Contemporary Painting by L. Litle

Mid century contemporary painting by Robert Helmer 48" L x 24" H

Large Contemporary Oil on Canvas Abstract Painting, Signed by L. Hilmann at Lower Right, frame size 27.5''h x 39.5''w and sight size 23.5''h x 35.5''w

20th c. Contemporary L. Keswick Oil Painting on Canvas of Beach Scene. Perfect for coastal decor. Excellent condition. In natural wood frame with linen liner and wood molding measures 15.50"x28"x1.50"

oil on canvas, signed "L. Stephano" at lower right, presented in an attractive gilt composition frame. DOA 20.5 x 23.5 in. Private Estate, Fearrington Village, North Carolina. All proceeds from the sa

A MINIMALIST JAPANESE CONTEMPORARY PAINTING, 20TH CENTURY, "Seascape," watercolor on paper, signed in pencil L/R. 7" x 8"

Overlooking a village with a twin mountain backdrop. One signature on left and right bottom. Framed. H: 15 1/2 L: 8 in.

P. ENGLISH, OIL PAINTING, H 12", L 15", HORSE IN LANDSCAPE A contemporary painting by P. English depicting a horse. The painting is signed at the lower right corner and is framed. The canvas size is 1

Cincinnati, 20th century. Oil on board by Howard Storm, 1971. Signed upper right corner. Marked verso. 23.0" L x 23.0" H. Howard Storm was born in Newton, Massachusetts in 1946. He was a prof

Oil on canvas, signed indistinctly and dated 2015 verso. Dimensions: L 103" x W 70" Condition: Showing folds. Wooden stretcher can be included in the sale.

H. HATFIELD (American Contemporary) A PAINTING, "Portrait of a Woman," oil on canvas, signed L/R. 48 5/8" x 32 1/2".

Frame: 63 in L x 44 in L- Painting: 51 1/2 x 31 1/2 ****** 1932-2018Simply put, Walt Johnston was a contemporary realist. He looked at everything in the most modern way, saw the underlying abstract fo

Frame: 34in L x 26 in L- Painting: 24 in L x 16 in H in ****** 1932-2018Simply put, Walt Johnston was a contemporary realist. He looked at everything in the most modern way, saw the underlying abstrac

Frame: 34 in H L x 28 in L- Painting: 17 1/2 in L x 23 1/2 in H ****** 1932-2018Simply put, Walt Johnston was a contemporary realist. He looked at everything in the most modern way, saw the underlying

Frame: 34 in H L x 28 in L- Painting: 23 1/2 in L x 17 1/2 in H in ****** 1932-2018Simply put, Walt Johnston was a contemporary realist. He looked at everything in the most modern way, saw the underly

Maxima Lida (20th Century) contemporary oil painting on canvas titled "The Lost American Dream". Hand signed, titled and dated to lower right. Date: 2009. Measures: 58" L x 25-1/8" H.Shipping: Purchas

Contemporary oil on canvas painting of a spaniel signed illegible L/R, written on side [Louri Baddour?], 12" x 16" stretcher, 21" x 25" frame

Isa D'Orleans (20/21st Cent. French) ''Le Areue L'envers'' (The Backside) 1998 Oil on Canvas 24''x36'' Image. A contemporary fantasy painting with leopard and parrot. Signed and dated l.r. with Michae

Anuszkiewicz, Richard Joseph (American 1930-2020). "The 29th Biennial Exhibition of Contemporary American Painting, 1965". 1964. Limitation. Signature, date, limitation in pencil: all l.r. Sheet: 39 1

Butterfields Catalogue - Modern and Contemporary Prints, Paintings and Photographs May 8-9, 2001 in S.F. and L.A.

CONTEMPORARY SCHOOL (21st century). El Amor y La Muerte, Oil on panel. Trompe L 'oil painting including cards, prints, postcards, Goya engraving, and others. Indecipherable signature in center; likely

L. STEWART, CONTEMPORARY OIL ON CANVAS. Vase of flowers still life. Signed lower right. 36" x 36"; gilt frame, 46" x 46". Weight: 24.7 lbs. Condition: good as viewed in the unopened frame.

Vintage American modernist surreal abstract composition. Oil and sculpture assemblage. Framed. Signed and titled on back. Image size, 5"L x 7"H.

43 in L x 31 in H -Painting: 35 in L x 23 in H *****1932-2018Simply put, Walt Johnston was a contemporary realist. He looked at everything in the most modern way, saw the underlying abstract form, the

Frame: 40 in H x 34 in Painting: 30 in L x 24 H ****** 1932-2018Simply put, Walt Johnston was a contemporary realist. He looked at everything in the most modern way, saw the underlying abstract form,