LEON KROLL (New York/New Mexico/Europe, 1884-1974), Two female portrait studies., Unframed.

LEON KROLL (American, 1884-1974) Sisters Waiting by a Window signed 'Leon Kroll' (lower right) oil on canvas 36 x 46 in (91.5 x 116.8 cm)period frame 48 1/4 x 58 x 2 1/4 in (122.5 x 147.3 x 5.8 cm) Fo

Oil on board painting titled "Brooklyn Bridge", by Leon Kroll (American, 1884-1924), signed lower right, in a carved gilt wood frame. Label verso "2013 Armory Show". [Art: 8 " H x 10 1/2" W; Frame: 17

Attributed to Herter Brothers dining chairs, set of 10: eight side chairs and two armchairs New York, New York, late 19th century oak, brass, fabric unmarked with original India Rubber Comb Company ca

Large Cased Set of Tiffany & Co. "San Lorenzo" Sterling Silver Flatware the pattern designed in 1916 by Arthur LeRoy Barney (1884-1955), New York, New York, including a dozen fifteen-piece place setti

Ink on papyrus paper. Featuring a study portrait of two women. Signed Da Vinci on the upper right corner. 32 x 37 cm (12.75 x 15 inches)

Oscar Bruno Bach (1884-1957) torchieres, pair New York, New York, circa 1930s patinated brass, iron, marble, glass etched signatures each: 18"dia x 66"h

Ammi Phillips (1788-1865). Pair of portraits. Oil on canvas, circa 1830. Original frames. Condition: Female portrait relined. Minor scattered in-painting, predominately on the female portrait. See ima

George Chinnery English, 1774-1852 Two Studies of Cattle Inscribed twice with the artist's sign for "correct" (ul) and (ur) Ink over graphite pencil on paper 3 x 7 inches (7.7 x 17.8 cm) Provenance: M

Moses Soyer American, 1899-1974 Two Nudes, circa 1968 Signed M Soyer (ur) Oil on canvas 30 x 26 inches (76.2 x 66 cm) Provenance: Acquired directly from the artist, 1968, private collection, New York

Lalique Molded Glass Psyche Vase and Cover Model introduced 2001, ed. no. 60 Of classic urn form, with domed cover, in colorless glass, decorated with four serene female portrait masks, surrounded by

Anne Ryan (American, 1889-1954) Yellow, Mustard, Two Blacks torn fabric and handmade paper collage on paper signed lower left 3 3/4" x 5 1/4" Provenance: Andre Emmerich Gallery, New York, New York Fis

Sir Lawrence Alma-Tadema, OM, RA (British, 1836-1912) Portrait study of Mrs Mahala Colton signed, inscribed and dated 'L Alma Tadema/with a happy new year/to Mrs Mahala Colton/L. 1905' (lower right) w

Antonio Gasparo Jacobsen (1850-1921) New York/New Jersey/Denmark artist, oil on canvas laid down on wood panel, titled "Evangeline", signed lower right "Antonio Jacobsen 1915 Palisade West Hoboken N.J

Solid walnut partner's desk, with burl walnut decoration, ornately carved with female portrait busts and lion's masks, gold gilt incised line carving. Leather writing surface over drawers; two faux dr

Samuel Yellin (1884-1940) for the J. Walter Thompson Company gate and transom New York, New York, 1927-1938 wrought iron unsigned 37"w x 5"d x 101 1/2"h Catalog Note: Samuel Yellin was commissioned by

Salvador Dali (Spanish, 1904-1989) "The Persistence of Memory", 1974 from Changes in Great Masterpieces color lithograph published by Phyllis Lucas Gallery, New York, New York pencil-signed and number

Paul-Emile Pissarro (French, 1884-1972), "Le Clos a St. Remy", oil on canvas, signed lower right, titled en verso, 18" x 21-1/2". Provenance: Wally Findlay Galleries, Inc., New York, New York, 1971; T

Each with expanding paper or leather edges; one featuring Henry Clay The American Statesman; one lettered General Taylor never surrender; two with portraits of gentlemen, one of which is double-sided;

Peter Max (German/American/New York, born 1937). "Portrait of a Lady" -1974, oil on canvas. Signed and dated upper left, giltwood frame. Approx. 46.25" x 34.25" (frame), 36" x 24" (canvas)

Guy Pene Du Bois (American, 1884-1958), 'Two Girls Wading with Dog' 1934, oil on canvas, signed L/R, 16 1/8" x 11 7/8", framed 22" x 17 3/4", labeled Sid Deutsch Gallery, New York City. Provenance: Sh

After Joseph Urbain Melin (French, 1814-1886)Portrait of two houndsoil on canvasinscribed lower left R. de Leon. 1859. and Dap. J. Melin.37 x 54 1/2in (94 x 138.5cm)

After Joseph Urbain Melin (French, 1814-1886)Portrait of two houndsoil on canvasinscribed lower left D ap. J. Melin. and R. de Leon 1860.37 x 54 1/2in (94 x 138.5cm)

After Joseph Urbain Melin (French, 1814-1886)Portrait of two pointersoil on canvasinscribed lower left R. de Leon. 1859. and Dap. J. Melin.37 x 54 1/2in (94 x 138.5cm)

CHARLES GREEN SHAWNew York, 1882-1974"Converging Forces". Signed "Shaw" lower right. Signed, titled and dated 1951 verso.Oil on board, 22" x 30". Unframed.