MAXFIELD PARRISH (AMERICAN 1870-1966), PRINT,

Maxfield Parrish (American, 1870-1966). Print, Old King Cole. 26" x 6 1/4" (with frame 9 3/8" x 29 1/8"). Minor losses to frame. Provenance: From the Estate of Angela Gross Folk.

MAXFIELD PARRISH (AMERICAN 1870-1966), PRINT, DAY BREAK, SIGNED. ORIGINAL FRAME AND GLAZED-21 1/2 X 33"

MAXFIELD PARRISH (AMERICAN 1870-1966), PRINT, "CONTENTMENT", SIGNED COPYRIGHT 1927. ORIGINAL FRAME AND GLAZED-23 X 14 3/4"

Maxfield Parrish (American, 1870-1966). Print The Waterfall, above a mirror. Print 8 3/4" x 6 1/2"; with mirror 28 3/4" x 8 3/4"

Framed Maxfield Parrish House of Art Women Tree Print. This is a framed Maxfield Parrish (American, 1870-1966) print depicting two women beneath a tree. The women look dreamily off into the distance.

Maxfield Parrish (American, 1870-1966), Print, "Dinky Bird'. Chipping to paint finish on frame. Lower left corner under glass has loss. Sight size: 14 3/4" x 9 1/4" Frame size: 17 3/4" x 12 3/4"

AFTER MAXFIELD PARRISH (AMERICAN, 1870-1966)DaybreakLater print by House of Art, N.Y., after the original by Parrish, depicting two young Grecian lovers under columns before a vast and magnificent mou

Maxfield Parrish (American, 1870-1966), 3 original prints, "Daybreak" and "The Lute Players", original Art Deco frames, largest 13-1/4" x 20-3/4", framed, good condition

MAXFIELD PARRISH FRAMED OLD KING COLE PRINT Maxfield Parrish (American 1870 - 1966). Red mark on print to left of king. 25 3/4" X 8 1/4"

Maxfield Frederick Parrish (American, 1870 - 1966), "Daybreak" Period print on paper ,measures 5.5 " x 9" inches

AFTER MAXFIELD PARRISH (AMERICAN, 1870-1966)Lute PlayersLater print by House of Art, N.Y., after the original by Parrish, depicting three young Grecian beauties with lutes astride a still lake. Set be

after Maxfield Parrish (American, 1870-1966), Hilltop Farm, Winterreproduction print, with printed signature at lower right, matted and framed. DOA 32 1/2 x 35 1/4 in. Private Collection, Greensboro,

Maxfield Parrish (American, 1870 - 1966) "The Dinky Bird" framed print measuring approx 15" H x 11" W (without frame). Est. early 1900s.

Three Maxfield Parrish Framed Prints: "Reveries," "Evening," "Twilight" (American 1870-1966) Print titled "Reveries." Marked lower right, Copyright 1926 made for a calendar advertising Edison Mazda La

MAXFIELD PARRISH GARDEN OF ALLAH FRAMED PRINT Maxfield Parrish (American 1870 - 1966). 21 1/2" X 11 3/4" Shipping:

MAXFIELD PARRISH ITS WALLS WERE AS JASPER PRINT Maxfield Parrish (American 1870 - 1966). 12 3/4&quot; X 15 3/4&quot; Shipping: <

MAXFIELD PARRISH DAYBREAK PRINT Maxfield Parrish (American 1870 - 1966). 20 3/4&quot; X 13 1/4&quot; Shipping:

Maxfield Parrish (American, 1870-1966) 'Daybreak' House of Art Lithograph. Print measures 18" x 30'' and is housed in a period Art Nouveau Carved Frame with overall measurements of 22 1/2" x 34 1/2''

Group of three small size lithograph prints by Maxfield Parrish (American, 1870 - 1966). One book plate of "The Dinkey-Bird" (ca. 1904). One print of "The Prince" from "The Knave of Hearts" (ca. 1925)

Two lithograph prints by Maxfield Parrish (American, 1870 - 1966). "Romance" from "The Knave of Hearts" (ca. 1924) and "The Garden of Allah" (ca. 1918 - 1922). "The Garden of Allah" is signed "M.P." i

Two large lithograph prints by Maxfield Parrish (American, 1870 - 1966). "Ecstasy" (1929) and "Dreamlight" (1925). Both were advertising posters for Edison Mazda Lamps, from the large size calendars.

After Maxfield Parrish (American, 1870-1966). "Our Beautiful America", set of four prints together with two other prints by Parrish. In green paper portfolio with title page. Approx. 17" x 12.5" (each

Three lithograph prints by Maxfield Parrish (American, 1870 - 1966). "Evening" (ca. 1922), "Air Castles" (ca. 1904 - 1905), and "Stars" (ca. after 1926). All pieces are framed. "Evening" is printed by

Collection of three lithograph prints by Maxfield Parrish (American, 1870 - 1966). "Daybreak" (ca. 1922), "Stars" (ca. 1926), and "Hilltop Farm, Winter" (ca.1949). Daybreak is Parrish's most famous an