Albumen Print by Luke C. Dillon, "Photographer to Mount

SCARCE SAWYER NATIVE AMERICAN BOUDOIR PHOTOGRAPH, albumen print on photographer's mount, titled on negative, "Quanan, Commanche (sic) Chief," verso with photographer imprint, "

SCARCE SAWYER NATIVE AMERICAN BOUDOIR PHOTOGRAPH, albumen print on photographer's mount, titled on negative, "White Horse - No. 1, Chief of Otoes," verso with photographer imprint,

RARE NATIVE AMERICAN NAVAJO SILVERSMITH CABINET PHOTOGRAPH, albumen print on photographer's mount, depicting a silversmith seated on a dirt floor in a log structure, surrounded by his to

SCARCE SAWYER NATIVE AMERICAN BOUDOIR PHOTOGRAPH, albumen print on photographer's mount, inked title, "Cheyenne Council," verso with photographer imprint, "W.L. Sawyer's /

W. EUGENE SMITH, Model on Bed, 1960s, 13.5x9.125" Gelatin silver print, Printed c. 1960s, Photographer's address stamp on mount verso; reproduction stamp; personal exhibition stamp; photographer's cre

T & R ANNAN AND SONS, A Portrait Photograph of a Girl, toned gelatin silver print, c.1890-1900, mount with photographer's blindstamp, image 14cm x 9.6cm, in glazed frame 27cm x 19cm

albumen prints, c.1870, each photograph on decorative card mount, each printed 'Fot Brandel Warszawa 1249 Nowy Swiat' below image and with titles in Polish and French, images 11cm x 14.5cm, mounts 24c

Landy Studio Ruins of Chicago, October 8th and 9th, 1871 Mammoth albumen print, printed c. 1871, signed in the negative; signed, titled, dated and annotated in white ink on the mount. image: 12 x 16 1

Hippolyte-Auguste Collard: Barricades Place de la Concorde, Paris, 1871/c. 1871, albumen print, on original mount, Image size: 8.5" x 11.75"; Sheet Size: 13.75" x 18.125". One of the classic images of

ALBERT FREED, Man playing violin on the street, c. 1955, 13.25x9.125" Gelatin silver print, Printed c. 1955, Photographer's last name inscribed in pencil on mount verso. Well-known New York street pho

(lot of 79) Albumen Photographic prints, many c.1870, 80's, including British and European scenes by multiple photographers including James Valentine (Scotland, 1815-1879), Giorgio Sommer (Italian, 18

Photographed August 18th, 1888, albumen print from a wet plate negative Plate: 7-3/4"h x 5-7/8"w Provenance: By descent through the heirs of 19th C. New York Photographer Davis Garber

Title: Albumen Print of Mount Vernon Date: late 19th c/ Material/Origin: American Dimensions: Overall size: 9" x 11"; sight size: 6 3/4" x 8 3/4"; image size: 4 1/2" x 6 1/2". Provenance/Additional In

Photographer Unknown c.1882 NICE, FRANCE, APRIL 20th 1882, albumen print from glass negative, image size 255 x133mm, on original stiff paper support, titled and dated in pencil verso

ANONYMOUS PHOTOGRAPHER | View across the Danube Canal, Vienna c. 1857 | Albumen print, re-photographed salt paper print, mounted on original cardboard 30,4 x 40,9 cm 19 x 23,5 cm On the original board

Circle of Thomas Eakins Group Study c. 1883albumen print image: 3.625 h × 4.5 w in (9 × 11 cm) mount: 4.5 h × 6.5 w in (11 × 17 cm) Provenance: Olympia Galleries Ltd.,

JOHN F. COLLINS, Panatomic, c. 1935, 9.5x7.625" Gelatin silver print, Printed c. 1935, Gallery number inscribed in pencil on mount verso. Photographer and filmmaker John Collins, who lived to the age

MICHAEL FRANKENSTEIN (1843–1918) | Stephansplatz before regulation, Vienna c. 1870 | Albumen print, in excellent condition, on original studio mount paper and cardboard 30 x 39,8 cm, 19,1 x 24,2

MICHAEL FRANKENSTEIN (1843–1918) | Aspern Bridge towards Leopoldstadt, Vienna c. 1875 | Albumen print, in excellent condition, on original studio mount paper and cardboard 30 x 39,8 cm 18,9 x 24

JOSEF LÖWY (1834–1902) | Schwarzenberg-Platz, Vienna c. 1875 | Albumen print, in excellent condition, on original studio mount paper and cardboard 30 x 39,8 cm 19 x 24,6 cm Photographer&#82

Large albumen print by an anonymous photographer, mounted on board. Provenance: Phyllis Lucas Gallery, NYC. [Sheet: 16 1/4" H x 18 1/4" W; Mount: 18 1/4" H x 21 1/2" W]. In overall good condition with

to include: an 1890s albumen print depicting four seated men, its mount imprinted "The Pekin Photographer" in English and Chinese; seven later portraits through the 1920s, the four smallest ones being

BEN WITTICK (1845-1903), ANGELINA AND PEDRO, NAVAJOS, c. 1883, vintage albumen print, 7 11/16 x 4 5/8 in. (image), 8 x 5 in. (mounted to board); titled recto in negative; artist stamp on mount verso;

Photographer Unknown c.1880 ALBUM OF ART NUDES IN PAINTINGS, assembled c.1880s, comprising of albumen prints approx (72), mounted onto original paper supports, each approx, 125 x 85mm, oblong folio, s