Mopho Gonde (Zimbabwe b.1968) Naturalistic Leadwood

Mopho Gonde (Zimbabwe, b.1968), carved leadwood rhino sculpture, depicting an African black rhino striding along rugged terrain, the whole resting on a shaped naturalistic plinth, signed 'M. Gonde '98

Produced from wood, hide, and other naturalistic materials. Issued: c. 1970 Dimensions: 16"H x 9.75"W Country of Origin: Zimbabwe

An early work from Tengenenge master sculptor Bernard Matemera. Matemera finds his inspiration in his dreams. He was haunted by 3 fingered beings, a residual myth or memory, of a tribe that live in th

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Dominic is part of the second generation of Shona Artists carving in Zimbabwe. He brought a new abstracted style to the Shona movement in the early 1990's. This piece is one of Benhura's earlier sculp

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This is a typical and common motif for Chiwawa. Edward´s subject matter deals with aspects of the universe such as the sun and the moon. He often gives these subjects human features, which consist of

Old wooden stool of the Tonga people in Zimbabwe. While most Tonga stools fall in the same general style, they come in a variety of designs and often with geometric patterns. Circa early 1900's. Shows

Old wooden stool of the Tonga people in Zimbabwe. While most Tonga stools fall in the same general style, they come in a variety of designs and often with geometric patterns. Circa early 1900's.

Chiwawa has a very distinctive style, curved and rounded elements showing a pleasing naturalism and his work has an immediate appeal, often reflecting a sense of humor. He imbues animals with human qu

A LATE VICTORIAN NATURALISTIC DIAMOND AND NATURAL PEARL TASSEL BROOCH CIRCA 1890The convex gold backed silver top with curving rows of graduated pearls with old mine cut diamond set curving thorn bran

Chinese. The brushpot is carved naturalistically from a large segment of aloeswood 'chengxiang' wood, in high and low relief to produce the effect of depth and perspective, to depict gnarled prunus bl

Old and finely carved, Japanese wood tray; of naturalistic leaf form, with smaller leaves and insect in relief; L: 22 1/2" (approx.)

Of naturalistic rockwork design, the turquoise stone fitted in a blue and white planter,the color mostly teal with some russet, the center occasionally hollowed, and very smooth surface. The blue and

Tim Okamura (Canadian, b.1968) Oil on Canvas 2016, signed lower left, depicting the portrait of a female figure from the waist up, regarding the viewer and holding her palms together, in impasto paint

Tim Okamura (Canadian, b.1968) 'Aphrodite' Mixed Media on Canvas 2016, signed lower left, depicting a standing female figure in profile having thick impasto application in hair area, gold tone wood fr

Seven Bird Automaton clock, naturalistic modeled in wood and silk tree with five birds perched in the branches and two birds on the ground, top bird with outspread wings with red bird next to it, belo

Anthony Scott (b.1968) Greyhound Bronze, 49 x 43 x 16cm high (19¼ x 17 x 6¼) Signed, numbered 3/6

Tim Okamura (Canadian, b.1968) Mixed Media on Panel 2017, signed lower left, depicting a female portrait in impasto oil paint surrounded by applied found objects; provenance: Oak Park, Illinois collec

Ca. 20thC. Eight matching chairs with quarter arms. No breaks or repairs, all retain clean upholstery. These high-end decorator gilt wood armchairs were made using old world techniques: first a white

Colour screenprint, 66/125, signed and editioned verso (Dimensions: the sheet 75cm x 55cm (29.5in x 21.75in))(the sheet 75cm x 55cm (29.5in x 21.75in))Footnote: Note: This work is accompanied by a Cer

Of irregular boulder form, the pebble deeply carved to the front with a scholar and a young boy standing on jagged rocks at the entrance to the cave, the figures surrounded by overhanging rocks and pi

" Ventricle". Acrylic, sand, and crushed pills on wood panel. Signed and dated 2012 verso. Provenance: The artist; Danziger & Muro, LLP; Private collection. - Dimensions: 24" x 48"

δ The Connor Brothers (b.1968)Vice VersaHand-painted vintage paperback with screenprint additions, 2020, signed in black ink and numbered from the edition of 2, on a label affixed to the reverse,