TWO AIKUCHI TANTŌ KOSHIRA-E (GUARDLESS MOUNTS FOR DAGGERS) Edo period (1615-1868) or Meiji ...

AN AIKUCHI DAGGER Japan, Edo period (1603 - 1868) (blade and koshirae) Blade Straight shape with iori mune. Koshirae Saya and tsuka with green-grey and partly black lacquer finish. Copper kojiri and f

A Japanese tanto, A Japanese tanto, 19th century (Edo to Meiji period), the blade signed KaneKiyo with a horimono carving of a stylised dragon and pearl, the aikuchi koshirae with a kozuka blade, with

A KOSHIRA-E (MOUNTING) FOR A DAISHO (MATCHING LONG AND SHORT SWORD) Edo period (1615-1868), mid 19th century with some earlier components The saya (scabbards) finished in an irregular mosaic of greeni

TSUKIOKA YOSHITOSHI (1839-1892) A Group of Six Woodblock Prints Edo period (1615-1868) and Meiji era (1868-1912), 1860s and 1878 Each an ōban tate-e, the first, of a beauty next to a bottle of sa

ANONYMOUS (19TH CENTURY) Shishi Lion-Dog and Peonies Edo period (1615-1868) or Meiji era (1868-1912), 19th century A large two-panel folding screen in ink and colors on paper depicting a shishi (Chine

TWO GOLD-LACQUER INRO One by Josen(sai) and one by Hasensai, Edo period (1615-1868), 19th century The first decorated in gold takamaki-e with a peacock standing with its tail feathers erect and traili

UTAGAWA KUNISADA (1786-1864) AND UTAGAWA YOSHIMORI (1830-1884) Two Woodblock Print Triptychs of Kabuki Theaters Edo period (1615-1868) and Meiji era (1868-1912), 1811 and 1872 Two ōban tate-e tri

A SMALL LACQUER TRAY DEPICTING EGRETS UNDER A WILLOW TREE Edo period (1615-1868) or Meiji era (1868-1912), 19th century Of rectangular form with shallow rim, of hiramaki-e, takamaki-e, and tsuishu lac

KAWANABE KYŌSAI (1831-1889) Beauty and Enma-Ō Edo period (1615-1868) or Meiji era (1868-1912), 19th century A hanging scroll brushed in ink and colors on silk depicting a King of Hell holdin

A Japanese Two Panel Folding Screen of Bears Edo period (1615-1868), 19th century, ink, colors and gilt on paper, two panel folding screen byobu, featuring a family of bears, mother together with her

ANONYMOUS Cranes with Prunus Blossoms Edo period (1615-1868), 19th century A two-panel folding screen, ink, colors, gofun (calcified crushed oyster-shell gesso), and gold on paper within a double silk

UTAGAWA KUNIYOSHI (1797-1861) Edo period (1615-1868), 1851 An ōban tate-e print triptych entitled Nanke yūshi Shijō-Nawate nite uchijini (Last Stand of the Kusunoki Heroes at Shijō

UTAGAWA HIROSHIGE (1797-1858) Edo period (1615-1868), 1856 An ōban tate-e woodblock print titled Asakusa Kinryūzan (Kinryūzan Temple, Asakusa), from the series Meisho Edo hyakkei (100 F

Umetada School A set of two fuchi-gashira for a daisho (set of long and short sword) Edo period (1615-1868), 18th century Each fuchi of copper and shakudo, the shakudo chiseled with parallel grooves a

UGATAWA YOSHITOMI (ACTIVE CIRCA 1850-60) Edo period (1615-1868), 1861 An ōban tate-e print entitled Gaikokujin fune, battira (Views of Foreign Ships: Battira), signed Ichigeisai Yoshitomi ga, pub

ANONYMOUS (19TH CENTURY) A Parcel-gilt Bronze Model of Su Shi (So Tōba) on His Mule Edo period (1615-1868)-Meiji era (1868-1912), 19th century, A two-piece model in patinated and parcel-gilt bron

A LACQUERED AND GILT-WOOD FIGURE OF AMIDA NYORAI Probably Edo period (1615–1868) The Buddha seating on a lotus throne with the right hand in vitarka mudra, the left hand resting on his thigh, tw

A GOLD-LACQUER SUZURIBAKO (WRITING BOX) Edo period (1615-1868), 19th century Rectangular with an inrōbuta (flush-fitting) lid decorated in gold and silver hiramaki-e with kirigane and hirame embe

Katsushika Hokusai (1760-1849) Edo period (1615-1868), circa 1832 An oban yoko-e print of Izumizaki yagetsu (Night Moon at Izumizaki) from the series Ryukyu hakkei (Eight Views of the Ryukyu Islands),

UTAGAWA KUNISADA (1786-1864) Edo period (1615-1868), 1853 A set of 55 chūban tate-e prints from the series Tōkaidō gojūsan tsugi no uchi (53 Stations of the Tōkaidō Road)

UTAGAWA KUNIYOSHI (1797-1861) Edo period (1615-1868), 1843-1847 An ōban tate-e triptych entitled Kiyomori Nyudo Nunobiki no taki yuran Akugenda Yoshihira no rei Nanba Jirō o utsu (During the

KUBO SHUNMAN (1757-1820) Edo period (1615-1868), 18th/early 19th century A surimono depicting an ise-ebi (Japanese spiny lobster), two hamayumi (ceremonial miniature bows) with arrows in a stand, and

UTAGAWA KUNISADA I (TOYOKUNI III, 1786-1864) Edo period (1615-1868), circa 1836 A vertical nagaban-e print entitled Goko shōgun no uchi Kan'u (General Kan'u, One of the Five Tiger Generals), from

Utagawa Kunisada (1786-1865) Edo period (1615-1868), 1829 An aiban yoko-e uchiwa-e (fan print) of a courtesan holding a shamisen from the series Bijin geizukushi (Assortments of Beauties' Accomplishme