching adhered to acidic paper. 16"h x 12" not framed **Please Note: This item is NOT eligible for in-house shipping. Please refer to the terms and condition

James Abbott McNeill Whistler (American, 1834-1903) Rotherhithe (Kennedy 66; Glasgow 70) Etching and drypoint, 1860, on cream laid, Glasgow's final sixth state, with narrow margins, 295 x 218mm (11 5/

James Abbott McNeill Whistler (1834-1903). Framed etching. Sight - 8" x 11" Overall - 17" x 21" In-house shipping available within continental U.S. for $60 plus insurance.

Mortimer Menpes (1860-1938) [WHISTLER STUDIES] Etching, signed and inscribed imp in pencil; Together with James Abbott McNeill Whistler THE MENPES CHILDREN (KENNEDY 261; GLASGOW 291), etching, circa 1

James Abbott McNeill Whistler (1834-1903)Reading by LamplightEtching and drypoint, circa 1860, an excellent impression of MacDonald's final state (of three), on cream wove paper without watermark, pla

James Abbott McNeill Whistler (American, 1834-1903) etching titled 'Riault, the Engraver'. Signed and dated 1860 in the plate. Sheet measures 9 1/4" x 7 1/4".

Kensington Gardens, circa 1860, pencil signed lower right, framed. Haden was a surgeon, but more well known as an etcher. He was the brother-in-law of James McNeill Whistler, and the two lived togethe

James Whistler, American (1834-1903). Black and white etching of his mother sleeping titled 'Whistler's Mother' mounted in chrome frame and signed 'W 56' lower right corner. Measures 15 3/8"H x 17.75"

James A.M. Whistler, etching, 1879, James Abbott McNeill Whistler (American, 1834-1903), "Upright Venice" from the Twenty-six Etchings of the Second Venice Set (Kennedy 16), on laid paper, likely four

Fine early impression with artist butterfly mark upper left, titled "The Balcony Venice", image size 11.75" x 7.75", matted and framed under glass, remnants of original label on reverse. Condition app

James Abbott McNeill Whistler (American, 1884-1903) "Long Lagoon". Etching and drypoint, printed in brown ink on paper. From the "Second Venice Set" published in 1886. With Whistler's emblematic butte

"ANNIE" ORIGINAL WHISTLER ETCHING FROM THE VINCENT PRICE COLLECTION 5.5"X4.25" SIGHT 23X"X17.5 FRAMED

Etching and drypoint, 1859, Glasgow 37 (iii/III); Kennedy 32 (ii/II), Glasgow lists forty known impressions. Later state restrike. Signed in the plate, lower right. The sitter is Deborah Haden (1825-1

(American, 1834-1903) etching and drypoint, 1858, unsigned. Overall: 13-3/4"h x 17-1/4"d Sight: 6-1/4"h x 9-1/4"w

James Abbott McNeil Whistler (Massachusetts/England/France, 1834-1903) etching on laid paper titled "Adam & Eve Tavern/Old Chelsea London" depicting the Old Feary Wharf. Frederick Keppel & Co., New Yo

James A.M. Whistler, etching, 1858, James Abbott McNeill Whistler (American, 1834-1903), "The Unsafe Tenement" (Kennedy 17), on brown wove paper, fourth state with faint sky lines, signed in plate low

James Abbott McNeill Whistler (American 1834-1903). Fifth state etching, titled "Little Rag Gatherers". Signed and dated 1858 within the plate. Framed under glass. Matte opening: 6-1/4 x 3-3/4 in.

James Abbott McNeill Whistler (American, 1834-1903) "La Vielle Aux Loques", from "Twelve Etchings From Nature". Signed in the plate lower right, noted within the plate "Imp. Delatre Rue St. Jacques 71

James Abbott McNeil Whistler (Massachusetts/England/France, 1834-1903) etching and drypoint titled "The Music Room". Kennedy 33, II/IIe. Pencil signature lower left, pencil titled lower center and pen

James A.M. Whistler, etching, 1858, James Abbott McNeill Whistler (American, 1834-1903), "Liverdun" from Twelve Etchings from Nature (Kennedy 16), on laid paper, second of two states, with "Whistler"

James McNeil Whistler, etching and drypoint, James Abbott McNeil Whistler (American, 1834-1903), "Annie Seated", c. 1858-59, signed in the plate lower left, likely the 3rd state (of 3), 5.125"h x 3.75

JAMES WHISTLER (1834-1903) Annie Seated, 1858 Etching on paper Signed, inscribed within print 5 1/2" x 4" Label to verso from Vincent Price Collection

The Lime House, from A Series of Sixteen Etchings of Scenes on the Thames, depicting a harbor scene with boat workers and onlookers. Signed, original proof etching, date inscribed. Plate 4.75”H