![Louis Icart (1888-1950). Etching on paper. "Arrival". Approx. 1920: Louis Icart (1888-1950). Etching on paper. "Arrival". Approx. 1920 Visible dimensions: 42 x 30 cm. Total dimensions: 52 x 40 cm. Signed in pencil. In excellent condition. Reserve: $413.00 Shipping: Do](https://p1.liveauctioneers.com/5584/331507/178825361_1_x.jpg?height=310&quality=70&version=1717607028)
Etching Art
![Louis Icart (1888-1950). Etching on paper. "Arrival". Approx. 1920: Louis Icart (1888-1950). Etching on paper. "Arrival". Approx. 1920 Visible dimensions: 42 x 30 cm. Total dimensions: 52 x 40 cm. Signed in pencil. In excellent condition. Reserve: $413.00 Shipping: Do](https://p1.liveauctioneers.com/5584/331507/178825361_1_x.jpg?height=310&quality=70&version=1717607028)
![Berthe Hoola van Nooten Flores Jambosae Domesticae Botanical print: Berthe Hoola van Nooten Flores Jambosa Domestica , Brussels: C. Muquardt, [circa 1863-1885]. Chromolithograph, by P.Depannemaeker. Total Frame Size: 26 x 32 Inches Approx. Shipping in the U.S via USPS](https://p1.liveauctioneers.com/6312/332015/179463312_1_x.jpg?height=310&quality=70&version=1717773026)
![VICENTE ROJO AUTHENTIC ETCHING "CODICE 2 " HAND SIGNED AND NUMBERED 61/75: We have for Sale this Master Piece from Spanish Mexican Master VICENTE ROJO AWESOME ETCHING AND AQUATINT ON PAPER " CODICE 2 " HAND SIGNED AND NUMBERED IN PENCIL 61/75 ETCHING SIZE IS: 16 X 22 in PAPE](https://p1.liveauctioneers.com/5584/331507/178825393_1_x.jpg?height=310&quality=70&version=1717607028)
![Jack Sonenberg: Dimensions #3, 1969: Jack Sonenberg (American, 1925-2012): Dimensions #3, 1969. Collograph print Etching on paper. Edition 2/25. Sight; height: 29 5/8 in x width: 23 5/8 in. Framed 30 1/4 in x 24 1/4 w". Provenance: Disti](https://p1.liveauctioneers.com/8873/328969/177493161_1_x.jpg?height=310&quality=70&version=1716489719)
![Jack Sonenberg: Dimensions #5, 1969: Jack Sonenberg (American, 1925-2012): Dimensions #5, 1969. Collograph print Etching on paper. Edition 2/25. Sight; height: 29 5/8 in x width: 23 5/8 in. Framed 30 1/4 in x 24 1/4 w". Provenance: Disti](https://p1.liveauctioneers.com/8873/328969/177493159_1_x.jpg?height=310&quality=70&version=1716489719)
![Francisco Goya original etching "Las camas de la muerte" Plate 62: Medium: original etching and aquatint. This is Plate 62 from Goya's Los Desatres de la Guerra series; the Spanish title translates to "The Beds of Death". Catalogue reference: Delteil 181. The plate m](https://p1.liveauctioneers.com/5584/331895/179034936_1_x.jpg?height=310&quality=70&version=1718142737)
![John Sloan original etching | Of Human Bondage: Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of Human Bondage" and issued in 1938 in a limited edition of 1500 by the Yale University Press for members](https://p1.liveauctioneers.com/5584/331895/179035002_1_x.jpg?height=310&quality=70&version=1718142737)
![Edmund Henry Garrett original etching "Near Mattakeesett": Medium: original etching. Printed on laid paper and published in 1881 by the American Art Review. Plate size: 5 7/8 x 10 inches. Signed in the plate (not by hand). Condition: trimmed margins, not affe](https://p1.liveauctioneers.com/5584/331895/179035072_1_x.jpg?height=310&quality=70&version=1718142737)
![FRANCIS TODHUNTER San Francisco BAY BRIDGE 1933 Hand Signed Etching: Francis Augustus Todhunter (1884-1963). Bay Bridge, 1933, 10-3/4" x 6-1/2" image sight size (framed size: 20" x 15") signed/dated lower right: Francis Todhunter/1933. Painter, printmaker, and graphic](https://p1.liveauctioneers.com/5584/331507/178825358_1_x.jpg?height=310&quality=70&version=1717607028)
![Meditation: Limited Edition etching signed lower right corner and numbere 172/250 lower left corner.](https://p1.liveauctioneers.com/9190/333025/180004745_1_x.jpg?height=310&quality=70&version=1718741954)
![King Asa: Wood Block Etching Artist’s Proof of King Asa pencil signed lower right corner and labeled Artist's Proof lower left corner](https://p1.liveauctioneers.com/9190/333025/180004713_1_x.jpg?height=310&quality=70&version=1718741954)
![Carl Bloch (1834–1890). Etching of a Danish coastal landscape with a sailboat on the horizon.: Carl Bloch (1834–1890). Etching of a Danish coastal landscape with a sailboat on the horizon. From the northern coast of Zealand, Hornbæk Plantation. Dated 1889. In perfect condition. Signe](https://p1.liveauctioneers.com/5584/331507/178825459_1_x.jpg?height=310&quality=70&version=1717607028)
![Carl Bloch (1834–1890). Etching of a seated fisherman with thatched houses in the background.: Carl Bloch (1834–1890). Etching of a seated fisherman with thatched houses in the background. Dated 1886. Reserve: $210.00 Shipping: Domestic: Shipping rates are determined by destination Intern](https://p1.liveauctioneers.com/5584/331507/178825446_1_x.jpg?height=310&quality=70&version=1717607028)
![Frank Short "Strand Gate, Winchelsea" pencil-signed etching: Medium: original etching and drypoint. Catalogue reference: Hardie 367. Signed in pencil. Executed in 1910, this is a nice impression with plate tone printed on laid paper. Plate size: 7 1/4 x 12 1/2](https://p1.liveauctioneers.com/5584/331895/179035103_1_x.jpg?height=310&quality=70&version=1718142737)
![JEAN BARBAULT ANTIQUE SANGUINE ETCHING CA 1780 "MARCUS AURELIUS": VERY RARE JEAN BARBAULT ORIGINAL ANTIQUE SANGUINE ETCHING. PRINTED FRANCE CIRCA 1780. UNFRAMED. SHEET SIZE: 20X14 INCHES APPROX. SHIPPING IN THE U.S VIA USPS PRIORITY MAIL $25](https://p1.liveauctioneers.com/6312/332015/179161674_1_x.jpg?height=310&quality=70&version=1717609452)
![JEAN BARBAULT ANTIQUE SANGUINE ETCHING CA 1780 "DIOGENES AND ALEXANDER THE GREAT": VERY RARE JEAN BARBAULT ORIGINAL ANTIQUE SANGUINE ETCHING. PRINTED FRANCE CIRCA 1780. UNFRAMED. SHEET SIZE: 20X14 INCHES APPROX. SHIPPING IN THE U.S VIA USPS PRIORITY MAIL $25](https://p1.liveauctioneers.com/6312/332015/179161676_1_x.jpg?height=310&quality=70&version=1717609452)
![Nymph & Warlock: Limited Edition etching signed lower right corner and numbered 8/100 lower left corner](https://p1.liveauctioneers.com/9190/333025/180004743_1_x.jpg?height=310&quality=70&version=1718741954)
![Boudoir: Limited Edition etching signed lower right corner and numbered 30/50 lower left corner](https://p1.liveauctioneers.com/9190/333025/180004740_1_x.jpg?height=310&quality=70&version=1718741954)
![Artist and Muse: Limited Edition etching signed lower right corner and numbered 39/100 lower left corner dated August 22, 1974. Jack Levine](https://p1.liveauctioneers.com/9190/333025/180004739_1_x.jpg?height=310&quality=70&version=1718741954)
![Laughing Boy: Limited Edition etching depicting a young boy laughing, signed lower right corner and titled and numbered 39/50 lower left corner.](https://p1.liveauctioneers.com/9190/333025/180004747_1_x.jpg?height=310&quality=70&version=1718741954)
![Etching Engraving La donna dalla latte "Franc.co Maggiotto inv." on the left. and "Gio. Volpato: Etching Engraving La donna dalla latte "Franc.co Maggiotto inv." on the left. and "Gio. Volpato sculp. apud Nic. Cavalli, Venetiis" on the right has a production date 1760-1770. It has an opening of 1](https://p1.liveauctioneers.com/5584/332695/179465009_1_x.jpg?height=310&quality=70&version=1717798128)
![Jack Levine signed original etching "Tiger Brown": Medium: original soft ground etching. Signed in pencil and annotated "Artist's Proof". Printed in 1967 for the Dreigroschen Film portfolio and published by Touchstone Publishers. This is one of 10 art](https://p1.liveauctioneers.com/5584/331895/179035053_1_x.jpg?height=310&quality=70&version=1718142737)
![ETCHING PRINT OF AN ANTIQUE BRONZE CANDLESTICK: PRINTED CIRCA 1926. SIZE: 13.5 X 17.5 INCHES APPROX. UNFRAMED. SHIPPING IN THE U.S VIA USPS PRIORITY MAIL $20](https://p1.liveauctioneers.com/6312/332015/179142449_1_x.jpg?height=310&quality=70&version=1717609452)
![Diminutive Etching of Magdelena in a Gilt Frame Signed G. Batoni: Diminutive etching of Magdelena in a gilt frame signed and dated. This highly decorative print is 6 inches x 8 inches unframed and when sitting in its finely gilt and carved frame it measures 11 by 14](https://p1.liveauctioneers.com/5584/332527/179335491_1_x.jpg?height=310&quality=70&version=1718142814)
News about Etching Art
![Toussaint portrait a fetching highlight in Crescent City’s May 13-14 sale](https://www.liveauctioneers.com/news/wp-content/uploads/2022/05/Fernand-Toussaint-1.jpg)
Toussaint portrait a fetching highlight in Crescent City’s May 13-14 sale
 NEW ORLEANS – Original oil paintings by Fernand Toussaint (French/Belgian, 1873-1956) and Andre Gisson (American/French, 1929-2003), six pieces of matte glazed Newcomb Pottery and a large pair of German silver covered urns will all be part of Crescent City Auction Gallery’s Important May Estates Auction, scheduled for the weekend of May 13 and 14. […]
![Rembrandt etching earns top lot status at Dallas Auction Gallery](https://www.liveauctioneers.com/news/wp-content/uploads/2021/12/182-1.jpg)
Rembrandt etching earns top lot status at Dallas Auction Gallery
DALLAS — Dallas Auction Gallery realized strong results in Contemporary art in their November 17 Fine and Decorative Art Auction. The sale featured a large selection of contemporary art from Dallas’ TXU Energy Corporate Art Collection, all of which was formerly part of the LA-based Atlantic-Richfield (ARCO) corporate art collection.
![Miro etching among top works at Capsule Auctions Dec. 12](https://www.liveauctioneers.com/news/wp-content/uploads/2019/12/Joan_Miro_La_Femme_FEAT.jpg)
Miro etching among top works at Capsule Auctions Dec. 12
NEW YORK – Capsule Gallery Auctions will present Signed and Numbered: 20th Century Editions & Photography on Thursday, Dec. 12, at 12:30 p.m. Eastern Time. Absentee and Internet live bidding is available through LiveAuctioneers.
![Met exhibition exploring renaissance of etching opens Oct. 23](https://www.liveauctioneers.com/news/wp-content/uploads/2019/10/Screen-Shot-2019-10-04-at-5-FEAT.png)
Met exhibition exploring renaissance of etching opens Oct. 23
NEW YORK – The emergence of etching on paper in Europe in the late 15th and early 16th centuries – when the technique moved out of the workshops of armor decorators and into those of printmakers and painters – was a pivotal moment that completely changed the course of printmaking. Opening Oct. 23, “The Renaissance […]