ATTRIBUTED TO WILLIAM STICKNEY O/C PAINTING

PAINTING IS 12 1/4" X 14 1/4"--IN NICE CARVED GOLD GILT WOOD FRAME--1 SMALL REPAIR TO CANVAS--INSCRIBED ON REVERSE WM. STICKNEY

two works "...with grapes, cherries and peaches". Attributed to Elizabeth Williams (Am. 1844-1889). Signed "EW" lower right, information verso. Frame size: 10 1/2" high, 12 1/2" wide.

Attributed to JOHN WILLIAM CASILEAR [1811-1893]. Hudson River with Palisades, Cows watering at River, Figure in Boat, Sailboat in background. Oil on Canvas Painting, Unsigned, Needs some restoration o

William Fisher (New York/Maine, 1891-1985) impressionist oil on canvas landscape painting depicting several haystacks in a field beside a group of farmhouses, a mountain range with fall foliage in the

Exhibited William Barr (Scotland/California, 1867-1933) oil on canvas painting titled "Blacksmith at Monterey" depicting a blacksmith and his apprentice before a forge preparing a product with an anvi

PAINTINGS ARE 21" X 17"--SIGNED LOWER LEFT ON ONE & LOWER RIGHT ON THE OTHER--BTOH RELINED--NICE ORIGINAL GOLD GILT FRAMES

William Leon Stacks (North Carolina/Massachusetts, 1928-1991) abstract oil on canvas landscape painting depicting a group of trees before a small body of water. Signed and dated "William Leon Stacks 1

An important oil on canvas painting "portrait of Danish King Frederick VI", attributed to Danish artist Christopher Wilhelm Eckersberg (1783 -1853), with fine gilt wood frame, oil has cracks, 4.9"x4"

Large Ron Williams (Tennessee, 1947-2016) oil on canvas landscape painting depicting a pond surrounded by an open meadow, trees with autumn foliage, and a mountain range, likely the Great Smoky Mounta

Attributed to William Holbrook Beard (American, 1824-1900), Monkey Cooking, oil on panel, panel: 9"h x 10.75"w, overall (with frame): 14"h x 15.75"w

Rhode Island,1841-1916 Impressionist work depicting a large melon surrounded by clusters of red and white grapes, pears, peaches, and plums. Frame 19 1/8" x 24 1/8",Canvas 15" x 20" Property of an Ale

'Night Landscape' oil on canvas attributed to Daniel Francois Santry, U.S. (1858-1915) in gilt wood frame. Measures 19"H x 16"W framed; 13"H x 10"W unframed. Condition is good, see photos. Examine all

Attributed to Ella Sophonisba Hergesheimer (American/Nashville, 1873-1943) oil on canvas still life painting depicting a bouquet of yellow roses against a neutral background. Signed "E.H. Hergesheimer

An antique oil on canvas after William Adolphe Bougerau depicting a cherub reclining with eyes closed on a white cloth on a blanket. Unsigned. Housed in antique wood carved frame.

Fine antique painting attributed to William Henry Buck. Likely a bayou scene.Some old restoration present. Not sure of the exact extent of the restoration. Signed on the reverse. In contemporary Itali

Attributed to William Alexander Coulter (American, 1849-1936), Cargo Ship at Sea, oil on canvas board, signed lower right, sight: 11"h x 18.5"w, overall (with frame): 14.25"h x 21.5"w. Provenance: Pri

Attributed to William Keith (American, 1838-1911), Untitled (Wooded Clearing with Figure by a Pond), oil on canvas, unsigned, canvas: 16.25"h x 21.75"w, overall (with frame): 22.25"h x 25.75"w

Attributed to William Etty (British, 1787-1849), Seated Woman with Golden Tray, oil on canvas, artist name inscribed on frame verso, inventory labels affixed stretcher bars verso, canvas: 30"h x 25.25

Attributed to William Ritschel (American, 1864-1949), North African City Scene, oil on canvas, unsigned, canvas: 14"h x 13.25"w, overall (with frame): 19.5"h x 18.75"w.

Oil on canvas. Spurious signature "William Wendt". Image size, 37.25L x 33.5H.

Attributed to William Keith (American, 1838-1911), “Mission of the Conception,” oil on canvas, unsigned, titled verso, inscribed verso, canvas: 16.5"h x 24"w, overall (with frame): 22"h x 29.25"w.

Attributed to William Wallace Armstrong (Canadian, 1822-1914), Summer Sunset in the Woods, oil on canvas, unsigned, canvas: 33.5"h x 16"w, overall (with frame): 39"h x 21"w

Attributed to William Keith (American, 1838-1911), Mount Shasta, oil on board, unsigned, board: 18"h x 24"w, overall (framed): 22.5"h x 28.25"w

Attributed to William Matthew Prior (American, 1806-1873), "Portrait of Mary Jane Thompson (1787-1862), Poughkeepsie, NY," oil on canvas, titled on stretcher bar verso, bears artist name verso, overal