Johannes Wierix (Anversa 1549 - Bruxelles 1620) Adam

Johannes Wierix (1549-ca. 1620) after Albrecht Durer (1471-1528). Engraving on paper titled "Madonna with Monkey," ca. 1565-1566. Signed in the plate "IHW.AE17." Dimensions: Height: 7 1/2 in x width:

Moses on the Mountain, black and white chiarascuro oil painting, circa 1900, unsigned, artist identified on brass frame tag, in dark stained box frame with mystic symbols carved in the corners, OS: 49

Jesus in the Wilderness, black and white chiarascuro oil painting, circa 1900, unsigned, artist identified on brass frame tag, in dark stained box frame with mystic symbols carved in the corners, OS:

Johannes Adam Simon Oertel (NJ, Virginia, Germany 1823-1909) O/C Portrait of a Middle Eastern holy man with walking stick signed lr J.A.O. 1873 - Also name on plaque on front "J.A. Oertel" - 25" x 13"

(Anversa, 1655 - Bruxelles. 1729) Paesaggio classico Olio su tela, cm 98X117 Allievo del paesaggista Philips Augustijn Immenraet, Rijsbraeck risulta registrato come allievo nella Corporazione di San L

Jan Wierix (Flemish 1549-1615), After Albrecht Durer. Melencolia I 1602. Engraving on laid paper. Watermark: Haewood 649. Provenance: Dr. George Kofas collection, former professor of fine arts; Univer

Honterio Sarmatijos zemelapis, 1548 Honter Johann (Honterus Johannes, 1498-1549) Sarmatia Medzio raizinys, 12 x 15,5 Kitoje puseje Balkanu saliu zemelapis. Zurich, 1548,

Johan Wierix (Flemish, 1549-1618) The Most Blessed Sacrifice and Sacrament, Engraving on laid paper. 20th century later printing. Framed dimensions: H: 22 3/4 x W: 19 1/2 in. H: 9 W: 5 5/8 in. With Ce

Atlases.- Honterus (Johannes) Rudimentorum Cosmographico, title with woodcut device, 3 woodcut illustrations, including one of an armillary sphere, Copernicus's Heliocentric model of the planets, and

Pieter Bruegel il vecchio (Bruxelles 1564 - Anversa 1638) "La lussuria" stampa a bulino originale, firmata in lastra, Bastelaer 131 ,Hollstein III,277, 131 Lari 126 mm.228x295

Adam Elsheimer (Italian/German, 1578-1620) Man Kneeling with Angel oil on panel 20 x 15 1/2 inches. This lot is located in Palm Beach.

Portrait of a Horse Etched by Johannes Arnoldus Boland (1838-1922) after Johann Adam Bernhard Ritter von Bartsch (17 August 1757 ? 21 August 1821) Print Type: Etch

darunter 5 Kabinenober- und 10 Unterteile, 7 Stossstangeneinheiten, 8 Kuehlergrills, 8 Pritschen, ..., ueberwiegend neuwertig (Wiking 2.Wahl)

Johannes Brodaeus, ed. Epigrammatum Graecorum Libri VII. Basel: Froben, 1549. 12" x 8". [8], 627, [21] pp. Printer's woodcut device to title and final leaf verso. Full vellum, rebacked in vellum, some

ASSORTED ARCHITECTURE AND DECORATIVE ARTS REFERENCE VOLUMES, LOT OF 32, including Thornton, "Authentic Décor: The Domestic Interior 1620-1920"; Brown, "American Wall Stenciling, 1790-1840"; Adams, "T

Estate Rolex Oyster Perpetual Datejust wristwatch, diamond-set bezel, black dial with diamond indexes, date aperture at the three o'clock position, 18kt yellow gold President bracelet, observed operat

Pair of very fine yellow-enameled cups, 2 3/4" dia.Elegantly shaped cups rising from a short foot, all covered by a bright tone of lemon-yellow. Under-glazed Yongzheng mark and of the period. Original

DALE CHIHULY (b. 1941);Large Oxblood and Antwerp Blue Persian with Yellow Lip Wrap, Seattle, WA, 1989; Signed and dated; 8" x 16 1/2" x 14 1/2";

AN EARLY 19TH CENTURY DIAMOND SPRAY BROOCH a ribbon-tied floral spray set throughout with rose-cut diamonds in closed-back settings. Estimated total diamond weight 3.00ct, 4.5cm by 4.2cm, 9.9 grams T

Vase, France, 1896, Emile Gallé, Nancy, round stand, trope-shaped body, bulging at the rim, flared mouth rim, wall 3-fold vertically divided by longitudinal ribs, clear glass with reddish-violet me

rate 7.5, 17" x 9", Double Sided Porcelain Flange Sign, Early, Nice Color and Gloss, shows some wear and chips, cool Di-Cut Flange, TAC #046731

Pair Milo Baughman Style Burl Cube Side Tables. Fancy burl wood. -- Dimensions: H: 17.5 inches: W: 18 inches: D: 18 inches ---

A pair of collectible tall cloisonne stands with five feet above a ring type base supported on five ruyi heads, the top side enameled with a circular panel enclosing stylized shou characters and lotus

Nussbaum, furniert sowie Einlagen aus Pflaumenholz. Dreiseitig bombierter Korpus mit ausgebogter Zarge, flankiert von schmalen, weit ausgezogenen Ecklisenen, in ausgestellte Beine übergehen