Attributed to William James Hubard (British/American,

Attributed to William James Hubard (British/American, 1807–1862) 19th Century Silhouette 1820-1840. Gold highlights, birdseye maple frame. Framed 7 x 6 Hubard Gallery label on reverse. (CHECK??

Attributed to William James Hubard (English, 1807-1862) Portrait Miniature of a Gentleman Inscribed on verso, "Taken at the Hubard profile Gallery St. Peters Norwich," watercolor on paper, framed. (3

Early 19th c. silhouettes of three gentlemen. William Cooper Hall, Charles Cooper & John Taylor Hall, 1826 black & white paper, gold & black reverse painting on glass. All three have labels on the bac

Pair Antique William James Hubard Silhouette Portrait Miniatures. Marked on back Master Hubard. In frames marked Pat Romaleian. Each measures 6.25 x 5.25 inches.

An assorted collection of eleven silhouettes and framed works Various artists, 19th / 20th century Comprising two heightened profile silhouettes of ladies, by Master William James Hubard (English, 180

Two 19th century silhouette portraits probably done by William James Hubard (1807-1862), with extensive gold highlights against the black ground. The left facing gentleman (George Romney?) is named on

Two Cabaret Women oil on canvas unsigned Fletcher Gallery, Woodstock NY, label affixed to reverse framed 15.25 x 12.5 in. (sight) Provenance: Ex Collection of Rosella Hartman (1894-1993)

An attributed to William James Glackens (American, 1870-1938) oil on canvas panel portrait of a girl in a pink dress. Signed lower right and gilt framed. Panel: 20in x 15-1/4in. Provenance per consign

Four-Gallon Double-Handled Stoneware Jug with Elaborate Cobalt Floral Decoration, attributed to James or William Leet Hamilton, Greensboro, PA, circa 1860, highly-ovoid jug with tooled spout, decorate

Antebellum New Orleans Market Rosewood Triple-Section Armoire third quarter 19th century, attributed to the New Orleans warerooms of William and James McCracken, in the transitional Late Classical int

James I Sterling Silver Apostle Spoon hallmarked London, 1616-1617, attributed to William Lovejoy (fl. 1615-1638/39), depicting St. Matthew. l. 7-3/8", w. 2"; 1.97 t. oz. Literature: Piers Percival, "

New Orleans Market Rosewood Tester Bed, Attributed to the Warerooms of the Firm of William and/or James McCracken third quarter 19th century, the beaded and arched tester supported by four tapering cl

Attributed to James Millar (Birmingham, 1735-1805) oil on canvas portrait of William Pitt the Younger. Titled and attributed on plaque at lower edge of frame. Does not appear to be signed. Measures (s

William James Glackens (1870-1938, PA/NY/CT/FR) oil on canvas titled "Mixed Bouquet, White Vase" monogrammed lower left. Provenance: Chapellier Galleries, Inc., NY, NY to Thomas A. Campbell, Jr. & Mil

WILLIAM JAMES MULLER, (BRITISH, 1812-45), OIL ON CANVAS, H 32", W 53", "AFTERNOON IN LYCIA" Signed and dated 1843 lower left. identification tag with title is on the gilt frame (frame size: 37" x 59")

William James Müller (British, 1812-1845) Carpet bazaar, Cairo signed and dated 'W. Muller 1843' (lower left) oil on board 60.5 x 43cm (23 3/4 x 17in). Footnotes: A very similar composi

William James M&#252;ller (British, 1812-1845) Mandraki harbour, Rhodes signed 'WJMuller' (lower left) oil on canvas 51 x 76cm (20 1/16 x 29 15/16in). unframed Footnotes: Provenance</

William James (American, 20th century) Springtime, Lincoln Park (Chicago, Illinois), 1951 oil on canvas signed and dated lower left and signed verso 12" x 15"

William James Grant (British, 1829-1866) The bridge of sighs oil on panel, circular 13 x 13cm (5 1/8 x 5 1/8in). Footnotes: The subject of this work is taken from Thomas Hood's poem The Bridg

Attributed William Hogarth (British, 1697-1764), Portrait of a Boyoil on canvas (lined), retaining a label for William & Philip Evans at 37 Beak Street in London (1884-1907), also retaining remnants o

ATTRIBUTED William Merritt Chase (1849 - 1916) NY/CA Oil on board Medium: Oil on board signed : lower Left Size: 13.5" x 9.5" Frame Size: 15.5" x19.5 " Condition: Condition: Good,light wear and dirt a

"Gray Day, Monhegan", oil on masonite, signed lower left, titled on Salmagundi Club label verso, Newcomb-Macklin tagged fatigued frame, OS: 17" x 21", SS: 11 1/2" x 15 1/2". Good condition.

Attributed William Edward Frost, R.A. (English, 1810-1877), A Young Womanoil on canvas (lined), unsigned, presented in a gilt frame with gallery plaque. Stretcher size 22 x 18 in.; Frame dimensions 27

oil on canvas signed lower right Civil War battlefield with Union cavalry Provenance: Goldfiield Galleries, Los Angeles, California 26 x 38 inches canvas; 35 1/2 x 47 1/2 inches