HIRO YAMAGATA (B. 1948)

AIR SHOW, color screenprint, signed and numbered 22/275 in pencil, published by Martin Lawrence Galleries with blind stamp lower left, image 32 ½ x 23 ½”, full margins, frame 44 &f

SUNDAY SUNDAE, color screenprint, signed and numbered 225/275 in pencil, published by Martin Lawrence Galleries with blind stamp lower left, image 30 x 24”, full margins, discardable frame 41 &f

HIRO YAMAGATA (B. 1948) Solar Cube, 2001 mylar 12 x 12 x 12 in. 33 x 33 x 33 cm. Footnotes: Provenance Fred Hoffman Fine Art, Santa Monica Acquired directly from the above by the presen

ROBBERS, 1982, color screenprint, signed and numbered 200/275 in pencil, published by Martin Lawrence Limited Editions, with their and printer’s blind stamps lower left, image 24 ¼ x 24

THE IMPRESSIONISTS (Yamagata pg. 141), 1984, color screenprint, signed and numbered 136/295 in pencil, published by Martin Lawrence Editions with blind stamp lower left, image 19 ¾ x 29 &frac34

CAT BURGLAR, 1989, polychrome patina bronze, signed and dated, numbered 5/375, published by Martin Lawrence, with their stamp by the signature, mounted to a marble base, overall 17 x 15 x 8 ”, in go

THE WRIGHT BROTHERS, 1980, color screenprint, signed and numbered 22/300 in pencil, published by Martin Lawrence Limited Editions, image 26 ¾ x 36”, full margins, frame 39 ¾ x 48 &

MISS PARIS, color screenprint, signed and numbered 275/300 in pencil, image 27 ½ x 22”, sheet 35 x 29”, in Plexiglas frame 41 x 35”

DANSE; EARTHLY PARADISE IN ROME; PARIS ORCHESTRA; HONG KONG NIGHT, four color screenprints, three with hot foil stamping, each signed in pencil, images 26 1/2 x 26", 27 x 21" and two 28 x 22"; All wit

EARTHLY PARADISE IN ROME; FOGGY PARK; DIAMOND; FOGGY DAY OF MONTMARTRE, four color screenprints, each signed in pencil, images 27 x 21", 24 1/4 x 24", 20 1/2 x 26" & 23 x 23 3/4"; All with the artist�

IKAROGA; SNOW FIRE II; BAKERY; SAN FRANCISCO, four color screenprints, each signed in pencil, images 22 x 27 3/4", 25 x 25", 22 x 28" & 23 1/2 x 30", three with the artist’s and studio blind stamps,

FOGGY NIGHT SEINE RIVE; GRAND PRIX; WEDDING RINGS; CHILDREN’S CONCERT, four color screenprints, each signed in pencil, images 26 1/4 x 25", 22 1/4 x 28 1/4", 22 x 28" & 23 x 26", All with the artist

THE IMPRESSIONISTS (Yamagata pg. 141), 1984, color screenprint, signed and numbered H.C. (hors commerce) 19/75 in pencil, aside from the numbered edition of 295, published by Martin Lawrence Editions

L’EXPRESS, circa 1977, color screenprint, signed and numbered XXX/C (30/150 Roman numeral) in pencil, pre-Martin Lawrence edition, image 25 ½ x 21 ¼”, full margins, frame 34

1997; C-Print; framed floating under acrylic; Provenance: Fred Hofman Fine Art, Santa Monica; The Estate of Charles Fries and Ava Ostern Fries, Los Angeles; 39 x 25 3/4 inches; 49 x 35 1/2 inches fram

THE IMPRESSIONISTS, 1984, color screenprint, signed in pencil, from the numbered edition 50 hors commerce, image 19 x 30”, full margins, published by Martin Lawrence Editions, with blind stamp lower

VACANCES (Yamagata page 138), 1980, color screenprint, signed and numbered 32/300 in pencil, published by Martin Lawrence Galleries, image 21 ½ x 27 ½”, full margins, frame 32 &fra

CONCERT IN THE PARK (Jaynes page 139), 1983, color screenprint, signed and numbered 36/275 in pencil, published by Martin Lawrence Limited Editions with blind stamp lower left, image 24 x 24”, f

DOLPHINS (Jaynes page 154), 1984, color screenprint, signed and numbered 262/295 in pencil, printed by Accent Studio and published by Martin Lawrence blind stamps lower left, image 24 x 24”, ful

1988; paper sculpture; signed and dated upper right corner; Provenance: Martin Lawrence Gallery; approximately 10 x 12 inches; 20 1/4 x 22 1/4 inches frame

SNOW CASTLE, 1983, color screenprint, signed in pencil, from the numbered edition 275, image 34 x 23 ”, full margins, published by Martin Lawrence Editions, with blind stamp, framed, in apparently g

serigraph; signed lower right; numbered 61/295 lower left; Provenance: martin Lawrence Limited Editions embossment lower left and with worn label verso; 27 x 24 1/2 inches image; 42 1/2 x 39 1/2 inche

PICNIC (Jaynes page 155), 1985, color screenprint, with original graphite drawing of a squirrel lower left margin, signed and numbered 20/75 Roman numeral in pencil, printed by Accent Studio and publi

VACANCE, color screenprint, signed in pencil, from the numbered edition 300, image 21 x 27 ”, full margins, Accent Studio printers blind stamp lower left, framed with glass, in apparently good condi