A 1800s REMBRANDT ETCHING RAISING OF LAZARUS FRAMED.

Rembrandt van Rijn "The Raising of Lazarus" etching. Elaborately framed in arched shadowbox matting. Includes COA from Park West Galleries. Unframed ( height: 15 inch, width: 10 inch) Framed ( Height:

REMBRANDT VAN RIJN RAISING OF LAZARUS ETCHING Rembrandt van Rijn "The Raising of Lazarus" etching. Elaborately framed in arched shadowbox matting. Includes COA from Park We

etching, glazed and framed; signed in plate to center; 14 1/2 x 10 in. (36.8 x 25.4 cm.), Frame: 27 1/2 x 23 1/4 in. (69.9 x 59.1 cm.) Provenence: Property from an Estate; Bellette Hofmann Fine Art In

After Rembrandt, etching on paper "Raising of Lazarus", reverse copy, 5-3/4" x 4-3/8", good condition, trimmed to plate mark

Etching, Rembrandt, "The Raising of Lazarus", original etching, 1642, second state, some foxing in the matting, scene itself is good, 5 7/8" by 4 6/8", Knoedler label.

After Rembrandt Harmenszoon Van Rijn (1606-1669). Man in a Cap, Bound Around His Chin. Antique hand pulled copper plate etching on laid paper after the original by master etcher Amand Durand (1831 - 1

After Rembrandt Harmenszoon Van Rjin (1606-1669). Portrait of a Jew Merchant. Antique Hand pulled copper plate etching on laid after the original by master etcher Leon Richeton (English, 1854-1934). S

Rembrandt van Rijn, Dutch, 1606-1669. Etching with drypoint on laid paper, titled "The Raising of Lazarus" (Small Plate). Chain lines with Crown and Shield watermark having "AM" initials mid image, be

After Rembrandt Harmenszoon Van Rijn (1606-1669). Landscape with Road beside a Canal. Antique hand pulled copper plate etching on laid paper after the original by master etcher Amand Durand (1831 - 19

After Rembrandt Harmenszoon Van Rijn (1606-1669). Bust of a Bald Man, Looking Down, Grinning. Antique hand pulled copper plate etching on laid paper after the original by master etcher Amand Durand (1

After Rembrandt Harmenszoon Van Rijn (1606-1669). Bearded Old Man in an Oval. Antique hand pulled copper plate etching on laid paper after the original by master etcher Amand Durand (1831 - 1905). Yea

After Rembrandt Harmenszoon Van Rijn (1606-1669). Old Bearded Man, Nearly in profile to R. Antique hand pulled copper plate etching on laid paper after the original by master etcher Amand Durand (1831

After REMBRANDT VAN RIJN (Dutch 1606-1669) "The Raising of Lazarus" Etching (larger later impression). Sheet: 14 1/8 x 9 3/8 inches; Frame: 27 1/2 x 22 5/8 inches. [CONDITION: In overall good conditio

Rembrandt van Rijn, "The Raising of Lazarus", posthumous etching purported to be from the artist's etched plate, ink on paper sight: 14.5 x 9.5 in., frame: 28.5 x 24.5 in. Provenance: Pr

After Rembrandt Van Rijn (Dutch, 1606-1669), "Raising of Lazarus," etching, reprint 20th century, overall (with frame): 29"h x 24.5"w

After Rembrandt Harmensz van Rijn (1606 -1669), "The Raising of Lazarus," etching, after the 1632 original, presented in a gilt frame, H.- 15 1/4 in., W.- 10 3/4 in.

Framed Etching By Rembrandt "RISING OF LAZARUS". Frame Measures 28 1/2" x24 1/2". Sight Measures 16 1/2" x 12"

DESCRIPTION: "Raising Of Lazarus". (Rembrandt Van Rijn 1606-1669). Etching on Arches laid paper. Signed in the plate. The tenth state (Bjorkland and Nowell-Eusticke). From Millennium limited edition.

Rembrandt "The Raising of Lazarus" The Larger Etching.Overall size: 28 3/4 x 24 1/4 in. Sight size: 14 3/4 x 10 1/4 in. Please contact Nic at Info@premiershipment.com for an estimated shipping quote p

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: Small PlateEtching and drypoint, circa 1642, a good clear impression of New Hollstein's first state (of two) before any re-working to the plate an

Rembrandt Harmensz van Rijn (1606-1669) The Raising of Lazarus: Small Plate (Bartsch 72; New Hollstein 206) Etching, 1642, on laid, New Hollstein's final second state, with thread margins, 150 x 114mm

REMBRANDT VAN RIJN The Raising of Lazarus: Small Plate. Etching, 1642. 151x115 mm; 6x4½ inches, narrow margins. Biörklund's second state (of 2); Usticke's second state (e) (of 3); White and

RAISING OF LAZARUS (B.73; H.73), etching on wove paper, sight 14 x 9 ¾”, label on verso states late Basan/ early 19th Century impression, hand-made custom frame 27 x 25” with glass.

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: The Larger PlateEtching, circa 1632, a slightly worn impression of New Hollstein's fifth state (of nine), before any rework by later hands, on lai