FREDERIC SCHILLER COZZENS (New York, 1846-1928), Set of marine vessel lithographs, Images 7.75" x

FREDERIC SCHILLER COZZENSNew York, 1846-1928Ice boats. Signed in plate.Lithograph, 14" x 20" sight. Framed 18" x 24".

FREDERIC SCHILLER COZZENSNew York, 1846-1928Portrait of a three-masted vessel. Signed and dated lower left “Fred S. Cozzens 23”.Watercolor, 14.25” x 20.5” sight. Framed 23&#822

FREDERIC SCHILLER COZZENSNew York, 1846-1928"A Breezy Day Outside", Plate 17, 1884. From Cozzens' series of twenty-six lithographs "American Yachts, Their Clubs and Races" publishe

FREDERIC SCHILLER COZZENSNew York, 1846-1928Ship off a lighthouse. Signed and dated lower left "Fred S. Cozzens 1921".Watercolor on paper, 12.25" x 19.25". Framed 20.5" x 27.5

FREDERIC SCHILLER COZZENSNew York, 1846-1928Ships in a river. Signed and dated in plate “Fred S. Cozzens 83”.Chromolithograph, 15.25” x 21.25” sight. Framed 27” x 33”.

FREDERIC SCHILLER COZZENSNew York, 1846-1928A steam/sail ship at sea. Signed and dated lower left "Fred. S. Cozzens 93".Watercolor on paper, 20.75" x 13.75". Framed 27" x 20&q

*** START PRICE IS THE RESERVE ***   COZZENS, Frederic Schiller (1846-1928). The Narrows of New York. Watercolor on paper, laid on board. 1887. Signed and dated lower left: "Fred S. Cozzens 87" 16 1/

Details: COZZENS, Frederic S. (1846-1928). For the America's Cup. The Start. New York: Charles Scribner's Sons, 1884. Colour-printed lithograph. Sheet size: 14 x 20 3/8 inches. Frederic Cozzens was o

Frederic Cozzens (American, New York, 1846-1928) "Scraping the Hull" - 1892 Watercolor and graphite, not examined out of frame Signed LL "Fred S. Cozzens 92" Approx. 16" X 28" (framed)

Frederic Schiller Cozzens (American, 1846 - 1928). Watercolor on paper, 14.5 x 10.5 inches, sight. Frame 23.5 x 19 inches. Provenance: Marine Arts Gallery, Salem Massachusetts, 1978

Details: COZZENS, Frederic S. (1846-1928). By Sou' West Spit. [13]. New York: Charles Scribner's Sons, 1884. Colour-printed lithograph, removed from mount, very fine condition. Sheet size: 14 1/4 x 2

Details: COZZENS, Frederic S. (1846-1928). Off Brenton's Reef. [IV]. New York: Charles Scribner's Sons, 1884. Color-printed lithograph, removed from original mount, very fine condition. Sheet size: 1

Frederic Bridgman (New York, France,1847 - 1928) Painting of two horses and a woman, "The meeting Place". With sailboats in the distance. Oil on canvas. Sight size: 14 x 18 inches. Signed lower left.

KAWS New Jersey, New York,b.1974 KAWS, Undefeated Billboard, 2004, number 35 of an edition of 250. Offset lithograph in colors Image 17" x 24" Signed "KAWS..04" lower right and numbered "35/250" lower

Thomas Hart Benton(1889-1975)"After the Blow", 1946Lithograph on paperFrom the edition of 250Signed in pencil in the lower margin, at right: Benton; Associated American Artists, New York, pub.Image: 9

Helen Frankenthaler (American/New York, 1928-2011) "Divertimento", 1983 color lithograph signed and dated lower right, numbered "10/39" lower left. Matted and framed. sight 33-1/2" x 23", framed 44-5/

FREDERIC ARTHUR BRIDGMAN (active/lived New York/France 1847-1928) A PAINTING, "ALGER 20, JUNE '86," oil on canvas, signed L/R. 15" x 12 5/8"

HOT TIME SUMMER IN THE CITY, 1980, early hand-cut 3-dimensional cut-out lithograph collage, signed and dated in pencil, numbered 13/25, image 8 x 6 ”, full margins, framed with glass, in apparently

THE SAME WIND BLOWS AROUND THE WORLD, 1994, color lithograph with 3-D color cut-out collage, signed in pencil, numbered 34/350, image 26 x 13”, full margins, framed, in apparently good condition.

Yaacov Agam (Israeli b.1928) "AGM 167" Lithograph in color, edition 120/180 Signed lower right Yaacov Agam 22 1/2" x 32" Provenance: The Art Studio, New York Condition: unframed, some surface scratche

After Pablo Picasso (1881-1973) TÊTE DE BOUFFON Color lithograph, 1964, on Rives BFK paper, signed in blue crayon and numbered 162/200 in pencil, with full margins, unframed. Image 25 5/8 x 19 3/

After Pablo Picasso (1881-1973) TÊTE DE BOUFFON Color lithograph, 1964, on Rives BFK paper, signed in blue crayon, numbered 157/200 in pencil, with full margins, unframed. Image 25 5/8 x 19 3/4 i

After Pablo Picasso (1881-1973) TÊTE DE BOUFFON Color lithograph, 1964, on Rives BFK paper, signed in blue crayon and numbered 161/200 in pencil, with full margins, unframed. Image 25 5/8 x 19 5/

Charles Burchfield (1893-1967) CROWS IN MARCH (CZESTOCHOWSKI 14) Lithograph, 1951, on wove paper, signed in pencil, from the edition of 60, with good margins, framed. Image 13 3/4 x 9 7/8 inches; 347