SAILS BY CLARK

ARTIST: N Christensen (Maine, 20 century) TITLE: Sail Ship - Freeman Clark (titled on verso) MEDIUM: oil on canvas board CONDITION: Very good. No visible inpaint under UV light. ART SIZE: 20 x 28 inch

Fine marine painting by British artist William Clark showing the barque Jane Blain. Signed W. Clark 1836. The vessel has sails raised with many other vessels in the picture. In early frame.

J. Clark,(American, 19th Century) Full Sails oil on canvas 14 x 16 3/4 inches.

ALL SAILS UP (TOUTE VOILE DE HORS), 1985, hand-mirror, cast bronze frame with patina and beveled mirror glass, signed, numbered 72/250, stamped RK Parker, 11 ¾” long, mirror 6” diameter, with box

VENETIAN SAILS, 1987, polychrome enameled metal sculpture, in three parts mounted to wood, signed and dated and titled in gold ink on side, numbered 1/12, overall 96 x 41 x 2".

MISTY SAILS (I.6; SFE.2E), 1973, aquatint etching, signed in pencil, from the numbered edition 10 artist’s proofs aside from the numbered edition of 40, image 15 ¾ x 17 ¾", sheet 25 x 35", publish

MISTY SAILS (I.6; SFE.2E), 1973, aquatint etching, signed in pencil, numbered 18/40, image 15 ¾ x 17 ¾”, sheet 25 x 35”, printed and published by 2RC Italy with blind stamp lower left, small pal

Sail Matson New Zealand Travel Poster in Koa Wood Frame, SS Mariposa, SS Monterey. Marked Litho In USA. Frame Approximately 29.75H x 21.25W x .75D in. Sight Approximately 27.625 x 19.1875 in.

SAIL AT TWILIGHT, oil painting on canvas, signed lower left, 30 ½ x 38”, frame 36 ½ x 44 ¼”. Provenance: Fairweather Hardin Gallery, Chicago.

Matson Lines S.S. Mariposa, S.S. Monterey Fiji Poster. Reads Fiji, Sail Matson SS Mariposa, SS Monterey, LITHO In U.S.A. Approximately 28.0L x 20.0W in.

Modernist Sail Magazine Rack, designed and handmade in Australia. Approximately 18 x 9 x 15in. New Condition

EN OBSERVATION, 1992-1993, gouache, watercolor and ink and collage on paper artist mounted to canvas, signed lower left, dated lower right, signed and dated and titled on verso, 53 ½ x 29 &frac

CHEESE MOLD STANDARD WITH OLIVE (W.31), 1969, color screenprint, signed and numbered 83/150 in pencil, published by Ed Ruscha, printed by Jean Milant and Daniel Socha at Ruscha’s studio, Hollywo

MUJER SENTADO, 1961, oil painting on canvas, 39 ¼ x 51", signed and dated lower right, framed. From the Collection of Herb Solow, the executive in charge of production for Star Trek the original tele

Porcelain chinoiserie and gilt decorated cache pot 6” tall; A pair of later 19th century Chinese export famille rose plates 8 ½” diameter; Two antique Chinese footed plates with stamps and/or sea

THE GARDEN GATE, 1946, watercolor on paper, signed and dated lower right, sight 28 ¼ x 24 ¼”, framed, laid down on mat board, otherwise in apparently good studio condition. Subject to article I in

STUDIES OF THE MALE BACK, triptych, 1987, three color lithographs, each signed in pencil and inscribed H. C. (Hors Commerce), aside from the numbered edition 99, images 23 5/8 x 17 5/8”, sheets 31 3

MUJER, 1986, oil painting on stretched burlap, signed and dated lower right, 23 7/8 x 15 7/8", framed. Original lost provenance: Lopez Quiroga Galeria, Mexico. From the Dr. Burton Fink collection.

SOURCE, 1965, sumi-ink and gold leaf on paper wrapped card artist mounted to wood panel, stamped lower right, signed and dated on panel verso, 16 x 12 ½”, frame 16 ¾ x 13 ¼&

PANTECHNICON (Movers), oil painting on backside of Masonite with wood support on verso, signed lower right, 64 ½ x 48 x ½”, frame 74 x 58 x 2”. Provenance: Atkinson Art Galle

ETRUSCAN (SPECIAL), special order coffee table 60” long, 30” wide, 17” tall, LaVerne Gallery label underneath, in good condition.

PIO PER MARI E MONTI (Pious by Sea & Mountains) 62’/28, c.1985, color embroidery, signed and inscribed 62’/68, on the verso, 6 ½ x 6 ¾”, in good studio condition. Provenance: Artist’s signed

BRIGHT OWL (AR.285), 1955, painted and glazed ceramic rectangular dish, with the Madura and Edition Picasso stamps underneath, from the edition of 450, size 32 cm x 39 cm or 15 ¼ x 12 ¾�

OCCUPY (Ox), 2012, oil painting on linen, signed and dated lower right, 73 x 100”, frame 74 ½ x 101 ½”, available crate 81 x 108 x 7 ½”. Provenance: Corey Helfor