Curlew, John McAnney

THREE CURLEWS attributed to John McAnney, New Gretna, NJ. Very good restored condition. Whimsical detailed paint patterns. Diamond shaped eyes. Broad tail carving. Overall lengths range from 15 inches

Black-Bellied Plover John McAnney (1866-1949) New Gretna, NJ, c. 1910 11 in. long A plump plover decoy with pronounced head carving. Original paint with moderate gunning wear and filled chip to unders

BLUEBILL DRAKE attributed to John McAnney, New Gretna, NJ. Very old working paint and good structural condition. Some overall paint flaking. Hollow construction, inlet weight. For information on this

EXTREMELY RARE LONG-BILLED CURLEW by John McLoughlin, Bordentown, NJ. Excellent original paint and condition with strengthening to stress crack at mid-neck. Very detailed painted feather work to body.

CALLING CURLEW by John and Patty Waterfield. Very good original paint and structural condition. Very tiny sliver missing from side of bill tip. Very detailed painted feather work overall. Raised wing

FINE MINIATURE CURLEW by John and Patty Waterfield. Excellent original paint and structural condition. Detailed painted feather work over entire body. Fine paint ticking to breast. Raised, carved wing

John James Audubon (American, 1785-1851), "Curlew Sandpiper," late 20th c., plate 263, No. 53, after the engraving by R. Havell, 1835, presented in a gilt frame, H.- 16 1/4 in., W.- 22 in., Framed- H.

John James Audubon (1785-1851), "Long-billed Curlew," No. 47, Plate 231, 20th c., Amsterdam edition, plastic wrapped, H.- 26 1/2 in., W.- 39 5/8 in.

*** START PRICE IS THE RESERVE *** AUDUBON, John James (1785 - 1851). Esquimaux Curlew, Plate 208. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 25 1/2” x 38 1/2Â

John James Audubon (Haitian/American, 1785-1851), "Hudsonian Curlew" and "Black Necked Still," 20th c., pair of lithographs printed and colored by J.T. Bowen, Philadelphia, No. 71 and 72, Plate 354 an

Folio Copper Plate Published 1772 by Desnos, Paris for "Collection d'oiseaux les plus rares graves et dessines d'apres nature..." by John Jonston. The Desnos Edition of Jonston & Merian's earlier 17th

Together with another larger example with "RANDALL" scratched on bottom; both set on stand in half log. 16 1/2 x 8 x 9 inches

Realistically carved - including legs and feet, stand has shaved top. 10 1/2 x 10 1/4 x 5 1/2 inches

Set on hand carved oval stand. 11 x 10 1/2 x 2 3/4 inches

After Prideaux John Selby (1788-1867), 19th century, Five hand coloured ornithological / bird prints, Glossy Ibis (Young), Plate XII; Whimbrel, Plate XIV; Curlew, Plate XIII; Common Heron, Plate II; a

After John James Audubon (American, 1785-1851) Long-billed Curlew, Plate 231. Facsimile giclee print, edition 19/200. From The New-York Historical Society's Edition "Audubon's Fifty Best Watercolors".

After John J. Audubon, early 20th century hand colored lithograph of the Long Billed Curlew, with view of the Charleston, South Carolina waterfront in the background. Image - 22" H x 34-3/4" W. Sheet

John James Audubon (1785 - 1851). New York: Bien, 1858-1860. Chromolithograph. 19 3/4 x 26 3/4 inches

John Gould (1804-1881) Numenius Arquata. With text. Hand colored ornithological lithograph. Lithographers: J. Gould, E. Gould, E. Lear, H.C. Richter, W. Hart. Printed in London: C. Hullmandel or Taylo

John James Audubon, book plate print, # 237 Hudsonian Curlew, from a 1946 edition of "The Birds Of America". 8 1/2" X 11 1/2" print size. Comes with 11" X 14" mat.

#231 Long-billed Curlew, from a 1946 edition of The Birds Of American by John James Audubon. 8 1/2" X 11 1/2". Comes with 11" X 14" mat.

(2) JOHN GOULD (ENGLAND/AUSTRALIAN, 1804-1881) Reproductions on canvas include: Red Winged Starling and Red Curlew; Both set in a gold gilt frame ; Measures: 15"H x 9.5"W; Frame: 20"H x 14.5"W

The Linemen, 1968 Oil on canvas Signed lower right: Ernie Barnes; signed, dated, and inscribed, verso; titled by the artist by repute 19.75" H x 23.75" W Provenance: Fred Jones, commissioned from

Swirl of Sounds - The Ghost in the Banyan Tree, 1976 Acrylic on canvas Signed and dated: © Baber; signed and dated again, and titled, verso: Alice Baber 95.5" H x 72" W Provenance: Property of