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SMALL NATIVE AMERICAN WEAVINGSMALL HAND WOVEN PICTORAL MAT. MOTH DAMAGE. 16 1/2" x 12"

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Tabriz Pictoral Persian Handmade Mat,deer & urn decor, 1'4" x 2'2".

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JOAN MIRO, Le RebelleColor etching, aquatint and carborundum. Signed and numbered 40/75 in pencil, lower margin. Printed and published by Maeght, Paris. Date of Work: 1967 Dimensions: 935x640 mm; 36 3/4x25 1/4 inches, ful

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RASHID JOHNSON, RunSoft-ground etching on Somerset Velvet wove paper. Signed and numbered 8/35, verso. Published by Hauser & Wirth, New York. Date: 2018 Dimensions: 254x302 mm; 10x11 7/8 inches

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ALEXANDER CALDER, Untitled (Spiral and Shells)Color lithograph on Japon nacre. The deluxe edition of 20 on Japon nacre, aside from the edition of 75. Signed and numbered XV/XX in pencil, lower margin. Published by Editions Sonet, Lidingo. From "M

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ADOLPH GOTTLIEB, Chrome GreenColor screenprint on Arches. Signed, dated and 67/150 in pencil, lower margin. Printed by Kelpra Studio, London, with the ink stamp verso. Published by Marlborough Graphics, Inc., New York. Date: 1972

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ELLSWORTH KELLY, Paris ReviewColor screenprint on white wove paper. Initialed and numbered 82/150 in pencil, lower margin. Printed by Stephen Poleskie, Chiron Press, New York. Published by the Paris Review, New York. Date: 1968 D

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KEES VAN DONGEN, Ceres (Buste de Femme)Color heliogravure and offset lithograph. Signed and numbered 116/200 in pencil, lower margin. Published by Editions Carmen Guillard, Paris. Date of Work: 1948 Dimensions: 577x461 mm; 22 3/4x18 1/8 in

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LE CORBUSIER, Unite VIColor aquatint and etching. Signed and numbered 80/130 in pencil, lower margin. Published by Alain C. Mazo, Paris. From the same-titled suite. Date of Work: 1953 Dimensions: 415x315 mm; 16 1/4x12 1/2

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JEAN METZINGER (after), La Tasse de TheColor aquatint on imitation Japan paper. Signed by Metzinger and numbered 7/200 in pencil, lower margin. Etched by Jacques Villon. Published by Galerie Bernheim-Jeune, Paris. Based on Metzinger's Cubi

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PABLO PICASSO (after), Les Portraits ImaginairesColor lithograph. Numbered "A 51/250" in pencil, lower left. Printed by Marcel Salinas. Published by Harry N. Abrams, Inc., New York. From the same-titled portfolio. Date of Work: 1969 Dimensions: 652

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JIM DINE, The New French Tools 5--Boulevard Victor, Double SkyEtching, aquatint and electric tools printed in black from 2 plates, with hand coloring in blue acrylic before printing, on Rives BFK. Signed, dated and numbered 32/50 in pencil, lower margin. Printed

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LUCIO FONTANA, Senza titolo (Concetto Spaziale)Color photolithograph on Magnani Pescia paper. Signed and numbered 61/150 in pencil, lower margin. Printed by Le Arte Grafiche Pardini di Camaiore, Milan. Published by Edizioni del Cinquale, Milan. Fr

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GEORGE SEGAL, Gazing WomanResin relief cast. Signed, dated and numbered 42/175 in black ink, lower left side. Published by Transworld Art, Inc., New York. From "An American Portrait." Date: 1975 Dimensions: 657x485x130 mm; 25

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JAMES ROSENQUIST, My Mind is a Glass of WaterColor lithograph on Arches. Printer's proof, aside from the edition of 125. Signed, titled, dated and inscribed "P. P. I" in pencil, lower margin. Printed by Petersburg Press, London. Published by Bro

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GINO SEVERINI, Arlecchino e PedrolinoColor lithograph. Signed and numbered 23/120 in pencil, lower margin. Printed by Michael Casse, Paris. Published by L'OEuvre Gravee, Paris, with the blind stamp lower left. Date of Work: 1963-64 Dimen

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ALBRECHT DURER, The Death of the Virgin.Woodcut. 1500 292x208 mm; 11 1/2x8 1/8 inches. Bartsch 93; Meder 205.

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REMBRANDT VAN RIJN, Christ and the Woman of Samaria: An Arched Print.Etching and drypoint. New Hollstein's fourth's state (of 5), with a trace of the delicate horizontal line across the spire upper right. 1657 125x160 mm; 5x6 1/4 inches, narrow margins. Bartsch 70; New

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REMBRANDT VAN RIJN, Self Portrait in a Velvet Cap and Plume.Etching. New Hollstein's third state (of 4). 1638 135x105 mm; 5 1/4x4 1/8 inches, narrow margins. Bartsch 20; New Hollstein 170.

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ADOLPH GOTTLIEB, Blue NightColor screenprint on white wove paper. Printed and published by Marlborough Graphics, Inc., London. Signed, dated and numbered 178/200 in pencil, lower margin. Date: 1970 Dimensions: 610x458 mm; 24x18

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JENNIFER BARTLETT, In the Garden #118Color screenprint. Signed, dated and numbered 28/30, lower right. Printed and published by Simca Print Artists, New York. Date: 1982 Dimensions: 736x965 mm; 29x38 inches

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CHARLES AUDRAN, The Four Seasons (In the Form of Male Nudes).Etchings. Each in the first state (of 2), before the address of rthe publisher Ciartres. 1634 Each approximately 195x150 mm; 73/4x57/8 inches, thread margins. LeBlanc 227-30.

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MARIA KATHARINA PRESTEL (AFTER BELANGER), A View of the Loss of the Rhone (Vue de la Perte duColor aquatint and etching with hand coloring in watercolor. With--PHILIBERT-LOUIS DEBUCOURT. "Paysage, effet de neige," color aquatint and etching with hand coloring in watercolor, 1811. 292x393 mm;

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REMBRANDT VAN RIJN, The Adoration of the Shepherds: A Night Piece.Etching and drypoint. New Hollstein's ninth state (of 11). 1657 152x197 mm; 6x7 3/4 inches, narrow margins. Bartsch 46; New Hollstein 300.

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