After the Ritual by Adriano Manocchia (1951- )

Adriano Manocchia (born 1951) Quiet Times signed 'Adriano Manocchia ©' (lower right) oil on board 9 3/4 x 13 1/2 in. framed 13 1/4 x 17 in. Painted in 1997. Footnotes: Provenance Property from an

OIL/BOARD ADRIANO MANOCCHIA "TRANQUIL MEADOW" SIGNED & SIGNED IN VERSO '04 (7 X 181/2" )

Published in 1989 in an edition of 500 numbered and signed sheets, this being number 34. Image size of 12" x 20" and accented with seven sub-surface flies by noted Maryland fly tyer and custom framer,

(1951- ) 11 3/4" x 17 1/2" original oil painting of this legendary Scottish river. Signed lower right. Excellent condition.

(1951- ) Oil on Board from 1993 with a 10 1/2" x 17 1/4" image size. Signed in lower left corner in a 16" x 23" frame. Excellent condition.

Gala armchair for Vittorio Bonacina. 1951. Malacca, rattan and bark.. Cm 87,00 x 106,00 x 80,00. Provenienza: collezione Adriano Bridi, Castel Ivano (TN)Literature: G. Gramigna, Repertorio del design

4392 vase for Venini in transparent glass with bands of three colors combined with incalmo. 1951. Murano glass.. Cm 8,50 x 23,50. Signed "venini murano italia".Provenence: Adriano Bridi collection, Ca

Flaming Reds. 10.00ct. Natural Ruby & 16.00ct diamonds necklace.Victorian Posh Elegance.Oval Shapes, Full cutclean clarity and transparent. The classic Vivid Reds.21 RubiesCenter: 6.7 X 4.8mm10 rubies

520 cm x 395 cm. Hand knotted. Wool on cotton. Iran. Persia. Condition see photos. Object can be shipped. 520 cm x 395 cm. Handgeknüpft. Wolle auf Baumwolle. Iran. Persien. Zustand siehe Fotos. O

(1883 Livorno - 1979 ebenda) "Spiaggia" (Strand). Originaltitel Farbenfrohe, von den Postimpressionisten und Fauvisten beeinflusste Strandszene. Natali gehörte zur Gruppe der Post-Macchiaio

This fabulous sign shows a young boy eating his cereal telling his dog that “Dere aint go’n’er be no leavin’s”. The sign was made by The Meek Co Coshocton, Ohio and is mounted on its origina

Salvador Dali Original Lithograph Fables of Fontaine Limited Edition Hand signed and numbered by the artist Salvador Dali. Approx size is 32x25 inches. Custom framed and includes documentation.

PATRICK VON KALCKREUTH 1892 Kiel - 1970 Starnberg Sea surf Oil on canvas. 61 x 91 cm (F. 78 x 108 cm). Signed lower right 'P. v. Kalckreuth'. Frame. Rahmen. Provenance: Private collection PATRICK VON

(40)+ Indonesian Batik fabric portions, most about 94"Lx 39"W, some smaller some larger

(JY). Condition (Excellent). Size Largest: 15 - 1/2" L.

The sides of the vessel horizontally grooved below a band of dissolved taotie centered on a simplified mask on two sides, the ring foot cast with a band of hooked diagonals and raised on three faceted

ZHANG DAQIAN (1899-1983) Portrait in front of a folding screen, 1951 Framed and glazed, ink and color on cardboard, dated xinmao, inscribed and signed Daqian jushi Yuan, with one artist's seal Zhang Y

ARTIST(s): Huang Binhong 黃賓虹 (1865-1955) ink and color on paper, Hanging scroll Painting (Sight): Signed/Seal(s): artist seal, signed Dated: In the Year of Huang Binhong 87th year

The body rising to an everted rim from tall splayed foot, finely cast around exterior with four large taotie masks reserved on leiwen ground, beneath a band of scrolled motif divided by two bovine mas

Clyde Aspevig (1951- ), Canadian Rockies, oil on canvas, 40 x 60, signed lower left: © . ASPEVIG, Provenance: From a Private Collection

Bonnie Marris (1951- ), Relentless Winter, oil on canvas, 48 x 60, signed lower right: B L Marris, Provenance: The Artist

A vintage graphite on paper drawing attributed to Pablo Picasso (Spanish, 1881-1973) circa 1951 titled "Portrait de Mireille" depicting a young girl seated in a chair. It is signed, marked "Vallauris"

Andre Dubreuil (FRENCH, 1951) Custom Perles candleholders, pair 1998-99 wrought iron with melted brass details, crystal, brass 30 x 63 cm Height 11.8 in.; Width 24.8 in

Signed lower left, oil on canvas(61cm x 51cm (24in x 20in))Exhibited: The Edinburgh GalleryNote: From the beginning, Jack Vettriano?s paintings have evoked a distinctive and fully-realised world, and