Jacob Matham Collectibles

JACOB MATHAM (1571-1632) First Image

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JACOB MATHAM (1571-1632) First Image

JACOB MATHAM (1571-1632)

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Jacob Matham After Goltzius Engraving [7 Virtues] (1 of 4)

Jacob Matham After Goltzius Engraving [7 Virtues]Jacob Matham (1571–1631) After Hendrik Goltzius (1558–1617) engraving titled 'The Seven Virtues'. Measures 12 in. x 8.25 in. Hinge mounted to a mat frame that measures 21.375 in. x 15.375 in. If l

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Jacob Matham, Dutch, 1571-1631 (1 of 10)

Jacob Matham, Dutch, 1571-1631 Jacob Matham, Dutch, 1571-1631, The Last Supper And Christ Washing The Feet Of The Disciples After Taddeo Zuccaro's Decoration In The Matteo Chapel, S. Maria Della Consolazione, Rome, Two Engravings O

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Pietro Monaco, Jacob Matham And Jacques Callot Engravings on Paper with One Red Chalk Sketch, (1 of 10)

Pietro Monaco, Jacob Matham And Jacques Callot Engravings on Paper with One Red Chalk Sketch,Pietro Monaco, Jacob Matham And Jacques Callot Engravings on Paper with One Red Chalk Sketch, 18th/19th C. Lot includes: One engraving by Jacques Callot (French, 1592-1635), The Martyrdom of Saint Law

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Old Masters: Jacob Matham (1571-1631) The Netherlands, Anton Joseph von Prenner (1683-1761) (1 of 7)

Old Masters: Jacob Matham (1571-1631) The Netherlands, Anton Joseph von Prenner (1683-1761)Jacob Matham UNTITLED, engraving, sheet 12 ¾ x 6 ¾”; Anton Joseph von Prenner THE TOILET OF VENUS after Titian, engraving, plate 8 ¾ x 6 ¼”, sheet 10 x 7 &frac1

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JACOB MATHAM (1571-1632) (1 of 6)

JACOB MATHAM (1571-1632)Etching of Janus head figure. Dimensions: (Paper) H 6.5" x W 10" Condition: No issues to note.

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JACOB MATHAM (1571-1631) AFTER GOLTZIUS (1 of 7)

JACOB MATHAM (1571-1631) AFTER GOLTZIUS Dimensions: (Mat) H 13.75" x W 11" Condition: Some toning and handling marks.

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AFTER JACOB MATHAM THE ELDER (DUTCH 1648 -1733) (1 of 7)

AFTER JACOB MATHAM THE ELDER (DUTCH 1648 -1733)"2-Solamen spes alma hominum, Fidei anchora facra AErumnis nostris pramia diana vouet. " "5- Praeteritis ventuna, bifrons Prudentia, rebus Elicio, et cauta pondero mente Sagax." "6-Forrtis in aduerfis

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Jacob Matham (1571–1631) – Portrait of Paulus Jenisch – Engraving (c. 1600) (1 of 3)

Jacob Matham (1571–1631) – Portrait of Paulus Jenisch – Engraving (c. 1600)This detailed engraving by Jacob Matham presents a half-length portrait of Paulus Jenisch of Antwerp, a distinguished merchant and esteemed citizen of his time. Jenisch is depicted facing forward with

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Hendrik Goltzius (Dutch, 1558-1617) (1 of 3)

Hendrik Goltzius (Dutch, 1558-1617) Hendrik Goltzius (Dutch, 1558-1617) Portrait of Hans Bol, 1st state, together with Perseus and Andromeda (engraving by Jacob Matham, after Goltzius) engraving on paper Largest 9 7/8 x 14 3/8 inches.

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[Whaling] Hand-colored engraving, 1681 (1 of 8)

[Whaling] Hand-colored engraving, 1681 [Whaling] Hand-colored engraving, 1681, Bernard Picart (after Jacob Matham's 1598 engraving), "Stranding van een Walrisch van 70 voeten lang", auction label verso, matted and framed under glass, 11"h

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Jacob Cats – Honor of Virginity – Woodcut (1632) (1 of 2)

Jacob Cats – Honor of Virginity – Woodcut (1632)This circular emblematic print depicts a male figure in seventeenth-century attire, wearing a feathered hat and a cape, standing in a landscape next to a rose bush. The scene is framed by a Latin mott

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Jacob Cats (1577–1660) – About Rhodope – Engraving (1632) (1 of 3)

Jacob Cats (1577–1660) – About Rhodope – Engraving (1632)This engraving is from a Dutch emblem book by Jacob Cats. The print depicts a scene based on the classical story of Rhodope. The work is a detailed visual representation of a moralizing theme, rendere

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Jacob Cats – Nisi Praeda, Quiescit – Woodcut (1632) (1 of 2)

Jacob Cats – Nisi Praeda, Quiescit – Woodcut (1632)This circular emblematic print, titled Nisi Praeda, Quiescit (Unless there is prey, it rests), depicts a figure partially concealed behind dense foliage, observing a bird trap set in an open field wit

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Jacob Cats (1577–1660) – States and Offices – Engraving (1632) (1 of 3)

Jacob Cats (1577–1660) – States and Offices – Engraving (1632)This emblem-style engraving is a moral allegory that uses a jester to comment on human foolishness and wisdom in relation to societal roles. The print is from a Dutch emblem book by Jacob Cats, a genr

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Jacob Cats (1577–1660) – David and Nabal – Engraving (1632) (1 of 3)

Jacob Cats (1577–1660) – David and Nabal – Engraving (1632)This engraving is from a Dutch emblem book by Jacob Cats. The print depicts the biblical story of David and Nabal, rendered within a circular frame. The work is a detailed visual representation of the

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Jacob Cats (1577–1660) – The Brazen Serpent – Engraving (1632) (1 of 3)

Jacob Cats (1577–1660) – The Brazen Serpent – Engraving (1632)This engraving is from a Dutch emblem book by Jacob Cats. The print depicts the biblical scene of The Brazen Serpent from the Book of Numbers. The work is a detailed visual representation of the relig

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Jacob Cats – Quod Licet, Ingratum Est – Woodcut (1632) (1 of 2)

Jacob Cats – Quod Licet, Ingratum Est – Woodcut (1632)This circular emblematic print, titled Quod Licet, Ingratum Est (What is allowed is unpleasant), depicts a rural landscape featuring a thatched-roof cottage with smoke rising from its chimney and seve

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Jacob Cats (1577–1660) – States and Offices: The Bold Crow – Engraving (1632) (1 of 3)

Jacob Cats (1577–1660) – States and Offices: The Bold Crow – Engraving (1632)This emblem-style engraving is a moral allegory from a Dutch emblem book by Jacob Cats. The print depicts a crow perched on the back of a large bovine animal, with the Dutch proverb from the title sug

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Jacob Cats (1577–1660) – Emblem of Tears and Simplicity – Engraving (Circa 1632) (1 of 3)

Jacob Cats (1577–1660) – Emblem of Tears and Simplicity – Engraving (Circa 1632)This engraving is a moralistic illustration, or emblem, with the Latin motto "Nuda Movet Lachrimas" (Nakedness/Simplicity moves tears). The circular image depicts a central couple holding hands, possi

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Jacob Cats (1577–1660) – The Resurrection of the Dead – Engraving (1632) (1 of 3)

Jacob Cats (1577–1660) – The Resurrection of the Dead – Engraving (1632)This engraving is from a Dutch emblem book by Jacob Cats. The print depicts the biblical scene of the Resurrection of the Dead, showing a central celestial figure above a multitude of figures rising f

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Jacob Cats (1577–1660) – The Life of Man Compared to Ripe Sheaves – Engraving (1632) (1 of 3)

Jacob Cats (1577–1660) – The Life of Man Compared to Ripe Sheaves – Engraving (1632)This engraving is from the Dutch emblem book Spiegel van den ouden ende nieuwen tijdt. The print depicts a harvest scene with a moralizing title, 'The Life of Man Compared to Ripe Sheaves.' The work i

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Jacob Cats (1577–1660) – Emblem of Watching the Rain – Engraving (Circa 1632) (1 of 3)

Jacob Cats (1577–1660) – Emblem of Watching the Rain – Engraving (Circa 1632)This engraving is a moralistic illustration, or emblem, titled "Staten en Ampten". The circular image depicts two contrasting scenes divided by a window frame: two figures stand inside a comfortable,

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Jacob Cats (1577–1660) – On the Sight of a Spider Weaving Its Web – Engraving (1632) (1 of 3)

Jacob Cats (1577–1660) – On the Sight of a Spider Weaving Its Web – Engraving (1632)This engraving is from a Dutch emblem book by Jacob Cats. The print depicts three men in a landscape, observing a spider in its web. The work is a detailed visual representation of a moralizing theme,

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Jacob Cats (1577–1660) – The Rise of Rhodope – Engraving (1632) (1 of 3)

Jacob Cats (1577–1660) – The Rise of Rhodope – Engraving (1632)This engraving is from a Dutch emblem book by Jacob Cats. The print depicts a scene based on the classical story of Rhodope. The work is a detailed visual representation of a moralizing theme, rendere

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