Adam Ruins of Diocletian

Clara E. Sipprell: The Ruins of Diocletian's Palace at Spalato, 1929, warm-toned silver print, credit label and Vogue stamp verso, Image size: 9.25"x7.25"; Sheet Size: 9.25"x7.25". Reproduced in Ameri

Artist: Ansel Adams Title: White House Ruin, Canyon de Chelly, Arizona, 1942 Medium: Photo Litho, 2005, Slovenia Dimensions: 6x8.65" Description: Heat Wax Mounted on 8.5x11" Conservation Board Artist

Artist: Ansel Adams Title: Cliff Palace Ruin, Mesa Verde National Park, Colorado, 1942 Medium: Photo Litho, 1984, USA Dimensions: 9.2x7.4" Description: Heat Wax Mounted on 11x14" Conservation Board Ar

ANSEL ADAMS (B.1902-1984) White House Ruin, Canyon de Chelly National Monument, Arizona 1942 Photo-litho 11.5" x 8"

ANSEL ADAMS (B.1902-1984) White House Ruin, Canyon de Chelly National Monument, Arizona 1942 Photo-litho 11.5" x 8" Printed second half of 20th Century

Giovanni Battista Piranesi (Italian, 1720–1778). Veduta degli avanzi superiori delle Terme di Diocleziano (View of the Upper Ruins of the Baths of Diocletian [distant view showing the church of Sa

Ansel Adams (American, 1902 - 1984), Antelope House Ruin, Canyon de Chelly National Monument, Arizona, 1942, gelatin silver printed 1974, signed and numbered VI-2 45/110, in pencil on the mount, image

Two framed similarly. One with name on mat. Figures in front of Classical ruins. The other with hunters and fair maidens with their cows. One frame slightly larger. Possibly 17th century impressions;

Photographer: Ansel Adams (American, 1902 - 1984) - Internationally renowned American photographer. One of the most influential artists in photographic history. Title: "White House Ruin" Subject: Cany

5 European 18th Century Old Master Copper Plate Engravings: Josiah Boydell, 1744, Country House Ruin in a Landscape, Hendrick Eland, ca 1705, Netherlands, 2 Engravings, Adam & Eve and the Garden of Ed

EGYPTIAN / SPHINX NO. 50 GOBLETS, LOT OF EIGHT, colorless, comprising five examples embossed "RUINS OF PARTHENON" and three without embossing. Adams & Co. Circa 1882. 5 3/4" to 6" H.Undamaged with one

A RARE & COLLECTIBLE MYSTERY-SET SAPPHIRE AND DIAMOND FLOWER BROOCH, BY VAN CLEEF & ARPELS The realistically modelled flowerhead mystery-set throughout with calibré-cut sapphires, with a brilliant-

ALEX KATZ (b.1927) Catherine (2006) Oil on panel, 30.3 x 22.6cm Signed and dated 2006 Provenance: With Hillsboro Fine Art, Dublin; Private Collection, Dublin

AN IMPORTANT PAIR OF EARLY 20TH CENTURY DIAMOND EARRINGS Each transitional-cut diamond weighing respectively approximately 4.10cts & 4.22cts within a multi-claw setting to hook back fittings, mounted

Norah McGuinness HRHA (1901 - 1980) Waterweeds Oil on canvas, 122 x 91.5cm (48 x 35¾) Signed; inscribed with title and dated 1968 verso Though this Norah McGuinness painting is clearly of water

AN IMPORTANT DIAMOND SINGLE-STONE RING The old European-cut diamond weighing 6.94cts within a four-claw setting, to a plain hoop, ring size O Accompanied by a report from the GIA laboratory in America

AN IMPORTANT DIAMOND BRACELET The articulated strap set with a continuous line of graduated baguette-cut diamonds between graduated brilliant-cut diamond borders, mounted in 18K gold and platinum, dia

Daniel O'Neill (1920 - 1974) Portrait of Young Woman Oil on board, 45 x 35cm (17¾ x 13¾) Signed The epithet Romantic is often applied to the work of Daniel O’Neill, though that ca

Donald Teskey RHA (b.1956) Broadhaven Bay V Acrylic on paper, 76 x 105cm (30 x 41¼) Signed One of the leading Irish artists of his generation, Donald Teskey is so well known as a superbly tacti

Norah McGuinness HRHA (1901 - 1980) Days End on Dublin Bay Oil on canvas, 91.5 x 122 (35¾ x 48) Signed Provenance: With The Dawson Gallery, Dublin, label verso Norah McGuinness was one of a num

Daniel O'Neill (1920-1974) Girl in the Green Mask Oil on board, 46 x 37.5cm (18 x 14¾) Signed Provenance: With Oriel Gallery, Dublin; with Charles Gilmore, Holywood, Co. Down, where purchased b

Gerard Dillon (1916-1971) Clown Dreaming Oil on board, 41 x 51cm (16 ¼ x 20) Signed, inscribed verso Provenance: With The Dawson Gallery, Dublin, label verso A fantastically imaginative and sli

A SAPPHIRE DOUBLE CLIP BROOCH, BY RENÉ BOIVIN, CIRCA 1955 Composed of two stylised wings set with circular and oval-shaped sapphires accented with calibré-cut sapphires, mounted in 18K gold,

A RARE DIAMOND TORQUE COLLAR, BY BOIVIN, CIRCA 1965 The hinged circular collar leading to an oval bombé front set with old brilliant-cut diamonds, the clasp en suite, mounted in 18K gold, French