JAMES ABBOTT MCNEILL WHISTLER, (American, 1834-1903), The Adam and Eve, Old Chelsea, 1878

James Abbott McNeill Whistler (1834-1903) The 'Adam and Eve', Old Chelsea (Kennedy 175, Glasgow 182), 1878 Etching and drypoint on laid paper, Glasgow's third (final) state, published by Messrs Hogart

After James Abbott McNeill Whistler (American, 1834-1903), "The Adam and Eve, Old Chelsea, 1879," print, overall (with frame): 14.5"h x 19.25"w

Old Chelsea" Etching and Drypoint on Chine Colle. Artist's butterfly signature in plate upper left. James Abbott McNeill Whistler (American, 1834-1903). From a Northport, NY home. - Dimensions: plate

James McNeill Whistler (American, 1834-1903) The Adam and Eve, Old Chelsea. Etching dated to 1879, printed on thin Japan paper, sheet measures 8.25" x 13.25", unframed. Ref: Kennedy 175 II/II 7" x 11.

James Abbott McNeil Whistler (Massachusetts/England/France, 1834-1903) etching on laid paper titled "Adam & Eve Tavern/Old Chelsea London" depicting the Old Feary Wharf. Frederick Keppel & Co., New Yo

(American, 1834-1903) etching and drypoint, published by Hogarth and Son, 1878-1879, third and final state with faint artist's butterfly monogram above church tower Overall: 17-1/4"h x 21-3/8"w Sight:

James Abbott McNeill Whistler (American, 1834-1903). Chelsea (Chelsea Church and Battersea Bridge). Antique etching on wove paper. Signed in the plate (Butterfly monogram, lower right). 1882. Conditio

James Abbott McNeill Whistler (American, 1834-1903), etching and drypoint, circa 1871, "Old Hungerford Bridge" (Kennedy 76), the sixth of sixteen etchings from the "Thames Set," signed in plate lower

James Abbott McNeill Whistler (American/British, 1834-1903) "Nocturne in Blue and Gold - Old Battersea Bridge", ca. 1910-1920 color lithograph on paper board "Franz Hanfstaengl, Munchen, no. 100" blin

James Abbott McNeill Whistler (American/British, 1834-1903) "Nocturn in Blue and Gold - Old Battersea Bridge", ca. 1910-1920 color lithograph on paperboard "Hanfstaengl" blind stamp and copyright mark

Oil painting on board titled 'Nocturne, Portal Dance' attributed to James Abbott McNeill Whistler (American, 1834-1903). Monogrammed lower left. Inscribed and holds old paper label to verso. Measures

James Abbott McNeill Whistler (American, 1834-1903), The Forgeetching and drypoint on laid paper, 1861, retains antique gallery label from the Old Print Shop, New York, matted and framed. Kennedy 68.

"Adam and Eve," Old Chelsea etching on Japan paper 8 1/4" x 12 7/8" sheet size

The “Adam and Eve,” Old Chelsea. Butterfly monogram within plate. Etching. Measuring 7" by 12". Framed under glass. (Cond: some foxing and creasing) (150/300)

James A.M. Whistler, etching, 1879, James Abbott McNeill Whistler (American, 1834-1903), "Upright Venice" from the Twenty-six Etchings of the Second Venice Set (Kennedy 16), on laid paper, likely four

James Abbott McNeill Whistler (American, 1834-1903) The Little Pool (a group of four states), 1861 etchings with drypoint on laid paper including, from left to right, states 2, 4, 3, and 9 of 9 states

James Abbott McNeill Whistler (American, 1834-1903) Rotherhithe (Kennedy 66; Glasgow 70) Etching and drypoint, 1860, on cream laid, Glasgow's final sixth state, with narrow margins, 295 x 218mm (11 5/

James Abbott McNeill Whistler (American, 1834-1903) The Music Room, 1859 etching and drypoint 5 3/4 x 8 1/2 inches. Literature: Glasgow 39 Provenance: Arthur Ackermann & Son, Inc., Chicago, 1928

James Abbott Mcneill Whistler (American 1834-1903) Depicting sailboats in a harbor inscribed and dated l.r. "Whistler/1859." 14"h x 7"w

JAMES ABBOTT MCNEILL WHISTLER (American, 1834-1903), Lagoon Noon, 1879-80, etching on laid paper, (approximate dimensions - sheet (sight): 5 x 8 inches); signed and inscribed "imp" lower left, inscrib

JAMES ABBOTT MCNEILL WHISTLER (American, 1834-1903). Reading by Lamplight, circa 1859, Etching and drypoint, printed in black ink on likely fine ivory oriental laid paper. Plate signed lower right in

James A.M. Whistler, Thames Set etching #9, 1859, James Abbott McNeill Whistler (American, 1834-1903), "The Lime Burner" (Kennedy 46), one of sixteen drypoint etchings from the Thames Set, on cream la

James Abbott McNeill Whistler (American, 1834-1903), "The Little Cafe au Bois," 1894, lithograph, pencil signed lower right, plate signed with the butterfly lower center, with a collector stamp verso,

James A.M. Whistler, etching, 1858, James Abbott McNeill Whistler (American, 1834-1903), "The Unsafe Tenement" (Kennedy 17), on brown wove paper, fourth state with faint sky lines, signed in plate low