Bernardo Cavallino ~ Online Auction
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Bernardo CavallinoPaintingsBernardo Cavallino Antique & Vintage Art for SaleAntique & Vintage Art for Sale
FRATELLI ALINARI (19th), Macaroni vendors, Neapel, around 1880, albumen paper print: Fratelli Alinari (19th century): Pasta sellers with stalls on the street proudly presenting their pasta, c. 1880, albumen paper print Technique: albumen paper print Inscription: Lower middle signed in
3 days LeftFRATELLI ALINARI (19th), Macaroni vendors, Neapel, around 1880, albumen paper print
€400
FRATELLI ALINARI (19th), Macaroni factory, Neapel, around 1880, albumen paper print: Fratelli Alinari (19th century): Maccheroni factory Insight into pasta production with drying pasta lines in the sun and workers, Naples, c. 1880, albumen paper print Technique: albumen paper print In
3 days LeftFRATELLI ALINARI (19th), Macaroni factory, Neapel, around 1880, albumen paper print
€400
V. ALOJA (19th) after FERGOLA (*1768), Veduta of Naples, 1806, Etching: Vincenzo Aloja (19th century) after Luigi Fergola (1768 - 1834 ): Veduta of Naples Gulf of Naples with smoking Vesuvius, 1806, Etching Technique: Etching on Paper Inscription: At the lower part signed
3 days LeftV. ALOJA (19th) after FERGOLA (*1768), Veduta of Naples, 1806, Etching
€200
L. WAGNER (1799-1839), Temple of Venus and fortress of Baiae, 1838, Pencil: Ludwig Christian Wagner (1799 - 1839 ): Temple of Venus and Baiae Fortress on the Gulf of Naples, 1838, Pencil Technique: Pencil on Paper, mounted on Paper Inscription: Lower right inscribed by the ar
3 days LeftL. WAGNER (1799-1839), Temple of Venus and fortress of Baiae, 1838, Pencil
€300
V. ALOJA (19th), City gate of Pompeii, 1806, Etching: Vincenzo Aloja (19th century): City gate of Pompeii Ancient ruins on the access road to Pompeii, 1806, Etching Technique: Etching on Paper Inscription: Lower right signed in the printing plate: "Vince
3 days LeftV. ALOJA (19th), City gate of Pompeii, 1806, Etching
€200
V. ALOJA (19th) after GRASSO (19th), Gulf of Naples, 1806, Etching: Vincenzo Aloja (19th century) after Carlo Grasso (19th century): Gulf of Naples View from Sorrento, 1806, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plat
3 days LeftV. ALOJA (19th) after GRASSO (19th), Gulf of Naples, 1806, Etching
€200
V. ALOJA (19th), Theatre in Pompeii, 1806, Etching: Vincenzo Aloja (19th century): Theatre in Pompeii View of the ancient ruins, 1806, Etching Technique: Etching on Paper Inscription: Lower right signed in the printing plate: "Vincenzo Aloja inc.". At
3 days LeftV. ALOJA (19th), Theatre in Pompeii, 1806, Etching
€200
V. ALOJA (19th) after FERGOLA (*1768), Grabmal auf Scodillo Hill, 1806, Etching: Vincenzo Aloja (19th century) after Luigi Fergola (1768 - 1834 ): View of an ancient tomb on the Collina dello Scodillo near Naples, 1806, Etching Technique: Etching on Paper Inscription: At the lower
3 days LeftV. ALOJA (19th) after FERGOLA (*1768), Grabmal auf Scodillo Hill, 1806, Etching
€200
V. ALOJA (19th) after D'ANNA (*1743), Tomb of Mamia near Pompeii, 1806, Etching: Vincenzo Aloja (19th century) after Alessandro d'Anna (1743 Palermo - 1810 ibid.): Tomb of Mamia on the Via dei Sepolcri near Pompeii, 1806, Etching Technique: Etching on Paper Inscription: At the low
3 days LeftV. ALOJA (19th) after D'ANNA (*1743), Tomb of Mamia near Pompeii, 1806, Etching
€200
V. ALOJA (19th) after FERGOLA (*1768), Viaduct in Ponti Rossi, Naples, 1806, Etching: Vincenzo Aloja (19th century) after Luigi Fergola (1768 - 1834 ): Viaduct in Ponti Rossi, Naples, 1806, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate:
3 days LeftV. ALOJA (19th) after FERGOLA (*1768), Viaduct in Ponti Rossi, Naples, 1806, Etching
€200
V. ALOJA (19th) after FERGOLA (*1768), Landscape near Naples with Caserta, 1806, Etching: Vincenzo Aloja (19th century) after Luigi Fergola (1768 - 1834 ): Landscape near Naples with baroque Caserta Castle, Reggia di Caserta, 1806, Etching Technique: Etching on Paper Inscription: At the lo
3 days LeftV. ALOJA (19th) after FERGOLA (*1768), Landscape near Naples with Caserta, 1806, Etching
€200
V. ALOJA (19th) after D'ANNA (*1743), Tomb of Mamia near Pompeii, 1806, Etching: Vincenzo Aloja (19th century) after Alessandro d'Anna (1743 Palermo - 1810 ibid.): Tomb of Mamia on the Via dei Sepolcri near Pompeii, 1806, Etching Technique: Etching on Paper Inscription: At the low
3 days LeftV. ALOJA (19th) after D'ANNA (*1743), Tomb of Mamia near Pompeii, 1806, Etching
€200
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