William Hogarth (UNITED KINGDOM / ENGLAND, 1697 - 1764) etching titled "Analysis of Beauty". Mounted

(lot of 4) English art prints on paper, after William Hogarth (United Kingdom, 1697-1764), including: (1) "Line of Beauty and Grace," (1) "Sigismunda," (1) "Captain Thomas Coram," (1) "Simon Lord Lova

William Hogarth (English, 1697-1764), Industry and Idleness (Complete Suite of 12)each an etching and engraving, 1747, presented in uniform matting and framing. Plates to include "The Fellow 'Prentic

William Hogarth (English, 1697-1764), A Rake's Progress (Complete Suite of 8)each an etching and engraving on laid paper, 1735, one marked as "Retouch'd by the Author 1763," plates to include "The Hei

William Hogarth (English, 1697-1764), A Rake's Progress (Complete Suite of Eight)each an etching with engraving on laid paper, published 1735, plates to include The Heir, The Levée, The Orgy, The Arr

School Of George Stubbs (United Kingdom/England 1724-1806), man with horse, oil on canvas. 28" x 36".

ARTIST: Edward William Cooke (United Kingdom, 1811 - 1880) NAME: Delto il Lagunello, Venezia YEAR: 1851 MEDIUM: oil on canvas CONDITION: Minor craquelure. 2 long cracks. Restretched. No visible inpain

(United Kingdom, 1916-1997), titled "Riverboat and Railroad, Daytime," dated 1976, signed l.r. and verso, bears a Kennedy Galleries Inc. Label. 17"h x 22"w Provenance: Kennedy Galleries Inc., New York

Raw Edges Unique Stack-13 Drawers and Stack-8 Drawers Established & SonsEngland / United Kingdom, 2008lacquered wood, casters 71 h × 24.5 w × 21.5 d in (180 × 62 × 55 cm

After Hogarth etching of enraged violinist in window

Bridget Riley (New York/United Kingdom, born 1931) color silkscreen print titled "Elapse" depicting wavy lines in pastel shades of pink, green, and blue against a white background. Titled, in pencil,

James Whistler, American (1834-1903). Black and white etching of his mother sleeping titled 'Whistler's Mother' mounted in chrome frame and signed 'W 56' lower right corner. Measures 15 3/8"H x 17.75"

ATTRIBUTED TO THOMAS WHITCOMBEUnited Kingdom, c. 1760-1824"English Frigates". Unsigned. Titled and attributed to Whitcombe on frame plaque.Oil on canvas, 12" x 17". Framed 22"

"Mrs. Lowndes-Stone Norton", portrait Oil on canvas laid to canvas Appears unsigned, titled on the frame plaque 55.5" H x 41.5" W Provenance: Private Collection, Beverly Hills, CA. Notes: Framed size:

Charles Wirgman Sr. (1832 - 1891 United Kingdom/ Japan) 'Portrait of a Filipino Woman, Manila' Oil on Paper, 1857. Signed and dated lower right. Paper mounted to board. Image 11.5x8.5", Framed 15.75x1

Title: Annie Seated. James Abbott McNeill Whistler (1834-1903) was an American artist active during the American Gilded Age, and based primarily in the United Kingdom. He eschewed sentimentality and m

Info card on back of the etching with details about the etching

Martin Lewis etching Bedford Street Gang. Pencil signed and titled. Dry mounted, unframed; visible image 8 3/4" x14 1/4".

William Scott (Ireland/England, 1913-1989) screenprint on paper titled "Bottle and Bowl, Blues on Green," numbered 69/100, depicting a grey bottle form and a blue bowl against a green background, and

David Hockney, U.K. (Born 1937). Etching titled 'Alka Seltzer', signed with initials on bottom and 'Unfinished Proof', mounted in chrome frame. Measures 23.25"H x 14.25"W framed; 13"H x 6"W visual. Co

Romero Britto (United States/Brazil: B. 1963) acrylic painting on canvas titled "Purple Dress" mounted in original Britto frame as well. Hand signed to lower left. Signed, titled and dated to verso. D

Mauricio Lasansky (UNITED STATES / IOWA / NEW YORK / ARGENTINA, 1914 - 2012) color intaglio drypoint etching depicting former president Abraham Lincoln titled "Lincoln". Pencil signed to lower right w

Fine Navajo Germantown saddle blanket with tassel corners. Professionally mounted. Southwestern United States, circa 1890. Condition: Excellent original condition.Even color on each side.H 36" W 57".

Fine early impression with artist butterfly mark upper left, titled "The Balcony Venice", image size 11.75" x 7.75", matted and framed under glass, remnants of original label on reverse. Condition app

PANTECHNICON (Movers), oil painting on backside of Masonite with wood support on verso, signed lower right, 64 ½ x 48 x ½”, frame 74 x 58 x 2”. Provenance: Atkinson Art Galle