Prints & Multiples 2024-10-31 Auction - 186 Price Results - DOYLE Auctioneers & Appraisers in NY
Richard Diebenkorn (1922-1993)Edvard Munch (1863-1944)David Hockney (b. 1937)
Done
New York, NY, United States
Auction Details

Prints & Multiples

-Auction of Prints & Multiples on Thursday, October 31, 2024 at 11am
-Consignments Are Currently Being Accepted for Future Auctions
-We Invite You to Contact us for a Complimentary Auction Evaluation of Your Prints & Multiples

NEW YORK, NY -- Doyle will hold an auction of Prints and Multiples on Thursday, October 31, 2024 at 11am. Showcasing examples spanning the 17th century to the present day, the sale features fine examples of Old Master prints, Modern European prints, American prints and works by Contemporary artists, in addition to ceramics by Pablo Picasso.

Among the highlights are two works by David Hockney from the Estate of LeGrand Mellon.

Auction Curator:
Cynthia Klein
Cynthia Klein
Prints & Multiples Specialist
Sold
Albrecht Dürer (1471-1528): THE RESURRECTION (BARTSCH 15; MEDER 124; STRAUSS 151) Woodcut, 1510, on laid paper with an unidentified watermark, printed after the 1511 Latin Text edition, from The Large Passion, with narrow
0001: Albrecht Dürer (1471-1528)Est. $1,000-$1,500
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Albrecht Dürer (1471-1528): THE SIEGE OF THE FORTRESS (BARTSCH 137; MEDER, HOLLSTEIN 272; SCHOCH/MENDE/SCHERBAUM 260) Woodcut printed from two blocks, 1527, on two joined sheets of laid paper with Small Bear watermark on left
0002: Albrecht Dürer (1471-1528)Est. $2,000-$4,000
Hendrik Goltzius (1558-1617): THE CAPTAIN OF THE INFANTRY MARCHING TO THE LEFT (BARTSCH 126; HOLLSTEIN 254; STRAUSS 252) Engraving, 1587, on laid paper, a very good impression of the only state, trimmed on or just within the
0003: Hendrik Goltzius (1558-1617)Est. $1,500-$2,500Lot Passed
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Rembrandt van Rijn (1606-1669): LANDSCAPE WITH A COW (BARTSCH, HOLLSTEIN 237; HIND 240; NEW HOLLSTEIN 251) Etching, circa 1650, a good impression, from New Hollstein's fifth state of five, with narrow margins, unframed. Plate 4 1/8
0004: Rembrandt van Rijn (1606-1669)Est. $3,000-$5,000
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Rembrandt van Rijn (1606-1669): THE CIRCUMCISION IN THE STABLE (BARTSCH, HOLLSTEIN 47; NEW HOLLSTEIN 280) Etching and drypoint, 1654, a good impression, with thread margins or trimmed to the platemark, framed. Sheet 3 7/8 x 5 13/16
0005: Rembrandt van Rijn (1606-1669)Est. $1,000-$2,000
Antonio Canaletto (1697-1768): THE HOUSE WITH THE INSCRIPTION; THE HOUSE WITH THE PERISTYLE (BROMBERG 13; 14) Two etchings, circa 1740-41, printed on one sheet of laid paper, good impressions of the only state and the second state
0006: Antonio Canaletto (1697-1768)Est. $3,000-$5,000Lot Passed
James Abbott McNeill Whistler (1834-1903): THE LITTLE MAST (KENNEDY 185; GLASGOW 196) Etching and drypoint printed in dark brown, 1879-80, on laid paper, a fine impression, signed with the butterfly and inscribed imp in pencil on the tab,
0007: James Abbott McNeill Whistler (1834-1903)Est. $2,500-$3,500Lot Passed
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James Abbott McNeill Whistler (1834-1903): LONG VENICE (KENNEDY 212; GLASGOW 211) Etching and drypoint printed in dark brown, circa 1878-80, on laid paper, a fine impression, signed with the butterfly and inscribed imp in pencil on the tab,
0008: James Abbott McNeill Whistler (1834-1903)Est. $4,000-$6,000
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James Abbott McNeill Whistler (1834-1903): THE LITTLE LAGOON (KENNEDY 186; GLASGOW 216) Etching and drypoint printed in dark brown, 1879-80, on laid paper, a fine impression with atmospheric plate tone, apparently with a tiny pencil notation
0009: James Abbott McNeill Whistler (1834-1903)Est. $2,000-$3,000
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James Abbott McNeill Whistler (1834-1903): SKETCH AFTER CECIL LAWSON'S "SWAN AND IRIS"; LITTLE GREENGROCER'S SHOP, CHELSEA; CHELSEA EMBANKMENT (A SKETCH ON THE EMBANKMENT) (KENNEDY 241, 259, 260; GLASGOW 247, 264, 268) Three etchings (the
0010: James Abbott McNeill Whistler (1834-1903)Est. $2,000-$3,000
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James Abbott McNeill Whistler (1834-1903): TROOP SHIPS (KENNEDY 319; GLASGOW 307) Etching and drypoint printed in dark brown, 1887, on laid paper with partial Pro Patria watermark, a rare fine impression printed with a delicate veil of plate
0011: James Abbott McNeill Whistler (1834-1903)Est. $3,000-$4,000
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John Taylor Arms (1887-1953): VENETIAN FILIGREE (CA D'ORO VENETIA) (FLETCHER 235) Etching, 1931, on pale blue-green toned cream laid paper, signed in pencil, from the second state of two, with full margins, unframed. Plate 10
0012: John Taylor Arms (1887-1953)Est. $1,500-$2,500
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John Taylor Arms (1887-1953): DAWN, LAKE COMO (FLETCHER 53) Color etching and aquatint, 1920, on wove paper, signed, dated and numbered 20/100 in pencil, the second state of two, printed by Frederick Reynolds, with full margins,
0013: John Taylor Arms (1887-1953)Est. $1,000-$1,500
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Henry Ossawa Tanner (1859-1937): GATEWAY IN TANGIER Etching, circa 1910-15, on cream wove paper, signed and numbered 110/120 by the artist's son, Jesse Ossawa Tanner in ink verso, with the artist's estate ink stamp verso, from the
0014: Henry Ossawa Tanner (1859-1937)Est. $1,000-$1,500
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Henry Ossawa Tanner (1859-1937): MOSQUE, TANGIER Etching, circa 1910-15, on cream wove paper, signed and numbered 100/120 by the artist's son, Jesse Ossawa Tanner in ink verso, with the artist's estate ink stamp verso, from the
0015: Henry Ossawa Tanner (1859-1937)Est. $1,000-$1,500
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Henry Ossawa Tanner (1859-1937): FISHING BOATS AT SHORE, BRITTANY; THE DISCIPLES SEE CHRIST WALKING ON THE WATER Two etchings, circa 1910-15, on cream wove paper, signed and numbered 49/120 and 13/120, respectively by the artist's
0016: Henry Ossawa Tanner (1859-1937)Est. $1,000-$1,500
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Mary Cassatt (1844-1926): THE MAP (THE LESSON) (BREESKIN 127) Drypoint, 1890, on cream laid paper, from the third state of three, with the artist's blue ink stamp (Lugt 694), with full margins, framed. Plate 6 1/4 x 9 1/8
0017: Mary Cassatt (1844-1926)Est. $9,000-$12,000
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John Sloan (1871-1951): MEMORY (MORSE 136) Etching, 1906, on wove paper, signed and inscribed 100 Proofs in pencil, the sixth state of six, from the edition of 100, with good margins, framed. Plate 7 1/2 x 9 inches; 191 x
0018: John Sloan (1871-1951)Est. $1,000-$1,500
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Rudolph Ruzicka (1883-1978): BROOKLYN BRIDGE Wood engraving, circa 1915, on laid paper, signed and inscribed del. sc. imp. in pencil, with full margins, unframed. Image 7 7/16 x 7 inches; 189 x 178 mm. Sheet 10 5/8 x 9 1/2
0019: Rudolph Ruzicka (1883-1978)Est. $1,000-$1,500
Martin Lewis (1881-1962): MORNING ON THE RIVER (MCCARRON 28) Mezzotint, 1918, on laid paper, signed in pencil, from the edition of 17, with good margins, framed. Plate 9 15/16 x 6 inches; 252 x 152 mm. Sheet 13 1/2 x 10 3/4
0020: Martin Lewis (1881-1962)Est. $4,000-$6,000Lot Passed
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Martin Lewis (1881-1962): WINTER MOON (MCCARRON 29) Mezzotint, 1918, on Japan paper, signed in pencil, from the edition of 16, with full(?) margins, framed. Plate 9 x 10 1/2 inches; 229 x 267 mm. Sheet 12 1/4 x 14 inches; 311
0021: Martin Lewis (1881-1962)Est. $8,000-$12,000
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Martin Lewis (1881-1962): RAIN ON MURRAY HILL (MCCARRON 75) Drypoint, 1928, on Japan paper, signed and inscribed imp in pencil, from the edition of 110, with full(?) margins, unframed. Plate 8 x 11 7/8 inches; 203 x 302 mm.
0022: Martin Lewis (1881-1962)Est. $4,000-$6,000
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Martin Lewis (1881-1962): BAY WINDOWS (MCCARRON 80) Drypoint and sandpaper ground, 1929, on laid paper, signed and inscribed imp in pencil, from the edition of approximately 104 (from an intended edition of 100), with full
0023: Martin Lewis (1881-1962)Est. $12,000-$18,000
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John Sloan (1871-1951): SCULPTURE IN WASHINGTON SQUARE (MORSE 218) Etching, 1925, on wove paper, signed, titled and inscribed 100 proofs in pencil, from the edition of 75 (the intended edition of 100), with full margins,
0024: John Sloan (1871-1951)Est. $700-$900