John White (b. 1937) California

Group of six contemporary gelatin silver photographic prints by Reed Thomas (American, b. 1937); depicting various rural scenes in California and England; each signed and dated in pencil to bo

"Anchor in Sand," 1991 Color lithograph on white Rives BFK paper under glass, Paris Review, New York, NY, pub., Hamilton Press, Venice, CA, prntr., the full sheet Edition 27/100, signed and dated in

Yosemite Valley. Signed, dated 1974. Titled "The White Branch, Merced River, Yosemite Valley, California." Dimensions: (Frame) H 17.5" x W 20", (Photo) H 11" x W 13" Condition: Acid burn to edge of ma

John Swatsley (American, B. 1937) Original Oil painting on Illustration Board. "White-tailed Tropical Bird Flying over Rainforest" Provenance: Collection of James A. Helzer (1946-2008), Founder of Uni

John Beardman (American, b.1937) Ink on Paper 1964, signed, dated and inscribed 'Athens' lower right, depicting an abstract composition in black against white, matted a

WHITE BRANCH, MERCED RIVER, YOSEMITE VALLEY, CALIFORNIA, 1974, gelatin silver print mounted to card, signed and dated in pencil on card, image 10 ¼ x 13”, frame 16 ¼ x 20 ¼”.

CHEESE MOLD STANDARD WITH OLIVE (W.31), 1969, color screenprint, signed and numbered 83/150 in pencil, published by Ed Ruscha, printed by Jean Milant and Daniel Socha at Ruscha’s studio, Hollywo

SIN, 1970, (Engberg 41; Cirrus pg. 338), color screenprint on Louvain Opaque Cover paper, signed and numbered edition of 150 in pencil, printed and published by Cirrus with blind stamp lower left, ima

UNTITLED Clouds, 1970, photo-collage, signed and dated on verso, 10 ½ x 10 ½”, frame 15 ¼ x 15 ¼”. Provenance: Manny Silverman Gallery, Los Angeles.

WATERFALL DRAWING 15, 1990, oil painting on board, signed and dated and inscribed ‘15’ on verso, 4 ½ x 14”, frame 8 ¾ x 18 ¼” with glass. Provenance: James Corco

TORNADO DRAWING #21, Sumi ink on Washi paper, signed and titled on the verso, 25 ¾ x 19 ½”, Plexiglas box frame 30 ½ x 24 ½ x 2”.

BRAVE MEN RUN IN MY FAMILY, 1983, two etchings on one sheet, one color, signed in pencil by both artists and dated by Ruscha, numbered 31/40, Abury Press blind stamps lower right and another blind sta

RAINY SEASON 78, 1978, portfolio of six color lithographs with razor blade manipulation by artist, each signed and numbered 26/30 in pencil; Together with UNTITLED (249C), color lithograph with razor

UNTITLED GREEN, 1997, color lithograph, signed and dated and numbered 12/30 in pencil, printed by Cirrus with blind stamp lower left, image 23 ¾ x 23 ¾”, full margins, frame 28 &fr

ERSKINE (Waterfall Series 065), 1990, oil painting on gatorboard mounted to wood panel, signed and dated on verso of panel, 11 ½ x 5 x 1”. Provenance: Artist’s studio; James Corcoran

UNTITLED BLUE, 1997, color lithograph, signed and dated and numbered 14/30 in pencil, printed by Cirrus with blind stamp lower left, image 23 ¾ x 23 ¾”, full margins, frame 28 &fra

UNTITLED (Cirrus page 237), 1971, color lithograph with screenprint on Copperplate Deluxe paper, signed and dated and inscribed AP (artist’s proof) in pencil, aside from the numbered edition 90

GARDEN PATH GIVERNY, oil painting on canvas, signed lower right, 24 x 48”, frame 32 ½ x 56 x 2 ½”.

POLLUTION R-3, 1995, Mixografia on handmade paper, signed and dated and numbered 4/ 30 in pencil, 15 x 17”, finger-jointed frame 19 ½ x 21 x 2 ½” with Plexiglas. Provenance:

FLOATING CARDS, 1969, five color lithographs, each signed and dated in pencil and inscribed VIII Roman Numeral, aside from the numbered edition 98, printed by Mourlot Paris, sheets 22 x 29 ¾&#822

FOREST PATH, oil painting on canvas, signed lower right, 30 x 24”, frame 38 x 31 ½ x 3 ½”.

FLOWERS, oil painting on canvas, signed lower right, 24 x 18”, frame 29 ½ x 23 ½ x 2”.

Contemporary. Acrylic on paper 39 1/2 x 29 1/2 in. (sight), 49 x 39 in. (framed)

TRI-BOX AND GRID (G. 1121), 1983, etching on green paper, signed and dated and inscribed PP II (printer’s proof 2), aside from the numbered edition 35, printed and published by Gemini G. E. L. w