Romiti, Paesaggio.

PAESAGGIO SU LAGO ROMITI 70 X 50

Eugene Galien-Laloue Snowfall in Paris_x000D_ a pair of tempera on paper, 19by32cm._x000D_ Signed on lower left: E.Galien Laloue

painted in verins Martin, 165x192x220cm. (some lacks)

entirely hand built with faceted spheres of colorless and gilt glass, 242by158cm. circa

Untitleda patinated bronze, eg. 8/8, 48by60cm.(two slight abrasions of the patina).Signature, foundry mark and edition below, A. Poncet 8/8 Fonderia Tesconi Pietrasanta

40mm. case

mod. 2338, a five-light suspension lamp, each light bordered by a pair of teardrop crystals worked on the grinding wheel with opaque excavation; frame in oxidized steel brass.Milan, Fontana Arte, '60s

120x60x50cm. each (one sculpture restored)

140by60cm. each

Portrait of Wolfgang Amadeus Mozart white marble sculpture on a marble socle, the head 64cm. high Prov.: Rodolfo Peikov, Rome

the elegant draped dress, the hairstyle rendered in great detail, 65x80x60cm. approximately

digital print on paper, 70by50cm., n ° 6,648 / 10,0001999 Cologne, Monte Carloa chromed metal side table designed by Philippe Starckcomplete with original packaging

A white marble head of Napoleon with a laurel crown, 19th century, 60cm. high

Paul Storr, 23x17x13cm., 1,057gr. weight

The jail oil on canvas, 70by50cm. Signed with monogram on lower center: RF

66by70cm. each

mod. 1552, 3 wall sconces with ground glass diffuser and nickel-plated brass support. Milan, Fontana Arte, '60s, 40by8cm. (one lamp with defect). Bibl.: Quaderni Fontana Arte, n. 6, 1964, p. 82

signed and dated in arab on higher right, cm. 69x72

Rome, 19th century, 20cm. high each

413by303cm

The angel departs from Tobias, 1641_x000D_ etching in a beautiful 17th century gilt wood frame, 50by48cm. total size

A steel head of zar Asparuh 55cm. high. The work is part of the project for a monument for the 1300th anniversary of the foundation of the Bulgarian state 681-1300 (1981) which was then not built

18,5by14cm. the case

multilayer wood, 35x157x46cm. Bibl.: C.Fiell, P.Fiell, 1000 Chairs, p. 648