LI SHAN (ATTRIBUTED TO - 1926 )

after design by Thomas Chippendale, The Gentleman and Cabinet-Maker's Director 1754, plate LI, attributed to Gillows, mid-18th century. With carved icicle form stretchers, pierced gallery. Provenance

Ink and color on paper, hanging scroll. H125 X 54.5 CM

LI KERAN, ATTRIBUTED TO, AUTUMN EVENING. , Hanging scroll, ink and color on paper. Provenance: Formerly collected by ZHang Boju.52x34cm

LI KERAN, ATTRIBUTED TO, RONG POND COW CROSSING. 54x34cm, Hanging scroll, ink and color on paper. Provenance: Formerly collected by ZHang Boju.

LI KERAN, ATTRIBUTED TO, SHEPHERD BOY'S COW BACK PAINTING, Hanging scroll, ink on paper. Provenance: Previous collection from Congbi Cottage55.5×34cm

LI KERAN, ATTRIBUTED TO, HERDING AT GRASSLAND . Hanging scroll, ink on paper. 69x39cm. Provenance:Collection of Mitsushige Hirota; with a box Condition:There are creases and stains on the frame and pa

LI KERAN, ATTRIBUTED TO, PLAYING WITH BIRD , Hanging scroll, ink on paper. Provenance: Previous collection from Congbi Cottage56×34cm

LI KERAN, ATTRIBUTED TO, RUNNING RIVER IN DEEP MOUNTAIN , Hanging scroll, ink on paper. Provenance: Previous collection from Congbi Cottage66×43cm

LI GONGLIN, ATTRIBUTED TO, MAN AND HORSE. 32x55cm, ink on silk, hand album. Provenance: Formerly collected by Zhang Boju.

LI QI, ATTRIBUTED TO, BAMBOO. 39.5x31.5cm, Hanging scroll, ink and color on paper. Provenance: Formerly collected by ZHang Boju.

Ink and color on paper. Hanging scroll. 26.9 x 18 in.

Claude Monet (1840-1926)Attributed, in the manner of the artist): Waterlilies, signed. Oil on wooden panel bearing the stamp of colourman Emilio Mokelin of Venice, Italy. Verso also bears a hand-writt

Claude Monet (1840-1926) Attributed/manner of: Poplars, tempera on paper, with pencil indications, signed, verso marked with stamp of Simon Galerie, Paris, and reference numbers. With certificate of a

Claude Monet (French, 1840-1926)Attributed: Westminster Study. Charcoal on paper, signed lower left, unframed. Stamp from Galerie Simon, Paris on reverse*. Possible study for a painting of Westminster

C.M. Russell (American, 1864-1926) Attributed: Buffalo Hunt. Water color on paper, signed and dated, 1896, lower left, unframed. "For Russell, the Indian buffalo hunt exemplified the glory of nomadic

Claude Monet (1840-1926) attributed: Waterlillies, tempera and gouache on paper, signed, verso marked with gallery stamp and reference number, with certificate of authenticity from Art Collectors Grou

LOUIS MAJORELLE (1859-1926), ATTRIBUTED TO Three Piece Bedroom Suite circa 1900 comprising a bed frame, armoire and nightstand, mahogany with marquetry height of frame 60in (152.5cm); width 61in (155c

Louis Majorelle (French, 1859-1926) Attributed French Art Nouveau Oak Wood Bench, circa 1905, with trapezoid shaped seat upholstered in red leather. 16.5" H x 49.5" W x 16.75" D. Provenance: From a Ce

Claude Monet (1840-1926)Attributed, in the manner of the artist): Tulleries, signed. Tempera on paper, unframed. This painting is accompanied by a Certificate of Authenticity from Sebastian barreda, M

Claude Monet (French, 1840-1926)Attributed: Westminster Study. Charcoal on paper, signed lower left, unframed. Stamp from Galerie Simon, Paris on reverse*. Possible study for a painting of Westminster

Japanese Moriage Cloisonne Vase, late Meiji period (1868-1912)/Taisho period (1912-1926), attributed to Gonda Hirosuke (1865-1937), the vase decorated with two carp, one pink and one blue-gray, swimmi

Claude Monet (French, 1840-1926)Attributed: Westminster Study. Charcoal on paper, signed lower left, unframed. Stamp from Galerie Simon, Paris on reverse. Possible study for a painting of Westminster

Mary Cassatt (1845-1926)Attributed: Study of a Woman signed front and titled verso with the addition verso of Paris 19 and a weak impression of the Palais Galeri Paris stamp. Pastel and tempera on bro

Claude Monet (1840-1926)Attributed, in the manner of the artist): Studio Boat, signed. Tempera on paper, unframed. This painting is accompanied by a Certificate of Authenticity from Sebastian barreda,