Brusoni, Girolamo

Della Historia d’Italia... libri XLVI. Settima impressione riveduta dal medesimo Autore, accresciuta, e continuata dall’anno 1625 fino al 1679 Torino, Bartolomeo Zappata, 1680. In 2°. Marca tipog

Brusoni Girolamo, Le Campagne dell'Ungheria de gl'Anni 1663, e 1664... In Venetia: Appresso Valentino Mortali, 1665. In-4° (mm 235x170). Pagine [12], 143. Fregio e cornice tipografica incisi in le

Evaluation by professor from the University of South Florida, Tampa, Florida, Associate Professor, Renaissance Art History, Cornell University Dr. Helena Szepe, PhD : Genuine portrait of Girolamo dai

Cardano, Girolamo (1501-1576) Artis Magnae sive De Regulis Algebraicis. [Nuremberg: Joh. Petreium, 1545.]First edition, small folio, woodcut artist portrait to title page; lacking final blank; illustr

KELMSCOTT PRESS SAVONAROLA (GIROLAMO) Epistola de contemptu mundi, LIMITED TO 156 COPIES, this one of 150 on paper, edited by Charles Fairfax Murray, printed in red and black in Chaucer type, wood-en

Attributed to Girolamo Romanino (c. 1485 Brescia – c. 1566 Brescia), PuttiThe panels of floating and partly music-making putti, conceived from below, are captivating in their expressive, graphi

Malta.- Girolamo (Gianni, Neopolitan artist who moved to Malta, 1837-1895), Circle of. Fort Manoel, Malta, oil on card, 140 x 273 mm. (5 1/2 x 10 3/4 in), some minor abrasion and rubbing to extremitie

36 Tables and Maps

olio su cartoncino, cm 20x52

Lunadoro (Girolamo) and Fioravante Martinelli. The Court of Rome. Wherein is sett forth the whole government thereof ... And a Direction for such as shall Travell to Rome, 2 parts in 1, first edition

In The Style Of Girolamo Savoldo (Italian, 1480-1548) Portrait Of A Man In A Cap. Oil on canvas Canvas: 23.25" x 19.75" Frame: 34" x 30.5"

MUZIO, Girolamo (1496-1576). Il Duello del Mutio Justinopolitano. --Le Riposte Cavalleresche del Mutio Justinopolitano. Venice: Gabriel Giolito et fratelli, 1554. 2 parts in one volume, 8vo (162 x 103

Girolamo Masini (1840-1885 Italian) ''Cola Di Rienzo'' 1871 Bronze Sculpture 30.5''x13''. Exceptional figurative bronze of man with sword and flowing drapery. Foundry marked ''Fond. Nelli Roma'' on ba

Epistolae Venezia, Andrea Torresano d’Asola, 15 maggio 1488 . In 2°. Solo parte II di 2. 233 carte non numerate (di 234, mancante l’ultima bianca), spazi per capilettera con letterine guida, marc

RUSCELLI, GIROLAMO Tierra Nueva. [Venice: circa 1574]. Copper engraved map. Second state with Italian text on verso. Neat lines 7 x 9.6 inches (18 x 24.4 cm); sheet 9 x 12 1/4 inches (23 x 32 cm). Tri

Attributed to William Henry Rinehart (1825-1874): Bust of Girolamo Savonarola Marble, engraved 'SAVONAROLA'. 26 1/2 x 16 x 10 1/2 in.  Exhibited: Bryn Mawr College, Bryn Mawr, Pennsylvania, 1893.

Mercuriale (Girolamo) De arte gymnastica libri sex, second edition, title with woodcut device, woodcut initials, 2 full-page plans and 21 illustrations, all but one full-page, slight worming and some

This lot consists of an oil painting on canvas, done in the elegant and technical style of Pompeo Girolamo Batoni (Italian, 1708-1787). This unframed piece measures approximately 32" x 25.5". This pie

Rovereto, Giambattista Pasquali, 1749. In 4. Frontispiece printed in red and black characters, initials, small heads and ends engraved in wood, spots and halos, coeval parchment binding, brown leather

TASSE (Tasso Torquato dit). La Gierusalemme liberata. Genova, Girolamo Bartoli, 1590. 3 parties en 1 vol. in-4° relié pleine basane blonde moucheté, dos à nerfs orné et dor&#2

Savonarola, Girolamo (1452-1498) CONFESSIONALE PRO INSTRUCTIONE CONFESSORUM reuerendi patris fratris Hieronymi Sauonarole Ferrariensis Ordinis predicatorum. In super recollectorium rudimentorum sacre

MERCURIALE (GIROLAMO) De arte gymnastica, libri sex... Secunda editione, woodcut illustrations (most full-page), some toning and browning, opening gathering (including title) with small marginal repa

This lot consists of an oil painting on canvas, done in the elegant and technical style of Pompeo Girolamo Batoni (Italian, 1708-1787). This unframed piece measures approximately 32" x 25.5". This pie

Flagellum Daemonum Exorcismos terribiles Venezia, Pietro Miloco, 1620. In 8°. Marca tipografica al frontespizio, capilettera figurati, iniziali e fregi xilografici. Legato con. Remedia efficacissima