CLARK, ALLAN

"The Temptress of the King" wood sculpture by Allan Clark, 1928. 14" x 7" x 20".Signed and dated on the base: "Allan Clark 1928".Polychromed and gilded wood.///////////////////////////////////////////

Allan Clark (1896-1950 American) ''Black Dancer'' Bronze Sculpture 9''x5.5''. Gilt headdress with black marble base. Signed at base with ''R.B.W.'' foundry mark. Paper title label on bottom. Light wea

APPROX 18 3/4" TALL X 10 1/4" LONG X 4" DEEP--SIGNED ALLAN CLARK AUGUST 16. 1920 NEW YORK--EXHIBITED AT THE NATIONAL ACADEMY OF DESIGN 1922

(American, 1896-1950) In the Path of the Sun, circa 1925, unsigned. painted plaster model, 25-5/8 x 8 x 8 in. Provenance: Private Collection, Palm Beach

Signed on verso, Allan M. Clark, 2001. Sketch for The Dark Tower. Subject shows a perspective show of a person looking up at an old tower. Approximately 14 x 11 inches. Signed illustration, illustrati

New Worlds For Old Carter, Lin (ed.); Poe, Edgar Allan; Smith, Clark Ashton; Lovecraft, H.P.; Howard, Robert E.; Dunsany, Lord; MacDonald, George; Moore, C.L.; Peake, M

VOL. TALES OF MYSTERY AND IMAGINATION-EDGAR ALLAN POE ILLUS. HARRY CLARK, 1ST EDITION 1935

Tales of Mystery and Imagination by Edgar Allan Poe with Illustrations by Harry Clark. New York: Brentano’s Publishers, ca. 1920s.

THE PRESENTATION, circa 1970, lithograph printed in brown, signed and numbered 140/155 in pencil, image 21 ½ x 16 ½”, sheet 30 x 22 ½”, frame 41 ½ x 32” w

TLS #260 (diptych), 1984, oil painting on two adjoining constructed wood panels, signed and dated and titled on verso, overall 60 x 72 x 2”, can be easily disassembled for transportation. Proven

RASPBERRIES IN BRASS BOWL, 2000, oil painting on board, signed and dated lower right, 11 x 14”, frame 16 x 19”; BLUEBERRIES IN CROCK, 1998, oil painting on board, signed and dated lower left, 8 x

STILL LIFE WITH APPLES, GRAPES & JUG, 2000, oil painting on board, signed and dated lower right, 11 x 14”, frame 16 x 19”; STILL LIFE WITH EGGS & GRAPES, 2001, oil painting on board, signe

With an Eye and a Passion, Selections from the Allan and Susan Marion Collection, Bakersfield Museum of Art, signed and dedicated, ISBN 0972769803, softbound.

(1874-1957) Published in an edition of 80 proofs in 1927. Image size 43/4" x 6 3/4" in a matted 10 1/4" x 12 1/2" frame. Signed lower right. Excellent condition. Provenance: Allan Liu estate

Roland Clark (American, 1874-1957), Incoming Redheadsetching, pencil signed at lower right, matted and framed behind glass. Frame dimensions 18 x 20 in. From the Personal Collection of Allan J. Liu, A

In the style of Franz Kline Oil on paper Provenance Provided by Phillip and clark interior design who adquired in 1986 by Allan Stone 9 x 12"Franz Kline (May 23, 1910 – May 13, 1962) was an American

EN OBSERVATION, 1992-1993, gouache, watercolor and ink and collage on paper artist mounted to canvas, signed lower left, dated lower right, signed and dated and titled on verso, 53 ½ x 29 &frac

CHEESE MOLD STANDARD WITH OLIVE (W.31), 1969, color screenprint, signed and numbered 83/150 in pencil, published by Ed Ruscha, printed by Jean Milant and Daniel Socha at Ruscha’s studio, Hollywo

MUJER SENTADO, 1961, oil painting on canvas, 39 ¼ x 51", signed and dated lower right, framed. From the Collection of Herb Solow, the executive in charge of production for Star Trek the original tele

Porcelain chinoiserie and gilt decorated cache pot 6” tall; A pair of later 19th century Chinese export famille rose plates 8 ½” diameter; Two antique Chinese footed plates with stamps and/or sea

THE GARDEN GATE, 1946, watercolor on paper, signed and dated lower right, sight 28 ¼ x 24 ¼”, framed, laid down on mat board, otherwise in apparently good studio condition. Subject to article I in

STUDIES OF THE MALE BACK, triptych, 1987, three color lithographs, each signed in pencil and inscribed H. C. (Hors Commerce), aside from the numbered edition 99, images 23 5/8 x 17 5/8”, sheets 31 3

MUJER, 1986, oil painting on stretched burlap, signed and dated lower right, 23 7/8 x 15 7/8", framed. Original lost provenance: Lopez Quiroga Galeria, Mexico. From the Dr. Burton Fink collection.

SOURCE, 1965, sumi-ink and gold leaf on paper wrapped card artist mounted to wood panel, stamped lower right, signed and dated on panel verso, 16 x 12 ½”, frame 16 ¾ x 13 ¼&