Martin Lewis, Circus Night, Drypoint

Signed lower right margin: Martin Lewis and in print the plate lower left: M. Lewis. Sight: H: 12; W: 16 1/4 inches. Frame: H: 18 7/8; W: 19 inches. Prov: Kennedy Galleries Condition: Removed from fra

MARTIN LEWIS Yorkville Night. Drypoint, 1947. 216x290 mm; 8½x11½ inches, full margins. Signed in pencil, lower right. A superb, richly-inked impression of this scarce print. Lewis (1881-1962

MARTIN LEWIS Shadows, Garage at Night. Drypoint, 1928. 250x303 mm; 9¾x11¾ inches, full margins. Edition of approximately 49. Signed in pencil, lower right. A luminous, richly-inked impressio

circa 1932 etching on paper signed lower right, ed. of 135 image size 8 1/4 x 8 3/4 inches

Martin Lewis Night in New York 1932etching image: 8.5 h x 8.875 w in (22 x 23 cm) sheet: 13.375 h x 12 w in (34 x 30 cm) Signed to lower right edge 'Martin Lewis' with Chicago Society of Et

Martin Lewis (American 1881-1962)- ''The Return'' (Mc Carron 45)- drypoint and sandground, 1925, signed in pencil, edition of 36, slight mat burn. 7 3/4 x 9 7/8''

Artist: Martin Lewis, Australian/American (1881 - 1962) Title: Ha'nted Year: 1932 Medium: Drypoint Etching, signed in pencil Image Size: 13.5 x 9 inches Frame Size: 21.5 x 17.5 inches

Stoops in Snow  1930 signed in pencil outside plate l.r., signed within plate l.l. hand watermark u.r.  framed 10 x 15 in. (plate), 18 x 22.25 in. (frame)  Included are two

Pencil signed lower right: Martin Lewis, and in the plate lower left: M. Lewis. Sight: H: 8 1/2; W: 12 1/4 inches. Frame: H: 17 1/4; W: 21 inches. Prov: Paul McCarron, NYC private art dealer. Framed,

MARTIN LEWIS Subway Steps. Drypoint printed in dark brownish black, 1930. 345x205 mm; 13⅝x8⅛ inches, full margins. Second state (of 2), after the reduction of the plate. Edition of approxi

Title: Departure of the Boats.Artist: Martin Lewis (1880-1962) Drypoint and sandground, 1926.Edition 50, recorded impressions 17 (final state). Signed in pencil. Image size 7 7/8 x 11 7/8" (20 x 30.1

Title: Road to Ajiro. Martin Lewis (1880-1962) Medium: Drypoint and sandground, 1926. Recorded impressions 34. Signed to pencil. Image size 11 7/8 x 7 7/8" (300 x 200 mm). The Prints of Martin Lew

An original lobby card itself with 150 dollars signed by Martin IN PERSON not the mail secretary same with Lewis with COA

Martin Lewis pencil signed unframed dry point etching, 1927 - 7 3/4" x 9 3/4" image

Martin Lewis. American. "Rain, Japan, 1926" Drypoint printed in green-black ink on wove paper. Framed under glass. Signed in plate. Pencil signed in margin. Appears to be in good condition - not exami

Martin Lewis 1881-1962 Corner Shadows drypoint and etching on laid paper 1930; signed in pencil lower right Image: 8 x 8 7/8 in. (20.3 x 22.5 cm.), Sheet: 11 x 12 3/8 in., Frame: 18 x 18 in. (45.7 x 4

Martin Lewis (New York, Connecticut, Maine / Australia, 1881 - 1962) "Stoops in the Snow" Drypoint and sandpaper ground on cream wove paper, 1930. Second state (of 2). Edition of 115. Signed in pencil

Martin Lewis (American, 1881-1962) Rainy Day, Queens (McCarron 94) Drypoint, 1931, on laid paper, signed in pencil, one of 70 recorded impressions, with margins, framed Plate 268 x 300mm (10 1/2 x 11

Martin Lewis Shadows on the Road 1926drypoint and sand ground etching printed in greenish black sight: 8.5 h × 10.375 w in (22 × 26 cm) plate: 7.75 h × 9.75 w in (20 × 25 c

Martin Lewis Showers on the Bay (Japan) 1925drypoint and sandpaper ground image: 7.875 h x 11.875 w in (20 x 30 cm) sheet: 12.25 h x 18.75 w in (31 x 48 cm) Signed to lower right margin 'Ma

MARTIN LEWIS Relics (Speakeasy Corner). Drypoint, 1928. 302x252 mm; 11¾x9¾ inches, full margins. Edition of 111. Signed in pencil, lower right. A brilliant, luminous impression of this impor

MARTIN LEWIS Subway Steps. Drypoint printed in dark brownish black, 1930. 345x205 mm; 13x8 inches, full margins. Second state (of 2), after the reduction of the plate. One of only 8 artist's proofs in

MARTIN LEWIS The Passing Freight, Danbury. Drypoint and sand ground, 1934. 227x363 mm; 8¾x14¾ inches, full margins. Artist's proof, aside from the edition of 47. Signed and inscribed "Trial

MARTIN LEWIS (AUSTRALIAN-AMERICAN, 1881-1962) "THE PASSING FREIGHT, DANBURY", drypoint etching on paper, a fine, crisp impression, pencil signed and inscribed "Trial Proof #2 / Martin Lewis" in lower