unsigned - Study of a Man's Back

Study for a set design for a play or opera. "The Ball" men and women in a great hall. Notation on back. 23.5" X 20" (31" X 27")

Oil on canvas, unsigned. Study of a young man. 10"h x 7"w and 19"h x 15"w

23" HIGH BRONZE HORSE ON BACK LEGS WITH MAN HOLDING REINS, UNSIGNED, PROBABLY MADE IN LAST 50 PLUS YEARS, NICE PATINA, POSSIBLY REPAIR TO TAIL, OR MADE THAT WAY, AS PICTURED. MEASURES 23" HIGH X 19" F

23" HIGH BRONZE HORSE ON BACK LEGS WITH MAN HOLDING REINS, UNSIGNED, PROBABLY MADE IN LAST 50 PLUS YEARS, NICE PATINA, POSSIBLY REPAIR TO TAIL, OR MADE THAT WAY, AS PICTURED. MEASURES 23" HIGH X 19" F

ERNEST TINO TROVA (AMERICAN, 1927-2009)Falling Man: Manscape #5 (study), 1967.Serigraph, unsigned. Layered triangular and polychromatic image, matted behind glass, silvered frame. Impression: 5.4" hei

Two Figural Works on Paper, including unsigned romantic profile portrait study of a bearded man in pencil and surreal fantasy drawing in pen by Stanton Powers, signed and titled [Cindertullah], circa

Mysterious illustration, 20th c. probably American, unsigned, colorful gouache study on paper depicting suited men at various angles, in the style of 1950's/60's American pulp novel illustrations, 14.

Unsigned oil on canvas study of a woman from the back, in the manner of Jean Jansem, in nice frame. [Art: 42" H x 29" W; Frame: 55" H x 41" W].

Appears unsigned. 13 1/2"h x 9 1/2"w

Oil on canvas, unsigned. Man seated under a red drape and holding a copy of the Passaic Guardian (New Jersey) newspaper dated 1844. Marked on the back " #18 GM, Newburgh, NY" with stenciled preparer's

Second quarter 19th century, watercolor on paper. Unsigned. Man in a blue frock coat and holding a book, seated on an oversized book. Back of paper has ink wash portrait and faint pencil drawing of a

George Valentine Dureau (American/Louisiana, 1930-2014), “Study, Man with Hat,” 20th c., charcoal on paper, unsigned, unframed, H.- 46 1/4 in., W.- 35 in.

Oil Painting European Military Man in Gold Gilt Frame. This heavier set man has epaulettes and a red hat with feather. He appears to be a European Military Man. It is unsigned. The back of the artists

Study of Man with Violin, Appears unsigned. Together with a Landscape Engraving, signed in pencil l.r. illegible. Together with two other pieces of artwork 2 1/4"h x 3 1/4"w and 3 3/4"h x 5"

STYLE OF SIR WILLIAM BLAKE RICHMOND, OVAL GRAPHITE TWO-SIDED DRAWING ON THIN BOARD, 19TH C., BOARD: H 11 1/8", W 7 1/2" :Recto depicts a young man; verso has hand and foot studies. Unsigned but pencil

Untitled (Study - Seated Man with Red Fez Posing), oil on canvas board, unsigned, 20th century, overall (with frame): 25.25"h x 19"w; Provenance: Property from the collection of Inn on Castro, San Fra

Unsigned Russian School oil on masonite study of a bearded man in thought. [Art: 16 1/2" x 16 1/2"; Frame: 22" x 22"].

OIL ON ARTIST BOARD, UNSIGNED - SEATED MAN WITH HANDS CROSSES - "WARING & DIMES, LONDON" MARKED ON BACK - FRAMED 13 1/2" X 11 1/2" Please Read Carefully before Bidding. Hartzell’s Auction Galler

Property of a Private Collection, Savannah, GA Description: British School, Man Eating in an Interior, oil on canvas, unsigned, depicting man with carving knife and fork seated at a table, the bac

All watercolors, comprising: a study of men's heads signed A. Gazale and dated for 1928, a street scene signed Janiot, an unsigned view of a Mosque, an illegibly signed village scene and a scene depic

Northern European School: Study of a Man Wearing a Cap Sanguine on paper, unsigned. 4 7/8 x 4 in. (sheet), 13 x 10 3/4 in. (frame). Property from the Collection of Gayfryd Steinberg

Artist Unknown (20th Century) Study Of A Man In Arabic Clothing. Watercolor on paper. Unsigned Sight: 19.75" x 14" Frame: 31" x 25"

American School (20th century), Study of a Man's Head, oil on board, unsigned, overall (with frame): 14.5"h x 12.5"w

This 1920's portrait study of a man is oil on canvas, and is from a Boston-area estate. It is painted in the academic style of the Boston School of painters. It is unsigned, but attributed to H. Hill