Zhang Xiong Image: 14 3/4 x 68 1/4 in., 37.5 x 173.4

Elizabeth Keith (British, 1887-1956) Flower Street, Hong Kong signed 'Elizabeth Keith' (lower right); numbered '3' (verso) color wood-block print image 37.5 x 25.7cm (14 3/4 x 10 1/8in). Footnotes: Ex

Aaron Siskind Rome 150 (Homage to Franz Kline) 1973gelatin silver print image: 13.375 h x 14.375 w in (34 x 37 cm) sheet: 19.875 h x 16 w in (50 x 41 cm) Signed, titled, dated and inscribed

Artist: Marc Chagall Title: Lovers over Paris Medium: Giclee on Fine Art Paper Signature: Facsimile Signed Limited Edition: 375 Image Size: Approximately 14 inches x 18 ¾ inches Paper Size: App

WATERSIDE No. 1, 1977, etching and aquatint, signed and dated and numbered 68/100 in pencil, image 8 ¼ x 9 ¼”, full margins, frame 16 ¾ x 16 ¾” with glass.

THE OPPRESSORS LES OPRIME, 1983, color aquatint etching, signed and numbered 35/100 in pencil, image 14 ¾ x 19 ¼”, full margins, hand-made custom frame 29 ¼ x 33” with Plexi

SLEEPING BEAUTY (H.323), 1927, color etching, signed and numbered A/243 in pencil, blind stamp lower left, copyright line upper right, Artistes Modernes line upper left, image 14 ¾ x 18 &frac14

SACRED CRANE, color woodblock print, signed in pencil, character stamp lower right, image 14 ¾ x 9”, sheet 17 x 11 ¼”, in good condition.

Joseph Hecht (Poland 1891 - 1951) Pencil Signed Original Etching. Pencil signed "Joseph Hecht" lower right. Numbered "7=50" in pencil bottom left. Image size 14-¾" x 9-½" (37-½cm x 24-½cm), sheet

Oil on canvas, signed (LR) Image sight is 14 3/4" x 8 1/4" Condition, frame damage, loss of gesso, loss of gilt, cracks in frame

NYE, Myra Sturtevant (American, 1875-1955) Still Life. 1900. Oil on canvas. 1920s. Signed lower right. Image: 22” x 14 ¾”. Frame: 33 ½ x 26”. Nye was a writer, journalist,

SORCERER’S VILLAGE, 1972, color screenprint, signed in pencil, numbered 103/125, image 16 ¼ x 19 ¾”, sheet 20 x 22 ¾”, printed by NYIT print workshop New York with their blind stamp lower rig

ARTIST: Otto Nebel (1892-1973) MEDIUM: Collage and Paint DATE: 1958 DIMENSIONS: 6.5 x 5.125 in. (image); 16.375 x 14.5 in. (framed) SIGNATURE: LL outside of image Kb. 18-1958, LR Nebel CONDITION: In v

STONEWALL, woodblock print, signed and titled in pencil, image 11 ¼ x 7 ¾”, full margins, frame 21 ¼ x 17 ¾” with glass.

LA RAIE, 1958, color etching, signed and dated in pencil, numbered 6/50, image 11 ¾ x 14 ¾”, full margins, framed with glass.

JUENE HOMME, 1973, color carborundum gravure, signed and dated in pencil, numbered 81/99, image 25 ¼ x 17 ¾”, full margins, framed, in apparently good condition a strong impression with fresh colo

HOM’MERE III: TRANCHETRE (F.209), 1977, color aquatint etching, signed in pencil, numbered 60/100, printed and published by Georges Visat, image 19 ¼ x 14 ¾”, full margins, frame 28 ¾ x 21 ¾��

HOM’MERE III: L’ERGOFRAGE (TITIANIC) (F.207), 1977, color aquatint etching, signed in pencil, numbered 60/100, image 19 ¼ x 14 ¾”, full margins, frame 28 ¾ x 21 ¾” with glass.

ARTIST: Otto Nebel (1892-1973) MEDIUM: Collage DATE: 1969 DIMENSIONS: 5.875 x 7 in. (image), 13.625 x 14.375 In. (framed) SIGNATURE: LL Nebel , LR Kb.128/169: Liebliches. VI CONDITION: Some slight und

PEACE COLLECTOR, 1998, color lithograph, signed and dated and numbered 55/250 in pencil, printed by Mourlot with blind stamp lower left, image 31 ¼ x 22 ¾”, full margins, frame 51 x 41

ARTIST: James Surls (American, b. 1943) MEDIUM: Etching EDITION: 4/21 DATE: 2008 DIMENSIONS: 10.75 x 14 in. (image); 16.375 x 19.5 in. (framed) SIGNATURE: Lower right James Surls; center With Out With

EARLY HARVEST (H.210), color etching, signed in pencil, diminished Les Gravure Moderne tagline upper left, oval image 18 ½ x 14 ¾”, full margins, oval frame 23 ½ x 19 ½&#8221

RED RADISHES, 2000, etching and aquatint, signed and numbered 22/100 in pencil, image 3 ¼ x 4 ¾”, full margins, frame 15 x 12 ¼”.

WINTER, color aquatint etching, signed in pencil, image 10 ¼ x 12 ¾\", full margins, mild toning, old hinge remnants on verso, otherwise in good condition.

UNTITLED, color etching, signed and numbered 2/50 in pencil, image 19 ¼ x 14 ¾”, full margins, frame 28 ¼ x 23 ¼” with glass. Provenance: Fairweather Hardin Gallery, Ch