Swann showcases Artists of the WPA Jan. 27

James Daugherty, maquette for the social room of the Fairfield Court Housing Project in Stamford, Conn., est. $5,000-$7,000
James Daugherty, maquette for the social room of the Fairfield Court Housing Project in Stamford, Conn., est. $5,000-$7,000
James Daugherty, maquette for the a room in the Fairfield Court Housing Project in Stamford, Conn., est. $5,000-$7,000

NEW YORK — Continuing a tradition of offering specialized auctions, Swann Galleries will offer its second edition of The Artists of the WPA on Thursday, January 27 which aims to call attention to the generation of artists that contributed to the Federal Arts Project and the varying “alphabet agencies” and helped form a new American identity in the 20th century. Absentee and Internet live bidding will be available through LiveAuctioneers.

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Nature scenes found favor at Bruneau’s first sale of 2022

Watercolor on paper by Anthony Thieme, $12,500
Watercolor on paper by Anthony Thieme, $12,500
Watercolor on paper by Anthony Thieme, $12,500

CRANSTON, R.I. – Paintings by Julie Hart Beers, Anthony Thieme and Edgar S. Paxson were among the top lots in an Estate Fine Art & Antiques auction held January 6 by Bruneau & Co. Auctioneers. Works by all three sold for five-figure sums.

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Phoenix Art Museum recalls when paper ruled pop fashion

(Left to right) Misty Modes, ‘Daisy Mae’ shift, 1960s. Printed Du Pont Reemay spunbonded polyester. Collection of Phoenix Art Museum, promised gift of Kelly Ellman. James Sterling Paper Fashions, dress, 1960s. Printed Du Pont Reemay spunbonded polyester. Collection of Phoenix Art Museum, promised gift of Kelly Ellman. Image © Phoenix Art Museum.
(Left to right) Misty Modes, ‘Daisy Mae’ shift, 1960s. Printed Du Pont Reemay spunbonded polyester. Collection of Phoenix Art Museum, promised gift of Kelly Ellman. James Sterling Paper Fashions, dress, 1960s. Printed Du Pont Reemay spunbonded polyester. Collection of Phoenix Art Museum, promised gift of Kelly Ellman. Image © Phoenix Art Museum.
(Left to right) Misty Modes, ‘Daisy Mae’ shift, 1960s. Printed Du Pont Reemay spunbonded polyester. From the collection of the Phoenix Art Museum, promised gift of Kelly Ellman. James Sterling Paper Fashions, dress, 1960s. Printed Du Pont Reemay spunbonded polyester. From the collection of Phoenix Art Museum, promised gift of Kelly Ellman. Image © Phoenix Art Museum.

PHOENIX  – Arizona audiences can explore paper garments from one of fashion’s most experimental and whimsical eras in Generation Paper: Fast Fashion of the 1960s at Phoenix Art Museum. Featuring work from 1966 through 1968 by designers and manufacturers such as Mars of Asheville, Scott Paper Company, The Disposables, Sterling Paper Fashions, Hallmark Inc., and others, the exhibition showcases more than 80 garments and accessories, including dresses, bikinis, skirts, hats, jumpsuits, rompers, beach cover-ups and accessories made from paper, plastic, laminate and other nonwoven textiles. Generation Paper is on through July 17 in the Museum’s Ellman and Harnett galleries and highlights a special component of the Museum’s fashion-design collection.

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RR Auction presents winning Olympic lineup, Jan. 20

St. Louis 1904 Olympic silver medal for the long jump, awarded to Daniel Frank, est. $75,000-$100,000
St. Louis 1904 Olympic silver winner's long jump medal, awarded to Daniel Frank, est. $75,000-$100,000
St. Louis 1904 Olympic silver medal for the long jump, awarded to Daniel Frank, est. $75,000-$100,000

BOSTON – Boasting an unprecedented selection of nearly 200 lots of winner’s medals, torches and outstanding ephemera, RR Auction‘s January 20 Olympic auction is set to be a record-breaker. View the fully illustrated catalog on LiveAuctioneers.

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Barnett Newman paired rich colors, perfect compositions

This untitled, undated Barnett Newman oil on canvas sold for $1,025 plus the buyer’s premium in July 2018 at International Art Auction Gallery. Image courtesy of International Art Auction Gallery and LiveAuctioneers.

NEW YORK — Paintings don’t always have to tell a story; they can just exist and don’t need to be interpreted. Through the artist’s command of color and brushstrokes, they can impart a kind of spiritual or transportive experience. Barnett Newman (American, 1905-1970) was a master of Color Field paintings, creating striking color-saturated works with color bands he dubbed “zips,” which spoke volumes in their simplicity and rich hues.

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