Zapf.Manuale Typographicum

Héritier de deux générations d’universitaires, le propriétaire actuel a baigné dans cet environnement bibliophile collecté et entretenu par ses parents au fil des a

Navarre (Marguerite de) Les Nouvelles, 3 vol., engraved plates and vignettes, contemporary green straight-grain morocco, spines a little rubbed and faded, Berne, chez la nouvelle societe typographique

Monumenta Xylographica Et Typographica The Cradle of Printing Part II With 14 Color Plates, 86 Halftones and Line Cuts Limited Edition of 1200. Price list

NO RESERVE Binding.- Morison (Stanley) & Kenneth Day. The Typographic Book 1450-1935, first edition, two fine titles by Reynolds Stone printed in red, illustrations, many full-page, one or two folding

The banner has damage and tears, from Quincy Illinois, 54"x36", rated 5.5

Colorful abstract composition featuring hundreds of stenciled letters against undulating organic forms. Unsigned. Unframed. Dimensions: 36" H x 54" W; 

SANDBERG, WILLEM EXPERIMENTA TYPOGRAPHICA, 1-5. Utrecht, 1979-1982. Reprints. Octavos, some illustrated, multiple ink colors on varied paper stock, in original wrappers; moderate wear, very good.

Heading: (Gill, Eric) Author: Dreyfus, John Title: A Typographical Masterpiece: An account by John Dreyfus of Eric Gill's collaboration with Robert Gibbings in Producing the Golden Cockerel Edition of

McKinney, Mid-Century Lithograph Typographic Pastoralis. Pencil signed, titled and numbered 17/70. Also signed on verso. Size: 31" x 35"

MORISON, Stanley. The Typographic Arts: Two Lectures. London: Theodore Brun Limited, 1949. Octavo. (9 x 6 3/16 inches). 106pp. Original full blue polished calf, spine gilt, front cover with gilt-stamp

1924 International Typographical Union Convention Framed Photo. This item requires third party shipping or pickup arrangements to be made.Dimensions: 13.5 x 51.5

The Grolier Club. ''The Engraved & Typographic Work of Rudolph Ruzicka: An Exhibition.'' The Grolier Club, 1948, New York, NY. Paperback.

Typographical World Map Matthews-Northup Co frame; 24x32"

Lawrence Weiner - „LOCUS SOLUS INSTALLATION“ (“LOCUS SOLUS INSTALLATION”) Felt-tip pen, ink, ballpoint pen, gouache, sellotape, and collage with typographic text on wove. 1989. C. 48 x 61 cm.

OEUVRES COMPLETES DE VOLTAIRE [Kehl]: de l'imprimerie de la Société littéraire-typographique, 1785-1789. In seventy volumes. 8vo. With 3 engraved portraits, including the frontispiece portrait in t

Taylor (E.) The Lady's, housewife's, and cookmaid's assistant: or, the art of cookery explained and adapted to the meanest capacity, first edition, list of subscribers, 4pp. typographic bills of fare

Serra, Richard Etching on strong cardboard. Signed, dated and numbered as well as with the blind embossing of Gemini and copyright. With the typographic text of Gemini G.E.L. and the Gemini-number on

JOYCE, JAMES. 1882-1941. Finnegans Wake. London: Faber & Faber, 1939. 8vo. Publisher's gilt-lettered burgundy cloth, typographic dust jacket, usual toning to first blank and last text page. Dust jack

BIBLE, IN ENGLISH, AUTHORISED VERSION The Holy Bible, general and NT title-pages within woodcut typographical borders, ruled in red throughout, without blank leaf before title (as in Herbert), final

[Sarpi (Paolo)] The History of the Inquisition, first English edition, translated by Robert Gentilis, initial imprimatur leaf, title in red and black within typographic border, typographic decorations

Forestry.- Manwood (John) A Treatise and Discourse of the Lawes of the Forrest, first published edition, mostly black letter, title within typographic border, woodcut initials, lacking blank Z8, title

A pair of Porsche Design sunglasses made in Austria and worn by Waylon in publicity photos.**Presale Estimate CHANGED on 8-14-17 due to a typographical error!**

IBÁÑEZ DE SEGOVIA PERALTA Y MENDOZA (GASPAR, MARQUÉS DE MONDÉJAR ) Examen chronologico del año en que entraron los moros en España, title within border of typographical

This poster image is in the classic typographical style of Lucian Bernhard and was a part of a large collection of pieces that he created for Amoco.Amoco Corporation, originally Standard Oil Company (