Forrest Walker Orr

Artist: Walker Evans Title: Mealtime, Forrest City, Arkansas, 1937 Medium: Photo Litho, 1972, USA Dimensions: 8.6x6" Description: Heat Wax Mounted on 8.5x11" Conservation Board Artist Bio: Walker Evan

Artist: WALKER EVANS Print Title: Flood Refugees, Forrest City, Arkansas 1937 Medium: Sheet-fed Gravure Printing Date: 1930's Printed in the USA Image Size: 5 X 8 inches Walker Evans (1903-1975) was a

Steel Engraved Maps (Incl some duplication) all of Staffordshire. One Lithographed. Examples by Orr, Parsons/James, Dawson, Dugdale/Archer, Lewis/Creighton/Walker, and Emslie/Reynolds. Paper Size: Up

Chinese jade and hard stone fruiting and flowering tree issuing from a rectangular gilt-metal jardiniere with canted corners, raised on four bracket feet, decorated with scrolling foliage, the front a

“Plan of the Approach and Attack on Fort Sumter, by the Federal Iron Clad Fleet 7 April 1863.” Signed [in type]: Wm A Walker, C.S. Eng. Corps. Charleston.Walker (born March 11, 1839 in Charleston,

RARE WILLIAM AIKEN WALKER (AMERICAN, 1839-1921) PORTRAIT TRIPTYCH, oil on board, each a fine full-length depiction with excellent detail of a cotton picker in the field, two men flanking a woman

Kara Walker (American, b. 1969) The Emancipation Approximation (scene 18), 1999-2000 screenprint on Somerset 500G paper signed, dated, and numbered XII/XXV in pencil, verso 43 7/8 x 33 7/8 inches.

IZANNAH WALKER (RHODE ISLAND, 1817-1888), ATTRIBUTED, FOLK ART PAINT-DECORATED CLOTH CHILD DOLL, an expressive example with brown eyes and painted boots. Fitted in period attire, including printed cot

Eric Orr Green Void A 1989oil on linen and lead on panel 19 h × 16 w in (48 × 41 cm) Signed and titled to verso 'EO38 Green Void A'. Signed and dated to lead overlap to verso 'Orr

Kara Walker (American, b.1969) 'Resurrection Story without Patrons' Etching with Aquatint 2017, signed lower right, X/XXX, etching with aquatint, sugar lift, spit bite and drypoint depicting a large f

FORREST MOSES (American 1934-2021) A PAINTING, "Rio Charna at Abiqui N.M. #2," 1976, oil on canvas, verso signed and titled; 40'' x 60'', framed 42'' x 61 3/4''. Note: Forrest Moses' paintings are in

1988 oil and gold leaf on panel signed, titled and dated verso 22 x 18 1/2 total inches

William Aiken Walker (American, 1835-1921) Cotton Pickers, A Man and Woman (a pair of works) oil on academy board signed WAWalker. (lower left) each 12 x 6 1/4 inches. We would like to thank John Fowl

(American, 1839-1921)Signed l.r. and titled verso "Field." 9"h x 11 1/2"w

ERIC ORR (1939-1998) Black Void, 1988 oil on canvas on board and lead on panel 29 x 24 in. 73.7 x 61 cm. Footnotes: Provenance Private Collection, California Acquired by descent from the

WILLIAM AIKEN WALKER (AMERICAN, 1838-1921) SOUTHERN GENRE PAINTING, oil on academy board, depicting an elderly African-American man and woman in a field picking cotton, she is carrying a basket of cot

Eric Orr American, 1939-1998 Untitled (Blue), 1990 Signed and inscribed Eric Orr E-090 116 on the reverse Oil on panel 40 1/4 x 34 1/2 inches (102.23 x 87.62 cm) C Property from a Prominent Corporate

Kara Walker (born 1969) Excerpt, 2014 Lithograph on Somerset satin paper, signed in pencil, dated and numbered PP 2/5 (a printer's proof, aside from the edition of 50), published by the Institute of C

framed to 17" x 12" - paint on board, signed. 100% authentic. Period frame.

William Aiken Walker (1838-1921) The Cotton Pickers signed with conjoined initials 'WAWalker.' (lower left) oil on board 6 1/8 x 12 1/4 in. (15.6 x 31.1 cm.) Footnotes: Provenance Gerald C. Paget (190

Beautifully engraved gold case, covered with stingray on exterior case, attached to an 18KG chatelaine marked Jan van Aken, Amsterdam 1781. A very rare pocket watch, 53 mm. in diameter.

Kara Walker (American, b.1969) 'I'll Be a Monkey's Uncle' Lithograph 1996, signed lower right, AP 3/10, depicting the figures of a girl and a monkey in black silhouette against a white background, mou

CABIN, oil painting on board, signed lower left, 6 ¼ x 12 ¼”, frame 12 x 18 x 2 ¾”. Provenance: Christie’s New York, December 2nd, 1988, lot 93; Based off examination

(South Carolina/Maryland, 1838-1921 Oil on board of Southern homestead with African American figures depicting farm life of the era. Very nicely rendered and detailed piece housed in period style gilt