Fine Peter Kingston Screen Print Impress Mark Signed

FLAG WITH HEART Series (see Hanson pages 118-119), 1990, extensive acrylic painting over color screenprint, signed upper left, full sheet floated 40 x 54”, frame 49 x 63” with Plexiglas. C

LIBERTY HEAD, 2013, color screenprint, signed in pencil and numbered 300/350, image 22 ¾ x 22 ¾”, full margins, artist’s blind stamp lower left, framed, in good studio condition.

FLOWER GARDEN, 1981, color screenprint, signed and numbered 92/200 in pencil, published by Martin Lawrence LTD, sheet 10 x 14”, frame 17 ½ x 21 ½” with Plexiglas.

SPACE PLACE, 1981, color screenprint, signed and numbered 92/200 in pencil, published by Martin Lawrence LTD, sheet 10 x 14”, frame 17 ½ x 21 ½” with Plexiglas.

JFK QUAD, color screenprint, signed and numbered 180/495 in white pencil, sight 39 x 31”, frame 51 ½ x 44”.

BETTER WORLD, 2017, color screenprint, signed and numbered HC (hors commerce) 76/100 in black marker, sheet 11 1/8 x 11 1/8”, frame 27 x 27”. Provenance: Park West with certificate of auth

SUMMER SEASON II, color screenprint, signed and numbered 125/175, image 19 x 25”, full margins, frame 30 x 35” with glass; Together with a 1989 color poster, signed and dated in ink lower

UMBRELLA MAN, 2016, color screenprint, signed and numbered HC (hors commerce) 35/100 in pencil, artist’s blind stamp lower left, image 12 x 9 ¼”, full margins, frame 31 ¾ x 28 &#

ANGEL WITH HEART, 2016, color screenprint, signed and numbered HC (hors commerce) 3/100 in pencil, artist’s blind stamp lower left, artist’s blind stamp lower left, image 12 ¼ x 9 &#1

SAT GURU, TEACHER OF LIGHT (HG. Pg. 27) 1972, color screenprint, signed and numbered 49/300 in pencil, artist’s blind stamp lower left, image 15 ½ x 17”, full margins, frame 17 &fr

JIMI HENDRIX, 1997, color screenprint, signed and numbered 17/45 in pencil, image 19 ¼ x 25 ¼”, full margins, frame 26 ½ x 32 ¼” with glass, with certificate on

FLAG, color screenprint, signed and numbered 99/300 in pencil, artist’s blind stamp lower left, sheet 24 x 28”, frame 32 ½ x 36 ½” with glass.

LEAVING IT BEHIND (HG.34), 1970-71, color screenprint, signed and numbered 62/100 in pencil, published by London Arts with blind stamp lower left, sight 21 ½ x 28 ½”, frame 29 x 36

RUNNER, 1981, color screenprint, signed and numbered 92/200 in pencil, published by Martin Lawrence LTD, sheet 10 x 14”, frame 17 ½ x 21 ½” with Plexiglas.

RUNNER, color screenprint, signed in pencil, numbered 52/175, image 17 x 18 ¾”, full margins, framed.

SPACE LANDSCAPE, color screenprint, signed and numbered 4/150 in pencil, image 26 ½ x 19”, full margins, frame 41 ½ x 32” with glass.

MOONSCAPE II, 1977, color screenprint, signed and inscribed PP-4 in pencil, artist’s blind stamp lower left, image 19 x 25”, sheet 22 x 28”, frame 29 ½ x 35 ½”.

IF, 1981, color screenprint, signed and numbered 92/200 in pencil, published by Martin Lawrence LTD, sheet 10 x 14”, frame 17 ½ x 21 ½” with Plexiglas.

Diane Gamboa FACE, 1984, color screenprint, signed in pencil, numbered 75/78, Self Help Graphics stamp on verso, sheet 39 ¾ x 28”; Peter Tovar MIND’S EYE I, 1996, lithograph, signed a

'Stoned' by Peter Stark, 2018 19.75 x 25.5 Inches Screen print in colors on 300gsm fine art paper. Limited Edition of 35 (#16/35) Signed and numbered by the artist. ARTIST BIO

BILL CLINTON #132, 1993, acrylic painting over screenprint on canvas, 16 x 14”, signed and dated upper right, signed and dated and dedicated on the verso, copyright and studio #14086 on verso, in go

Peter Blake (England/United Kingdom: B. 1932) limited edition screenprint titled "Sgt. Pepper's Lonely Hearts Band". Hand signed in pencil to lower right. Numbered 49/500 to lower left. Co-Published b

UPHEAVAL, 1988, color screenprint, hand signed and dated and numbered TP (trial proof) 7/35 in blue ink, sight 29 ½ x 29 ½Â”, frame 40 ¼ x 40 ¼Â”.

PARESSEUSE (L.186), 1980, color screenprint, signed in pencil, numbered 117/300, printed by Mark Rowland Studios, published by Circle Fine Art, image 25 x 18", full margins, framed.