Rembrandt Van Rijn Beggars Conversing

Beggar Man and Woman Conversing, Etching on buff laid paper. sheet size: 3" x 3.5" plate size 2.75" x 3". With original Harlow, McDonald & Co. Gallery Label En Verso stating: Original Etching by Rembr

** Rembrandt van Rijn (1606-1669)Beggar man and beggar woman conversingEtching, circa 1630, a good impression of New Hollstein's second state (of three), printing with plate tone and showing the scrat

DESCRIPTION: Rembrandt Van Rijn (Netherlands, 1606 - 1669). Etching. Beggar Man and Beggar Woman Conversing, 1630. Bartsch 164 second state. Lettered in plate lower left with artist's monogram. In sim

DESCRIPTION: A Rembrandt Van Rijn (Netherlands, 1606) framed etching depicting a street scene with beggars receiving alms at the door of a house. The paper has engraved stamp and is numbered 260. Remb

Rembrandt van Rijn "Beggars Receiving Alms", etching on laid paper, state unknown, 6-1/4" x 4-3/4" plate, 11-1/4" x 8-7/8" sheet, good condition with toning and mat burn

REMBRANDT VAN RIJN Beggar Woman Leaning on a Stick. Etching, 1646. 82x65 mm; 3¼x2½ inches, narrow margins. Framed behind glass; not examined out of frame.

Rembrandt etching of Beggar Seated Warming His Hands At A Chafing Dish about 1630, Rembrandt Harmensz. van Rijn (Dutch, 1606–1669), Bartsch 173 ii; Hind 8 ii, DIMENSIONS - Sheet: 8.2 x 5.1 cm (3 1/4

** Rembrandt van Rijn (1606-1669)Beggars Receiving Alms at the Door of a HouseEtching and drypoint, 1648, a good bold but later impression of new Hollstein's third state (of five), on cream laid paper

In this tender Rembrandt Beggars Receiving Alms at the Door of a House, 1648, through Rembrandt’s extraordinary vision we witness a humble exchange between a needy family and their donor. The male f

** Rembrandt van Rijn (1606-1669)Beggar with a wooden legEtching, circa 1630, a good impression of New Hollstein's third state (of four) on laid paper without watermark, printing with plate tone and w

** Rembrandt van Rijn (1606-1669)Old Beggar Woman with a GourdEtching, circa 1629, a good impression of New Hollstein's second state (of two) with slight signs of wear, on laid paper without watermark

Manner of Rembrandt van Rijn (Dutch, 1606-1669), Beggars at the Door, etching, bears signature within print lower center, overall (with frame): 14"h x 12"w

Gravure on laid paper. B182 Measures: Plate 9.1 x 7.3 cm

Rembrandt Harmenszoon van Rijn (Dutch, 1606-1669) Old Beggar Woman with Gourd, 1629 etching 4 x 2 inches. Property from a Private Collection, Chicago, Illinois

REMBRANDT VAN RIJNThe Netherlands, 1606-1669“Beggars Receiving Alms at a Door”, 1648. Bartsch 176; Biorklund 48-C; Holstein (White and Boon) 176.Etching on thin laid paper, 6.75” x 5

REMBRANDT -RARE 19TH CENTURY ETCHING Rembrandt Van Rijn (Dutch 1606-1669) Sitting Beggar in a Long Cloak, 4-7/8 x 3-1/4 inches

Three small artworks including an engraving of 'Beggar in a High Cap, Standing and Leaning on a Stick' by Rembrandt van Rijn (Dutch 1606-1669); an engraving of 'Two Warriors Seated on Low Rocks' by Sa

Beggar in a High Cap, Standing and leaning on a stick Etching on laid paper after Rembrandt van Rijn Measures: 15 x 13 inches, framed COA included

Rembrandt Style Etching Assortment (3) undated and unsigned items including (2) copies after Rembrandt van Rijn 'Landscape with a Sportsman and Dogs' and 'Old Beggar Man and Old Beggar Woman'; and ano

REMBRANDT VAN RIJN Self Portrait in a Cap and Scarf with the Face Dark: Bust. Etching, 1633. 135x105 mm; 5x4 inches, wide margins. Biörklund's third state (of 3); Usticke's third state (of 5); Ne

** Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, but a later impression of New Hollstein's eighth state (of eight) on chine collé, sturdy wove

Rembrandt van Rijn (Netherlands, 1606–1669) . Ephraim Bonus, Jewish Physician, Etching. B 278; Three margins have been trimmed, Verso, adhesive on corners; staining . 8 5/8" x 6 7/8".

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: The Larger PlateEtching, circa 1632, a slightly worn impression of New Hollstein's fifth state (of nine), before any rework by later hands, on lai

Rembrandt van Rijn (1606-1669)Death Appearing to a Wedded Couple from an Open GraveEtching and drypoint, 1639, a delicate and excellent impression of the only state of this rare print, with wiping mar