After James Whistler lithographs- Studio

Medium: lithograph (after the pastel). The lithography was executed by Whistler's friend and fellow artist Thomas Way, and published in London by The Studio in 1905 for a now quite rare deluxe portfol

Medium: lithograph (after the pastel). The lithography was executed by Whistler's friend and fellow artist Thomas Way, and published in London by The Studio in 1905 for a now quite rare deluxe portfol

James Abbott McNeill Whistle Lithograph Title: "Bead-Stringers, Venice" Medium: lithograph (after the pastel). The lithography was published in London by The Studio in 1905 for a rare deluxe portfolio

James A. M. Whistler (American 1834-1903)- 1). ''The Long Gallery, Louvre'' (Levy 83)- lithograph, 1864, as published in 'The Studio' with their blindstamp. 8 1/2 x 5 3/4'' 2). ''The Smith's Yard'' (L

James A. M. Whistler (American 1834-1903)- ''Smith Yard'' (Way 88); (Levy 126)- lithograph, 1864, as pbulished in 'The Studio', edition of about 3,000, paper abrasion verso on edge does not go through

(1834-1903 American) Portrait of woman, lithograph, published by "The Studio" ca. 1905, artist monogram right center, approximate work size by sight 9 1/2" x 7", frame 24" x 19".

(1834-1903 American) Blacksmith, framed lithograph, published by "The Studio" ca. 1905, with impressed publication stamp lower right margin, approximate work size by sight 9 1/2" x 7", frame 22" x 17"

James McNeill Whistler (American, 1834-1903) 'Savoy Pigeons' Lithograph 1896, printed butterfly signature only, 'The Studio' blind stamp lower left margin, depicting a landscape with pigeons in the fo

James Abbott McNeill Whistler (American, 1834-1903). Lithograph in black ink on thick wove paper after the original. First Edition. Printed in the studio of Thomas Way in London c.1910.

James Abbott McNeill Whistler (American, 1834-1903). Lithograph in black ink on thick wove paper after the original. First Edition. Printed in the studio of Thomas Way in London c.1910.

James Abbott McNeill Whistler (American, 1834-1903) La Robe Rouge (The Red Dress) lithograph bearing blindstamp of 'The Studio London' 7 ½ x 6 inches. Property from the Collection of Noel and Kat

James Abbott McNeill Whistler (American 1834-1903) "Gants de Suède" Suede Gloves, Beautiful Portrait of Ethel Birnie Philip, Way 26. Original Lithograph, 1890. Published in The Studio, 1894, with

After James A. Whistler (American, 1834-1903), "The Long Gallery in the Louvre," 1894, lithograph, signed with butterfly in plate lower center, "Studio" blindstamp lower right, overall (with mat): 18"

James Abbott McNeill Whistle Lithograph Title: "The Convalsecent" Medium: lithograph (after the watercolor). The lithography was published in London by The Studio in 1905 for a rare deluxe portfolio.

Medium: offset lithograph (after the watercolor). Published in London by The Studio in 1905 for a rare deluxe portfolio. Printed on smooth wove paper, the image measures 7 3/4 x 5 1/4 inches (200 x 13

Medium: offset lithograph (after the watercolor). Published in London by The Studio in 1905 for a rare deluxe portfolio. Printed on smooth wove paper, the image measures 7 x 4 inches (176 x 100 mm). A

"Gants de Suede" lithograph 9 1/2 x 6 inches. signed in cypher. blind stamp "The Studio London" lower left. framed 14 1/2 x 10 1/2 inches. (overall)

James Whistler Lithograph, Katie stage door site, size 6 1/4 x 9 1/4 inches overall frame size 15 x 18 inches

James Whistler Lithograph The Old Marble Hall, Venice Medium: lithograph (after the pastel). The lithography was executed by Whistler's friend and fellow artist Thomas Way, and published in London by

DESCRIPTION: James Whistler lithograph on paper titled: "The Smiths Yard" features two figures with stable and horses. Embossment at lower middle, mounted in a gilt wood frame. Label from: "Harbor Gal

James A. M. Whistler (American 1834-1903)- 1). ''Gant de Suede'' (Levy 40)- lithograph, 1890. 8 3/4 x 4 1/4'' 2). ''Robe Rouge'' (Levy 96) lithograph, 1895. 7 3/4 x 6 1/4'' Both as published in 'The S

James Abbott McNeill Whistler lithograph on paper, "Charing Cross Railroad Bridge", bears butterfly monogram, label on verso P & D Colnaghi & Co. Ltd. 14 Old Bond St. London, hand printed artist�

Medium: original transfer lithograph. Catalogue reference: Way 104. Executed in 1896 and issued in 1898 as the frontispiece in "Lithography and Lithographers" by Joseph Pennell; this is one of the com

(American, 1834-1903) titled "The Doctor (Portrait of My Brother)" 1894, unsigned Overall: 17-1/4"h x 13-1/4"w Sight: 8-1/2"h x 6-1/2"w