Dorothy Andrews (b. 1897) American (two)

Dorothy Merle Gillespie (American b.1920) , two multi-color metal abstract sculptures, signed, one dated 1999. [18" L; 9 3/4" H x 8" Dia]. From the Collection of Will Barnett

Sculptures. Spiral - signed and numbered 3/7, 11" high. Amoeba form - signed, 8." high. Dorothy Gillespie (American, b. 1920).

Mark Twain, Two Books: A) A Tramp Abroad (American Publishing Company, 1880). First edition. With "Titan's Moses" on frontispiece. B) Following the Equator (American Publishing Company, 1897.Estimate:

Twenty-two boudoir card albumen prints, some unmounted, of mostly Northern and Southern California and other American locations, various artists: Dana B. Chase (1848-1897 Santa Fe, NM), ''No. 55. Chur

Two photogravures; Goats along the Seine, 1897 (framed separately); 11 1/2" x 16 5/8" (sight, each); Provenance: From the Collection of Dorothy Norman

Woodcut lithograph \"Two Hearts For Best Buddies\" 1995. 35 1/2 x 22 in (image), 52 1/2 x 39 3/4 in. (framed). From a local Margate estate. Edition size: 60. A contemporary painter and assemblage arti

NINE OF CLUBS; EIGHT OF SPADES, 1990, both from the Playing Card Series, two aquatint etchings, each signed and dated and numbered 42/44 in pencil, printed and published by Parasol Press, sheets 21 x

INDUSTRIAL WORKERS, 1999, color lithograph, signed and dated in pencil, numbered 35/80, image 25 x 25”, full margins, frame 33 ½ x 33” with Plexiglas; MOTHER & CHILD, 1999, color gicl

ARMSTRONG, Z. B. (American, 1911-1993). Two paper Doomsday Calendars. Circa 1970s-1993. Two paper calendars, decorated in red and black marker. 9 ½ x 2 ½” and 6 ¼ x 5”. Both

GREEN MOUNTAIN, 1993; GREEN TREES, 2001, two, each an oil painting on board, both signed and dated, frames 10 ¼ x 13 ¼” & 18 x 13”. (2)

DRUNK & CANCER from Dangerous Drawings, 1990, each an ink drawing with collage on paper, sheets 10 ¼ x 8”, frames 14 x 11 ½”, both with tinted Plexiglas. Provenance: Rosamund

UNTITLED STRAWBERRIES AND OLIVES. two color giclee prints, each signed and numbered in gold or silver ink, editions I 370/395 & 255/395, the first on canvas, 21 x 25”, the second image 13 ½

THE ETERNAL JOURNEY; MADE IN USA, two, each mixed media and collage on metal, the second inscribed on recto, both with label on verso, 11 ½ x 15 ¼”. From the collection of Laurie Frank

PINK FLAMINGOS; BLUE BIKINIS, two, each an acrylic painting on paper, the first signed lower left, sheets 14 x 11”. Provenance: Acquired directly from artist by present owner. (2)

COUPLE, mixed media on panel, signed lower center, 13 x 15"; VIOLINIST AND SINGER, mixed media on canvas, signed lower left in silver ink, 8 1/4 x 6 3/4"; Both framed. (2)

WE SHOW YOU HOW A-Z; MADE IN JAPAN, two color screenprints, each signed in pencil and inscribed PP (printer’s proof), the first inscribed to Ricardo De Aztlana (Richard Duardo?), sheets 30 x 44&

#7 BOYS ROOM, embroidery on blanket swatch attached to wood board, titled on verso of board, 8 ½ x 10 ½”; UNTITLED, mixed media on paper, 8 ¼ x 5”.Provenance: Gescheid

WAITING FOR HAN-SHAN, 1973, etching and dry-point, signed and numbered 7/10 in pencil, plate 13 x 13 ½”, full margins, frame 23 x 23 ½” with glass; SELF-PORTRAIT, 1973, litho

NAVAJO POTTERY; HOPI POTTERY, two color screenprints, each signed and numbered 211/300 & 117/300 in pencil, images 18 x 30” & 30 x 18”, full margins, frames 30 ½ x 42 ½&rdquo

Dorothy Dehner (American, 1901-1994) two watercolors and gouache on paper Studies for Sculptures, 1950 each signed and dated lower right: Dehner 50 4 1/2" x 5 3/4" each

ABSTRACT PROFILE SERIES IV, 1988, color pastel, marker and mixed media on paper, signed and dated lower left, signed and dated and inscribed and with doodles on back of frame, 6 x 5”, frame 21 x 19

SUMMER SEASON II, color screenprint, signed and numbered 125/175, image 19 x 25”, full margins, frame 30 x 35” with glass; Together with a 1989 color poster, signed and dated in ink lower

CLOWN BANK, 1989, color lithograph, signed in pencil and inscribed W.P. for Hunten + Richard, a working proof aside from the numbered edition 45 and 15 artist’s proofs, sheet, framed; Together with

THOMAS RICHESON BLOW (American, b.1897) ‘Gloucester Harbor’, oil on canvasboard, signed ‘Thos. R. Blow’ (lower left), verso with partial label of St. Louis Art League citing artist, title and