Monotype by Emily Clark 1992 (Framed)

GREGORY KONDOS (American, born 1923), Country Ranch, 1992, monotype, 1st impression, image: 16 x 16 inches, framed: 27 x 27 inches signed and dated lower right. Provenance: Sale to benefit the Triton

Leonard Baskin (American, 1922-2000) Touched, 1992 Monotype on paper 16 x 21.5 (in) 23.5 x 28.75 x 1 (in) Framed Signed and dated in pencil Baskin 1992, lower right Titled in pencil, lower left.

Francis Clark Brown (1908-1992) Landscape with Wagon, Oil on canvas, Signed lower right. Framed dimensions: h: 28 3/4 x w: 33 5/8 in. H: 25 W: 30 in.

Francis Clark Brown (IN, 1908-1992) 16x20 , O/C , signed lower right , Spring Blossoms, Hills , Provenance: from the Estate of Doug Lawrence size as framed: 22.5 x 26.5

PROFILE #2 from Roseville Suite, 1992, acrylic painting on paper, signed upper right, 40 x 30â€, framed, studio number 11982.

KILIMANJARO BULLS (K.III.16), 1992, color screenprint, signed in pencil, numbered 279/375, image 27 x 38”, full margins, framed, in apparently good condition.

HARMONY, 1992, color screenprint, signed and numbered LXIX/LXXV in black ink, image 37 ½ x 33”, framed.

A RECORD OF THE DYNASTY’S DEMISE, 1988, color monotype on accordion fold paper, signed lower right, 47 x 42â€, framed, in apparently good condition.

IMPERIAL ZEBRA, 1992, color screenprint, signed and numbered AP (artist’s proof) 48/50 in gold ink, image 36 x 36”, framed. Provenance: Fingerhut Gallery, Laguna Beach.

Charles Whitfield Richards (American, 1906- 1992), Still Life With Dahlias, Oil On Canvas. Signed "C Richards." As framed 21.8125W x 18.75H x 2.0D in. Sight 16.5W x 13.5H in. All Measurement

UNTITLED, 1992, oil painting on canvas, signed and dated lower right, 20 x 30", framed.

OGDEN THEATRE, 1992, oil painting on panel, signed and dated lower right, 11 1/2 x 24 1/2", framed.

FAME, 1992, color screenprint, signed in pencil, numbered 176/350, image 20 x 27”, full margins, framed, in apparently good condition.

MORNING TALK, 1992, color screenprint, signed in pencil, numbered 149/350, image 20 x 26 ”, full margins, framed, in apparently good condition.

Robbie Conal DEEP VOODOO/ VEEP DOODOO, 1992, lithograph, signed in pencil, from the numbered edition 25, with Double Bogey Men watercolor lower right margin, sheet 9 x 11 ”, framed, some speckling,

STILL LIFE, 1992, color lithograph, signed and dated in pencil, numbered 82/250, image 22 x 27 1/4", full margins, framed with glass.

STAR OF DAVID, 1992, mixed media with charcoal and masking tape, signed and dated lower left, 20 ½ x 15 ½", framed.

Betty Guy, Monotype On Paper, Signed Lower right. As framed 21.5H x 18.0W x 0.5D in. Sight 12.0W x 12.0H in. All Measurements are Approximate.

CARLOS FUENTES; KABUKI IN BLUE, two monoprints or monotypes, each signed and titled in pencil, sheets 29 ½ x 21”, both framed and in apparently good studio condition. (2)

Framed monotype with hand tinting on paper, "First Father Cloud," signed lower right P. Wadley (Patrick Wadley, American, active in Austin, Texas, 1950-1992), dated [19]80, sight: approx 18"h, 11 7/8"

Todd Murphy (American (Georgia), b. 1962 -). "Straw Horse" - 21st century, mixed media monotype. Figural depiction of horse using straw, burlap and tulle behind painted Plexiglas to create texture, de

Todd Murphy (American (Georgia), b. 1962 -). "Goose" - 21st century, mixed media monotype. A figural depiction of using gold fabric over straw and tulle behind painted Plexiglas Approx. 49.75" x 33.5"

Robert Moore Kulicke (1924-2007) ZINNIAS IN A WHITE VASE Color monotype, 1986, on gray paper, signed and dated in pencil, with full margins, framed. Image 8 x 8 inches; 203 x 203 mm. Sheet 10 x 9 3/4

Nathan Oliveria, monotype, 1992, Nathan Oliveria (American, 1928-2010), untitled abstract, signed and dated lower right. 19"h x 25"w (sight), 28"h x 34"w (frame)