Attributed to George Cole (1810-1883) British. A

Oil on Canvas Equestrian painting, Titled " Black Horse in Landscape" Signed and Dated lower right. Painting professionally restored by re-stretching and relining . Nicely framed in contemporary frame

George Cole (1810-1883), it has been said, was a perfect example of the self-made man in the Victorian era. His father was a wastrel and his education was rudimentary, yet he was able to self-educate

Circle of George Cole (English 1810-1883), "Nooning", depicting figures taking a break looking out over rolling hills and accompanied by sheep and a steer, oil on canvas, spurious G. Cole signature lo

Large antique English landscape oil painting attributed to George Cole (1810-1833 United Kingdom, England) Spring In Kent depicts a rural landscape in panoramic style. Housed in an ornate gold gilt fr

George Cole (UK, 1810-1883) 10x17 , O/P , signed lower left , Cottage at Dusk , Depicting: figures, pond, cottage

Attributed George Morland (British, 1763-1804), Village Cottagesoil on panel, unsigned, a typed note affixed to the verso reads "Whippingham, Isle of Wight / Home of Henry Dashwood / (Great Great Gran

George Vicat Cole (British, 1833-1893) Horse-Drawn Carriage in a Landscape, 1860 oil on canvas signed G. Cole and dated (lower left) 20 1/2 x 30 inches (sight). Property from a Private Collection, Chi

George Vicat Cole(British, 1833-1893)Landscape with Bridge and Two Figuresoil on panelmonogrammed GVC (lower right)9 ½ x 7 inches.

Oil on canvas 16 x 12 in., 19 1/2 x 15 1/2 in. (framed). George Cole was a portrait, landscape and animal painter. He was self-taught, and began by painting several large canvas advertisements for the

Romney, attributed to George (British, 1734 - 1802), The Earl of Shrewsbury, oil on canvas, 24 x 20 inches, Provenance: From The Alton Towers Collection; The Estate of Charles H. Booth Jr. ; framed in

1 canvasback drake attributed to George Cole, Algonac, MI, ex Phyllis Ellison Collection, glass eyes, hollow body, combination of restored & old working paint with gunning wear, 15.5"L & 1 redhead dra

Antique Attributed Edwin Cole (British, 19th c.) Framed Landscape Oil Painting. Painting depicts landscape with sunset or sunrise. With frame measures 29" x 19". Without frame measures 23.5" x 13.5".

GEORGE SHARSWOOD 1810-1883, WAS A PENNSYLVANIA JURIST AND CHIEF JUSTICE OF THE SUPREME COURT OF PENNSYLVANIA. HE WAS ALSO THE DEAN OF THE UNIVERSITY OF PENNSYLVANIA LAW SCHOOL.

Attributed to George Romney (British, 1734-1802) Oil On Canvas, Melesina Chenevix Mrs. Trench, H 32" W 25" | Melesina Chenevix Trench (1768 - 1827) was an Irish writer whose diaries were published pos

oil on canvas, relined; unsigned 36 x 28 in. (91.4 x 71.1 cm.), Frame: 49 1/2 x 41 1/2 in. (125.7 x 105.4 cm.) Provenance: From the Estate of Baroness Adelle Karoff, Los Angeles, CA, a collector of th

ATTRIBUTED TO GEORGE ROMNEY (BRITISH 1734-1802) Portrait Of a Man, oil on canvas66 x 53 cm (26 x 20 7/8 in.)framed dimensions: 80.5 x 67 cm (31 11/16 x 26 3/8 in.)

Attributed to George Chester (British 1813-1897) Bridge Over a Stream near Carrickfergus, Northern Ireland oil on canvas 46 1/2 x 84 inches.

Attributed to George Clare (British, 1835-1900) Still Life with Bird's Nest. Oil on canvas laid to board, faintly signed 'Clare' lower right Board: 8" x 13.25" Frame: 13" x 18.25"

George Vicat Cole (1833-1893) British, 'Near Maidenhead', canal scene with a lock, oil on canvas, signed with monogram and dated 1876, 13" x 19", (33x48cm).

Copper Plates Published 1810, London for "The History of England..." by George Courtney Lyttleton. Paper Size: 10 x 8 inch (26 x 21cm) Some margin toning in parts, otherwise fine

Attributed to George Morland (British, 1763-1804), Shepherd with His Dog and Sheep, oil on canvas, unsigned, 18" x 24", framed 25 1/2" x 31". Provenance: Collection of Mr. Bruce McCashin, Vero Beach,

Attributed to George Lance (British, 1802-1864), "Still Life with Grapes and Pineapple", oil on canvas, apparently unsigned. Still life painting depicting a lush cluster of various fruits on a neutral

Attributed to George Englehart (British, 1752-1829) "Portrait Miniature of a British Officer", ca. 1780 watercolor, unsigned together with R. C. Woolnough (British, active 1801-1805), "Portrait Miniat

Robert Burrows, British, 1810-1883. A mid 19th century oil on canvas landscape, entitled "View of Ipswich". Depicts two figures on a country lane with sheep and the River Orwell in the distance. Signe