19th C.Vienna Enamel&Silver Antique Dish/Saucer

Antique 19th C Vienna Hand Painted Enamel Box. Rococo style court scenes with couple, landscape and castle. Measures 4.5 inches in diameter. Finely hand painted details.

Composed of seven pieces agarwood and one prayer bead. The prayer bead spaced by two agate beads, the cover painted with a continuous scene, depicting boys and pavilion.

Carved in similar forms, the long-tailed bird perched atop rockwork issuing lingzhi sprays, the wings neatly folded over the back and the crested head clasping a leafy peony spray in its beak, the sto

The seated lama well cast on a double lotus base, with his right hand in vitarka mudra with one lotus spray flanking the right shoulder and left hand in dhyana mudra, the face with a serene expression

Cast seated in lalitasana on a double-lotus base, the right hand lowered in vitarkamudra and the left hand raised to the chest, flanked by curled stems of uptala lotuses, dressed in a dhoti , the tall

The shi-shi sitting upright with front claws outstretched and ribbed torso rising to an upturned head, a furry mane running down its back. 1.93 inch H

The figure well cast, seated in vajraparyankasana on a double-layer rectangular base, the right hand held in bhumisparsha mudra, the left in dhyana mudra, wearing a voluminous robe finely incised with

Fierce nine-headed Vajrabhairava with wild flaming hair, standing in alidhasana with his consort Vajravetali on a single lotus throne, with a fan of multiple arms, the principal arms embracing his con

Depicting the Buddha seated upon a separately carved lapis lazuli double lotus plinth, of his hands in modified dhyana mudra and his legs locked padma asana, the face set in a contemplative expression

Seated in dhyanasana on two rectangular cushions detailed with sprays of blossoming lotus, his right hand raised in vitarkamudra and left hand in dhyana mudra, dressed in voluminous patchwork robes, t

Depicted recumbent with legs tucked beneath both bodies and heads slightly turned toward the side, the qilin's tail swept over its haunch to form a compact composition while its muscular body is artic

Seated in vajraparyankasana with hands held in dharmachakra mudra, dressed in a long pleated robe, draped over one arm, all supported on a lotus pedestal. 8.75 inch H

Finely cast seated in, the hands in abhayamudra and avakashamudra, clad in robes with raised double-fillet borders, the serene face with downcast eyes, the double-layer pedestal inscribed Qianlong mar

The cast figure seated in dhyanasana on a double lotus base, the left hand in dhyanamudra holding a bowl filled with myrobalan fruit, and the right hand extended in varadamudra, holding a single myrob

Carved as an oval disc with two chilong crawling over the surface, circling the central aperture with their head facing inwards, inlaid in the center of a large corper butterfly plate. 4.58 inch H; 4.

The lean beast finely cast in a recumbent posture, tight curls forming the mane, the head turned to its back. 3.08 inch H

Each molded as a standing ram, the body decorated with archaistic taotie and dragon motifs, foliage scrolls and simulated scales, the curling horns and ears bronze, the beard Champlain enamel, with gi

Carved standing on a double lotus base with twelve pairs of arms arranged fan-like from the shoulders, surmounted with the head of Amitabha, the principle hands in anjalimudra, the other fanned out an

The transformative mythical beast with the body of a lion and flanking with two wings, in a recumbent posture with one outstreching leg, beard in details, mane running down its back. 3.26 inch L

MEASURES 3"

Neoclassical Swedish Painted Pediment Mirror With Caryatides & Garlands, 19Th. Antique painted Swedish Broken Pediment wall mirror, C.1850. Adorned with caryatides figures on each side and draped garl

Naturalistically carved with a bamboo stalk issuing from a rocky outcrop below and a small lingzhi sprouting at the base, carved on one side in openwork with a pheonix standing on top of the lingzhi s

Seated on a galloping donkey draped with human flayed skin, both arms held outwards horizontally, adorned in beaded jewels and a billowing celestial scarf, the ferocious face with exaggerated features

The necklace composed of hundred and eight aquamarine beads, spaced by four four large agate beads, enhanced by three strands, one purse suspended on the top of the main strand. 0.5-1.1 inch Bead