Thomas Campbell (b. 1969, American)

Dart Board, 2003 Acrylic on wood Inscribed: DARTAMORTIS / vid- T - MOSKi / 2 thousand / [indistinct cipher]; inscribed to verso: Blake 31" H x 4.25" W x 2.25" D Provenance: Roberts Projects, Culv

American Southern Virginia Coin Silver Castor Circa 1815 by Thomas B. Campbell, Winchester, Virginia. Fully Hallmarked. Condition: Good. Weight: 3.67 ozt, 114.1 gr. Size: H- 6". Provenance: From a Pri

Pair of Antique American Southern Virginia Coin Silver Salt Cellars by Thomas B. Campbell, Winchester, VA. c.1815 Condition: Generally Very Good w/ Period Monograms. Dimensions: L-4" x W-2.5" x H-2.1"

American Southern Virginia Coin Silver Marrow Scoop by Thomas B. Campbell- Winchester, Virginia Circa 1815. Fully Hallmarked. Condition: Generally Good. Dimensions: L- 6.5". Weight: 1.18 ozt / 36.8 g.

American Southern Virginia Coin Silver Punch/Soup Ladle by Thomas B. Campbell. Winchester, Virginia Circa 1815. Fully Hallmarked. Monogrammed.Condition: Generally Very Good Condition. Monogrammed. Dim

Wayne E. Campbell, screenprint, artist's proof, Wayne E. Campbell (American, b. 1944), "This Is Only a Reality of Special Consensus", c. 1969, silkscreen on Arches, pencil signed, marked "A.P. 22/40"

Thomas Andrew Nicholas (American, b. 1934). Oil on canvas, signed "Tom Nicholas" ll, signed, titled and dated 1969 on verso, 24 x 36 in., framed.

Will Grant (b. 1969) American, Acrylic Panels (3)Will Grant was born in New Jersey and now resides in Sarasota, Florida. Raised in California, Grant worked for a time in Taiwan making acrylic furnitur

Thomas CampbellAmerican, 1834-1914Cows Fording a RiverOil on canvas, signed lower rightTree-filled landscape with distant mountains, cows crossing still water below. Gilt frame.Stretcher: 14 x 10 in.

Bejeweled antler, 2009 Cast urethane, crystals, and adhesive Unsigned 3.75" H x 7.75" W x 6" D Notes: This edition was commissioned by the Peter Norton family as a gift for The Peter Norton Chris

Tatoo [sic] Collage, 2003 Paper collage on board under glass Appears unsigned; titled and dated on label affixed to the frame's backing paper 20.5" H x 14.5" W Provenance: The Blake Byrne Collect

FREEDOM, A FABLE, A CURIOUS INTERPRETATION OF THE WIT OF A NEGRESS IN TROUBLED TIMES, 1997, leather bound book with four laser-cut pop-up silhouettes and text, edition of 4000, book 9 x 8”, lack

Painting: Thomas B. Griffin (American 1858-1918), "The Delaware Water Gap", oil on canvas. Signed LLC. 12" x 18". Provenance: Kaminski Auctioneers, Lot 99, 10/24/2009 to current consignor.

Thomas B. Craig (American, 1849-1924) 'Early Autumn, The Brookside' Oil on Canvas 1903, signed lower left and en verso, depicting cows drinking from a stream in a rural landscape, titled and dated to

FREEDOM, A FABLE, A CURIOUS INTERPRETATION OF THE WIT OF A NEGRESS IN TROUBLED TIMES, published by The Peter Norton Family Christmas Project, 1997, leather bound book with four laser-cut pop-up silhou

Thomas B. Craig (American, 1849-1924) Silver Stream. Oil on canvas, signed lower left Canvas: 16" x 24" Frame: 23" x 31"

"The voice of one who perceives the world," 2006 Drawing on wood Alternately signed, dated and titled verso 5" H x 5" W Notes: Brochures, writings by the artist and newspaper articles about the a

Thomas B. Craig (American 1849-1924)- Fall Woodland Scene- oil on canvas, 1875, signed T. B. Craig 75 lower right. 50 x 36''

Thomas Campbell (English/American, 1834-1914), Maritime Paintingoil on board, signed at lower right, presented under glass in the likely original gilt frame. Frame dimensions 15 3/4 x 17 in. Thomas Ca

Shlomi Haziza (b.1969 American / Israeli) Ribbon Sculpture. Studio Lucite Abstract Black and Silver Acrylic and Metal Ribbon Sculpture on black/silver and clear pedestal. Very good condition. Sculptur

Pr George Washington engravings, c/o Thomas B. Welch (American, 1814-1874), bust portrait after painting by Gilbert Stuart, and aquatint standing portrait, creased, largest 32-1/2" x 24-1/2" overall

Antique Thomas B Griffin Landscape Oil Painting. Oil on canvas impressionistic landscape scene by artist Thomas B Griffin (American, 1858-1918), signed in the lower left. Frame measures 13.5 inches x

Kara Walker (American, b. 1969) The Emancipation Approximation (scene 18), 1999-2000 screenprint on Somerset 500G paper signed, dated, and numbered XII/XXV in pencil, verso 43 7/8 x 33 7/8 inches.

Kara Walker (American, b.1969) 'Resurrection Story without Patrons' Etching with Aquatint 2017, signed lower right, X/XXX, etching with aquatint, sugar lift, spit bite and drypoint depicting a large f