Darlot Lens for Dubroni Cameras, c. 1865

Engraved A.N.C. Mon Jamin / Darlot Paris. Height 5 inches. Lens approx. 2 inches.

Engraved Darlot Paris. Height 3 1/2 inches. Lens approx. 2 1/4 inches.

Studio Camera, c. 1860 Germany, for 17 x 17 cm, extension 44 cm, width 24 cm, linen bellows, with early brass lens "Anc.me Mon. Jamin, Darlot, Sb Opt. Bte., 14, r. Chapon, Paris", no. 566, approx. 4/1

2 Stereo Cameras for 45 x 107 mm Plates 1) Murer Stereo WL, Murer & Dubroni, Milan, c. 1912, strut-folding body with two square bellows, Murer Rapid Aplanat 8/56 mm lens, 3 pinhole diaphragms: 8, 12.5

Multiplicator Lens, c. 1865 France, for exposures of 2 x 2 cm on plate of 7 x 10 cm, heavy blackened metal plate of 82 x 118.5 mm holding 12 identical Petzval lenses of 4.5/50 mm in sliding brass slee

(3) 19TH C CAMERA LENSES, ALL BRASS, ONE MARKED AS PICTURED. NOT SURE WHAT THEY CAME OFF OF. LARGEST MEASURES 5 1/2". FROM SAME ESTATE AS THE OTHER EARLY CAMERAS ARE FROM.

3 Movie Camera Lenses "C-Mount", c. 1965 1) Schneider Cinegon 1:1,8/10 mm. - 2) Soligor Macro-Zoom 1:4/60-300 mm. - And: 3) Angénieux Zoom 9,5-57 mm 1:1,6. This lens is also adaptable for Arri flex S

(lot of 6) Darlot camera lens and tubes, Paris; (1) rack and pinion with lens cover, No. 1 Hemispherique Rapide, SN 4140; (1) Darlot B.F. & Co, rack and pinion, No. 1 Hemispherique Rapide, lacks front

Bolsey, Wollensak-Rochester, USA twin lens reflex camera, Model C with a tan fitted case.

Lot of camera lenses, c/o Nikon Quantaray 52mm CPL, Tamron 18-270mm, Nikon 70-300 mm 1:4-5.6 G lens, Promaster 62mm UV filter, Promaster 72mm circular polarizing filter, small tripod

Included in the lot is a; a Bell and Howell Film Automaster, a Thomas Strobemeter Model 1B, a Canon Zoom 318 Camera Lens C-8 and a Polaroid One Step Close Camera. Four items in the lot.

LARGE LOT ASSORTED CAMERA LENSES, C. 1940/60, INCL. HASSELBLAD, CARL ZEISS

5 Lenses for Askania Universal Cameras, c. 1940-50 All with 35mm mounts. 1) Kinoptik, Paris. No. 2264 Apochromat 2/40 mm, coated, interior residue visible under spotlight, a very early Kinoptik Apochr

4 Tessar Lenses for Askania Universal Cameras, c. 1923-26 Carl Zeiss, Jena, all with 35mm mounts. 1) Tessar 3.5/5 cm, no. 529567, glass clean under point light. (3+/2-) - 2) Tessar 3.5/4 cm, no. 49823

Jamin Darlot, Paris Camera Lenslate 19th century. brass with optical lens. Appears to be engraved in lens. Ht. 9 in. Max Dia. 4 3/4 in.

Antique Vintage Brass DARLOT PARIS Camera Lens 4 1/2" Please view all photos as they are part of the description and condition of this Item, Feel free to contact me with questions or picture requests!

Eastman Kodak 16mm Movie Camera Lens Type C. Untested, good exterior condition. Weight 7 oz.

Lens cap reads MAMIYAFLEX C PROFESSIONAL. Piece is black and silver toned. Lot includes brown toned case which appears to be leather. Case reads MAMIYA SEKOR. Case measures approx 5.5 inches long 4.5

IMPORTANT NOTE UPDATE: the lenses numbered 4 and 5 in this lot, which had been missing, have now been found, so this lot will consist of all the lenses listed below.There are 6 lenses in this lot. 3 a

(2) Yashica Medium Format Twin Lens Cameras to include Yashica-C lense Yashikor 80mm f3.5 along with a Yashica Mat-124 Yashinon 80 mm f3. Also to include a wide angle attachment set in leather case, a

Darlot Lens: Objectif Double à Cone Centralisateur, c. 1864 Darlot, Ancne Mon Jamin, 14 r. Chapon, Paris, no. 17361, landscape and portrait lens with rack-and-pinion focusing (stuck), height: 17 cm,

Petzval-Type Lens by Darlot, c. 1864 Darlot, Paris. With second engraving: "B.F. & Co." Approx. 18 cm focal length, lens rims also signed: "Darlot", rack-and-pinion focusing, height of the lens with l

ANTIQUE FOLMER GRAFLEX RB SERIES C CAMERA WITH COOKE LENS, black leather coated wooden hardware and gray-toned brass/metal trim/components, revolving Graflex back accepting 3 1/4" x 4 1/4" film curren

Made by Darlot Paris. In VG condition. Clear optics, missing stop set. 39mm at mount. Comes with mounting ring and leather lens cap. From the Howard Hazelcorn collection