19th century, A study of historic ruins with figures in

A 19th century study of Classical figures, oil on papier maché box cover, titled 'Daphne' verso, 9.5 cm diameter in a gilt frame, 23 cm square.

Artist Unknown (Italian School, 19th Century) Capriccio (Ruins with Figures) oil on canvas laid to board signed illegibly (lower right) 11 1/2 x 9 inches. Property from the Estate of Anne M. Baker, Pe

Chinese School, 19th Century Chinese figure studies, a pair both gouache, held in carved and pierced period frames each 31.4 x 20.3cm (12 3/8 x 8in). (2)

Continental School (19th Century) Landscape with Ruins and Figures oil on canvas 44 3/4 x 36 1/2 inches. Estimate $200-300 Canvas is lined. Please request a complete condition report.

18th and 19th century portraits and studies of figures. [Largest page: 20" H x 16" W]. All "as-is" or mounted.

19th Century Dutch school oil, study of a figure seated by a window, indistinctly inscribed and monogrammed, 13ins x 9ins

Antique original oil painting on canvas. A figural art work in the 19th Century Romanticism style. A study of two figures, a falconer with bird and a young woman, both wearing traditional Russian cost

Italian School (19th century), A Capriccio View with Ruins and Figuresoil on canvas, unsigned, presented in a later gilt composition frame. Stretcher size Frame dimensions 32 x 36 1/2 in. Private Coll

19th century oil on canvas depicting ruins and figures, mounted in arch-form frame. Dimensions:  Art: 47" H x 30" W; Frame: 51" H x&nbs

ITALIAN OIL ON CANVAS, C. EARLIER 19TH C., H 29", W 38", ROMAN RUINS:Depicting figures walking amongst Roman ruins; unsigned; gilt frame. For a high resolution photo

Fine Old Chinese Hardwood Carved Panels with historic figures in open work , 19th century , in very good condition , size: 136 ( length ) X 98 ( width ) X 3.3 ( thickness ) CM

A FINE WOOD'S ENGLISH BLUE TRANSFER PLATTER, 19TH CENTURY. In a romantic scene pattern with ruins, figures, and a lakeside villa. Impressed "wood". Length 16.5 inches (42 cm). SHIPPING NOTICE:

Artist Unknown (Continental, Late 19th/Early 20th Century) Shore Scene with Ruins and Figures. Oil on board, unsigned Board: 11.75" x 16.25" Frame: 16.25" x 20.75"

19th century depicting figures and classical ruins in a pastoral landscape 7'8" x 10'2"

A Pair of 19th Century English Blue & White Platters. Each transfer decorated platter is of oval form with "Wild Rose" border containing a Neoclassical image with ruins, figures, and cows. Impressed "

19th century French atelier pencil drawing of figure study (paper folding mark, edge damage), 21.25"x16"

ITALIAN SCHOOL (19TH CENTURY), CHARCOAL ON PAPER, ACADEMIC MALE FIGURE STUDY, SIGNED MAGNINI. SIGHT 16 1/2 X 12"

An interestingly lit capriccio of classical ruins with figures, unsigned, housed in a very good painted 18th/early 19th century frame. The canvas measures 30 x 40, the frame is 35 x 45 inches. We happ

European ruins and figures. Possibly Flemish School. Appears to be unsigned. Quality execution.Overall size: 23 3/4 x 29 1/2 in.Sight size: 18 1/2 x 24 1/2 in. Please contact Nic at Info@premiershipme

Collection of 19th century Cartes-De-Visite portrait photographs of artists, musicians, politicians, actors and writers. Mounted and housed within a tooled leather album. Images include: poets, musici

Charcoal studies. The figures appear Dutch. Signed (illegibly) in pen and dated 1851. 14 x 16 1/2 (sheet); 6 1/2 x 8 1/2 inches (sheet.) Provenance: From the collection of J.A.S. Monks (American paint

Victorian Tole and Parcel-Gilt Tray, third quarter 19th century, the rectangular tray with turreted corners, bowed sides and a raised edge, centered by a scene of Abbey ruins with figures passing by,

Italian School (19th century), Two Capriccio Paintings with Figures and Ruinsoil on canvas (lined), both appear unsigned, presented in gilt frames. Stretcher size 13 1/2 x 9 3/4 in.; Frame dimensions

19th century AD. A study of St Albans Abbey, Hertfordshire, with figures in foreground, lightly rendered in ink and pen on paper, with faint signature at bottom left; mounted and held in a later glaze