Louis Icart Etching, Blue Alcove

LOUIS ICART, ETCHING H 10.2 W 12.2 "BLUE ALCOVE" :Pencil signed. Original gilt wood frame 14" x 16.5"

Louis Icart (1888-1950)"Blue Alcove," 1929Etching, drypoint, and aquatint in colors on paperFrom the edition of unknown sizeSigned and numbered in pencil along the lower edge: Louis Icart /

Louis Icart (French, 1888-1950). A color etching titled "Pink Alcove". Signed in pencil lower right and numbered 377/500; with a raised windmill seal. Framed under glass. Mat opening: 11-1/4 in x 13-3

Louis Icart (French, Paris, New York, 1880 - 1950) etching on paper entitled Symphony in Blue. Signed by the artist lower right. Copyright mark and date upper left. Impressed printers mark lower left.

Signed Louis Icart (French, 1888-1950) Etching Broken Blue Jug. Signed & numbered 231, measures H: 18" x W: 11 1/2", 3" frame & matte

Signed Louis Icart (French, 1888-1950) Etching Broken Blue Jug. Signed & numbered 231, measures H: 18" x W: 11 1/2", 3" frame & matte

Presented is a limited edition Louis Icart Blue Buddha hand-colored print. This attractive art deco piece was produced in Paris in 1924 and has been signed by the artist..Louis Icart (1888-1950) was a

LOUIS ICART, ETCHING H 10.5" W 12.5" "PINK ALCOVE" :Pencil signed. Original frame 14" x 16.5"

Louis Icart (French, 1888-1950). An Art Deco etching in colors on paper. Titled, "Symphony in Blue," produced circa 1936. A figural work depicting an elegant seated female figure, with a balcony, flor

DESCRIPTION: (3 Pc) Three "Louis Icart" lithographs mounted in frames. Includes: (1) "Blue Alcove" (L 21.0" x W 23.0") which features a woman sitting up in her bed with blue curtains, (2) "Youth" (L 3

Louis Icart (French 1888-1950) ''Symphony in Blue''- etching in colors, 1936, signed in pencil, windmill blind stamp. 23 x 19'' Literature: W. Holland, ''Louis Icart, The Complete Etchings,'' Atglen,

ICART, Louis, (French, 1888-1950): "Blue Buddha", oval dimensions 17" x 21.5", pencil signed lower right, numbered 272 lower left, framed, 24" x 30.5".

Louis Icart, French, 1888 - 1950. Oval color etching of blonde woman in blue gown with rose luster or plants to either side. Hand signed in graphite just off center lower right. 'L. I. Paris' embosses

Louis Icart (Worked in America and France, 1888-1950) oval colored drypoint etching showing a woman with three small dogs and a large blue Buddah. Pencil signed by Icart in the margin, lower right. Pr

Louis Icart (French, 1888-1950), Pencil Signed Etching. "Baby Doll," CA 1924, oval image of girl holding doll. Pencil signed lower right. In Victorian gold finish frame with blue mat., under glass. 18

Louis Icart - Lady in Pink Dress Blue Scarf & Yellow Hat 1929 - Signed - 26 x 30

Hand-colored etchings with aquatint, Louis Icart (French) 1880-1950: Lady with Blue Hydrangeas, 1933, 9 x 11 1/2 inches, signed by the artist in pencil in lower margin; under glass, not examined out o

Frame oval etching by Louis Icart of a woman with a blue-ribboned hat and small birds. Signed "Louis Icart" along bottom. {Sight: 21 x 16 3/4 inches; Frame: 28 1/2 x 23 1/2 inches]. In good condition;

"Symphony in Blue," 1936 Hand colored etching/aquatint on paper Signed in pencil lower right, and with the artist's windmill blindstamp lower left, inscribed upper left: "Copyright 1936 by L. Icart,

Louis Justin Laurent Icart (FRENCH / UNITED STATES / NEW YORK, 1888 - 1950) color etching depicting a female artist in blue dress drawing. Hand pencil signed to lower right and signed in the plate to

Artist: Louis Icart Title: Symphony in Blue Year: 1936 Dimensions: 22 5/8in. by 18 7/8in. Edition: From the rare limited edition Medium: Original soft ground et

Louis Icart (French 1888-1950) "Thoroughbreds," or "Pur-Sang," 1938, etching, drypoint and aquatint, with handcoloring, signed in pencil,lower left, with windmill blindstamp, copyrighted in plate, mat

Louis Icart (French 1888-1950) "Leda and the Swan, " 1934, etching and aquatint with hand coloring, signed in pencil, lower right, with windmill blindstamp, copyrighted and dated in the plate, mated a

c.1927, pencil signed, and with windmill blindstamp, numbered 100, printing annotation upper right by Graveurs Modernes, Paris, good condition (toning), image 13x20in., overall framed 22x28in., Openin