THOMAS ROWLANDSON - LOW TIDE AT GREENWICH - GICLÉE

Giclee print after Thomas Rowlandson, titled "Four O' Clock In The Country". Housed in gilt wood frame, originally published in 1788. Light discoloration. 18" H x 21" W Commensurate age and use. 18" H

Thomas Bush Hardy, clam diggers at low tide, Le Portel, watercolour on paper. Signed, inscribed Le Portel, dated 1893, titled on a paper label. Giltwood frame. 10.5 x 14.75 inches.

Pierre Stefani, French Born 1938, Signed and Framed Oil Painting on Board of Beach at Low Tide, Yachts and Beach Goers Titled "La Plage a Maree Basse", Framed measures 10 inches x 13 inches, art measu

HENRY THOMAS DAWSON (BRITISH 1860-1896) OIL ON CANVAS, JUNE 1875, H 15.5", W 23.5", COASTAL SCENE Wonderfully detailed oil on canvas coastal scene at low tide. Monogrammed and dated in the lower right

"Late Afternoon, Low Tide, Sea Lettuce, Granit [sic], Pacific Grove" Oil on canvas Signed lower left: A. De Rome, titled and dated verso: 4-25-40 6" H x 8" W Exhibitions: Museum of Natural History, Pa

Group of Nautical Clocks, Tide Clocks, Barometer. Including pieces by Seth Thomas. Largest measures 8 inches in height.

A Greenwich Workshops "creative Impressions Collection" Limited edition Print with original folio and label inserted in the back of the frame. 143/1000. Framed under low gloss UV glass. Work measures

Low Tide (Matabungkay) signed (lower right)ca. 1970 acrylic on canvas 32" x 51" (81 cm x 130 cm) Accompanied by a certificate issued by Fundacion Sansóconfirming the authenticity of this lot LITERA

Morten Solberg (American, b. 1935) Clam Digging at Low Tide acrylic on canvas signed Morten E. Solberg (lower right) 48 x 60 inches

American (Connecticut), late 19th or early 20th Century. Oil on panel in a Hackman frame. Harbor scene with two ships at the front. Signed on lower left. 12"h. 16"w. (sight). Frame, 17"h. 21"w. Exhibi

Thomas Rowlandson (London 1756-1827) 'Human nature is fond of Novelty. Pliny' inscribed with title (lower centre) pen, grey and brown ink and watercolour on wove paper 29.3 x 22.5cm (11 9/16 x 8 7/8in

Thomas Rowlandson (London 1756-1827) Batchelor's fare, bread, cheese and kisses signed 'Rowlandson del' (lower right) and further inscribed along the trimmed lower edge pen, brown ink and watercolour

Frank Corso (American b. 1952) Oil on Board "Low Tide", signed lower right Corso, in carved gilt frame, Robert Wilson Gallery label on reverse and signed and titled on reverse. 16 in. x 20 in. Overall

Junius Allen Low Tide, Port Clyde c. 1950oil on canvas board18 h × 24 w in (46 × 61 cm) Signed to lower right 'Junius Allen'. Provenance: Grand Central Art Galleries, Inc.

Thomas Rowlandson (London 1756-1827) Grand Place, Brussels signed and dated 'Rowlandson 1802' (lower right) and inscribed 'Grande Place à Brussells [sic]' (lower left) pencil, pen and watercolour

William Irvine (Am./Scottish b. 1931) Low Tide Port Isaacs, 2011 Oil on paper, matted Signed l.r. 22 1/4" x 30" actual, 26" x 32" matted Provenance: Private Collection Tavares, Florida

Thomas Rowlandson (London 1756-1827) Polson Bridge near Launceston with pack ponies on a road pen, ink and watercolour on paper 23.2 x 37.5cm (9 1/8 x 14 3/4in). Footnotes: Provenance Sale,

William Seltzer Rice (American, 1873-1963) Low Tide — Estuary woodblock signed and titled in pencil 7 1/2" x 9"

Thomas Rowlandson (London 1756-1827) Triton and nymphs signed 'T.Rowlandson' (lower left), pen, grey ink and watercolour on wove paper 15 x 23cm (5 7/8 x 9 1/16in). and another, of a winged figure ins

Thomas Rowlandson, attributed to. England. Round form satirical watercolor painting of men betting on dogs. Bull baiting a bull. On paper. Framed. Unsigned. Label on reverse. Overall framed diameter:

Fred Yates (British, 1922-2008) Boats at Low Tide signed 'FRED/YATES' (lower left) oil on canvas 21 x 25.5cm (8 1/4 x 10 1/16in). together with a further watercolour painting, Bowling Green, by

WALTER FARNDON (American, 1876-1964)Low Tide at Little Neck Bayoil on canvasestate stamped verso24 x 34 in., frame: 31 1/2 x 41 1/2 in. Provenance: By descent within a Massachusetts family.

Thomas Rowlandson (1757-1827), 2 Grotesque Borders Portfolios (12 each), 24 works total, colored lithographs, measures 13.5 x 19.25" Condition: a few showing mold damage We happily provide seamless sh

Oil on canvas signed lower right, size 12" x 16". Condition slight puncture in canvas less than half inch in size.