Large Format Mottram J.W. Hill Boston lithograph

J.W. HILL LITHOGRAPH OF BOSTON19th CenturyEngraved by C. Mottram.On paper, 27" x 40". Framed 31.5" x 44.5".

Large format colored lithograph showing Boston Harbor in the nineetenth century. Vibrant colors. Wood frame with glass. Weight is 14 pounds. 29" H x 42" L.

A J.W. Hill engraving titled "Boston". New York: F. & G.W. Smith, 1857. Engraved by C. Mottram. Printed by McQueen, London. Frame opening: 41-1/2 in tall x 28-1/4 in wide. Frame: 33-1/2 in tall x 46-1

C. Mottram Boston Harbor Hand Colored Engraving. C. 1857. Smith Brothers & Co. and Sowle & Wards, publishers (New York and Boston) C. Mottram, engraver, after J.W. Hill. Engraving with hand-coloring o

CURRIER and IVES, publishers The Great Fire at Chicago, 1871. (G. 2835). Large-format lithograph with hand-coloring heightened in gum arabic, on wove paper, 20 3/4 x 28 1/4-in., some minor toning, pal

CURRIER and IVES, publishers -- After Charles Parsons The Low Pressure Steamboat "Isaac Newton." Passing the Palisades on the Hudson River New York, 1855. (G. 4148). Large format lithograph with hand-

CURRIER and IVES, publishers -- After George H. DurrieWinter in the Country. The Old Grist Mill, 1862. (G.7275) Large-format lithograph with hand-coloring heightened in white, on wove paper, visible a

A very nice example of this very RARE hand colored, large format lithograph. Note that the OPENING BID is also the reserve on this lot! This image is Number 2 of the new "Best 50 Large Format Currier

CURRIER and IVES, publishers -- After George H. Durrie Winter Morning. Feeding the Chickens, 1863. (G. 7279). Large format lithograph with hand-coloring heightened in gum arabic, on wove paper, matted

CURRIER, Nathaniel, publisher -- After Arthur F. Tait American Winter Sports. Trout Fishing "On Chateaugay Lake," 1856. (G. 0224). Large-format lithograph with hand-coloring, on wove paper, 22 3

CURRIER and IVES, publishers -- after Robert A. Clarke The Road,--Summer. 1853. (G.5606). Large format lithograph with hand coloring heightened in gum arabic, sheet 22 x 28 in. Some staining verso fro

CURRIER and IVES, publishers -- After John Cameron Fast Trotters on Harlem Lane N.Y., 1870. (G. 2071). Large-format lithograph with hand-coloring heightened in gum arabic, on wove paper, 22 3/4 x 32-i

Birger Sandzen (1871-1954) Wind Whipped Pines 1928 The large format lithograph published in an edition of 100 prints is signed by the artist in pencil below the image lower left and titled lower right

Birger Sandzen (1871-1954) Stevenson Lake 1944 The large format lithograph published in an edition of 105 prints is signed by the artist in pencil below the image lower right and titled lower left. Li

Ira Moskowitz (1912 - 2001) Entering of the Ceremonial Circle Navajo Mountain Chant 1945 The large format lithograph signed by the artist in pencil below the image (and in the plate) lower right is in

Birger Sandzen (1871-1954) Mendenhall 1923 The rare, large format lithograph on watermarked paper with deckle edge is signed by the artist in pencil below the image lower left and titled lower right.

“Marked On Stone by T.H. Benecke” lower left; “Printed by G W. Lewis, NY” lower right. Colonial A. Duryee Commandant. Large format lithograph after a painting by Otto Boetticher (Ger./

CURRIER and IVES, publishers -- after Scott Leighton. The Queen of the Turf Maud S, Driven by W. W. Bair... 1880. (G.5440). Large format lithograph with hand coloring, large format, sheet: 22 7/8 x 31

Large format lithograph in color. 32 x 63 3/4 inches.

Peter Ellenshaw (CA/Ireland/UK 1913-2007). A large format lithograph similar to painted works such as "The Coming Tide". This work is signed and numbered (edition of 200), in pencil. It is unframed. M

(PERRY -- ARRIVAL IN JAPAN.) [William Heine]. Group of 4 full-size photographic facsimiles of Heine's 1855 large-format lithographs. 24x33 inches sight; each mounted, matted, and suitable for decorati

25.5 x 19.75 inches. Titled the Past and the Present of the United States of North America, by James Meyer Jr. With label: "This Historical National Masterpiece of Art Represents in one Grand Tabl

JEAN D'YLEN FERNET-BRANCA POSTER"Italy Presents to the World; the Best Product - Fernet-Branca; Soc. Anon Brothers; Branca, Milan". Large format, period lithograph poster after the 1922 original by Je

Christo and Jeanne Claude, The Gates Project for Central Park , New York City, 2005, large format offset lithograph on paper, hand signed by Christo and Jeanne-Claude, photo by Wolfgang Volz, Publishe