Work on paper, Guy Overfelt

Guy Overfelt (American, b. 1967), Untitled, 2003, burnout drawing, 2003, signed and dated verso, intialed lower right, overall (with frame): 28"h x 35.5"w

Guy Irving Anderson (American, 1906-1998), "Abstract Forms," ink on paper, unsigned, sight: 9"h x 10"w, overall (with frame): 21"h x 19.5"w. Provenance: Estate of the Artist

GUY OVERFELT (AMERICAN, B. 1967)Burnout on Paper, 2003."Inked" with yellow BF Goodrich Scorcher T/A tire (via 1977 Trans Am) on paper, matted behind glass with white acrylic frame, notations to verso.

American - Circa 1890 - 6.25" H This little guy is strumming his banjo as his eyes move side to side. It works well. Tin / Paper

Henri de Toulouse-Lautrec Guy et Mealy dans Paris qui Marche 1898lithograph on Japan paper11 h x 9 w in (28 x 23 cm) Signed with the artist's red signature stamp and numbered '65/100'. This work

(South Carolina, 1917-2009) Watercolor on paper of corn stalks signed lower right. Nicely rendered work. Good overall condition. H29" W21" (without frame and mat)

After - Guy Pene du Bois Absolutley beautiful; Guy Pene du Bois was an American painter, critic, and educator. His work is inspired by culture and the human environment: cafes, theaters and the girls

Guy Mourand, Canadian, born 1958, color print on paper, Colette, depicting a portrait of a woman. Signed in the print, lower right. Framed. Guy Mourand is a Contemporary artist who works in the manner

Medium: lithograph (after the watercolor). Dufy executed this composition in reference to an earlier work by artist Constantin Guys. This lithograph was printed on Arjomari wove paper by Mourlot Fr&#2

Medium: lithograph (after the watercolor). Dufy executed this composition in reference to an earlier work by artist Constantin Guys. This lithograph was printed on Arjomari wove paper by Mourlot Frèr

Guy Overfelt Burnout drawing 2002 Tire tracks on Arches paper 22 x 30 inches Signed lower right Provenance: Guy Overfelt studio, San Francisco; Lincart Gallery, San Francisco; private collection, San

Guy Overfelt Burnout drawing 2002 Tire tracks on Arches paper 22 x 30 inches Signed lower right Provenance: Guy Overfelt studio, San Francisco; Lincart Gallery, San Francisco; private collection, San

Guy Overfelt (American, b. 1967), "Burned Rubber Linen Landscape," 2005, mixed media on linen laid down on board, gallery label (Lincart, SF, CA) affixed verso, overall (with frame): 9"h x 11"w

ART NOUVEAU FRENCH WORK PAPER OPENER, SILVER PLATED WITH STYLIZED LETTERS, c.1930s, 8.25"

Alfred Schmidt, American, b. 1893, 180 Works on Paper and Canvas Fragments, ca. 1960s, watercolor on paper, signed, including Landscapes, Nudes, Erotica, etc. NOTE: Schmidt furtively set up a table ne

A wonderful example of a paper lithograph with a full 1906 calendar pad, metal bands top and bottom. A powerful and highly detailed image of a lion advertising J. E. Fox Saw Works, Seattle. It has min

Joan Sherman, red patinated bronze sculpture, Joan Sherman (American, active 1991-present), "Sunset Concert", no signature or edition number observed, possibly a unique work, paper sales tag to unders

Japanese wood block print originated by Sadanobu Hasegawa. 19th-20th century. Titled "Shibaraku," a Ukiyo-E work. Paper with ink stamp, image with 2 calligraphy stamps and 2 chop marks (top left and l

Large Folio Chromolithograph Published 1856 by Day & Son, London for "The Grammar of Ornament" by Owen Jones. First and best Edition of this work. Paper Size: 21 x 14 inch (54 x 35cm) Several closed m

Vintage World War II Poster. "Having seen the quality of work..." Paper size: 43 x 31 1/2 inches. Linen backed. Condition: as per photograph.

Large Folio Chromolithograph Published 1856 by Day & Son, London for "The Grammar of Ornament" by Owen Jones. First and best Edition of this work. Paper Size: 21.5 x 14 inch (55 x 36cm) Margins slight

Large Folio Chromolithograph Published 1856 by Day & Son, London for "The Grammar of Ornament" by Owen Jones. First and best Edition of this work. Paper Size: 21.5 x 14 inch (55 x 36cm) Margins slight

Large Folio Chromolithograph Published 1856 by Day & Son, London for "The Grammar of Ornament" by Owen Jones. First and best Edition of this work. Paper Size: 21.5 x 14 inch (55 x 36cm) Minor margin s

Large Folio Chromolithograph Published 1856 by Day & Son, London for "The Grammar of Ornament" by Owen Jones. First and best Edition of this work. Paper Size: 21.5 x 14 inch (55 x 36cm) Some margin to