Prints & Multiples / Picasso Ceramics 2025-10-23 Auction - 177 Price Results - DOYLE Auctioneers & Appraisers in NY - Page 2
Andy Warhol (1928-1987)James Abbott McNeill Whistler (1834-1903)Pablo Picasso (1881-1973)
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New York, NY, United States
Auction Details

Prints & Multiples / Picasso Ceramics

-Auction of Prints & Multiples on Thursday, October 23, 2025 at 11:00am
-Consignments Are Currently Being Accepted for Future Auctions
-We Invite You to Contact Us for Complimentary Auction Evaluations of Your Collection

NEW YORK, NY -- Doyle will hold an auction of Prints and Multiples on Thursday, October 23, 2025 at 11am. Showcasing examples spanning the 17th century to the present day, the sale features fine examples of Old Master prints, Modern European prints, American prints and works by Contemporary artists.

Picasso Ceramics
A special section of the sale will offer over 30 examples of ceramics by Pablo Picasso.

NEW YORK, NY -- Doyle will hold a sale of Picasso Ceramics as a featured section of the Prints & Multiples auction on Thursday, October 23, 2025 at 11am. Showcased will be over 30 lots of ceramic pitchers, plates, plaques and other objects by Pablo Picasso.
Auction Curator:
Cynthia Klein
Cynthia Klein
Prints & Multiples Specialist
Sold
James E. Allen (1894-1964): SPIDER BOY (RYAN 86) Etching, 1937, on cream laid paper, signed in pencil, from the edition of approximately 40, with full margins, unframed. Plate 11 x 8 1/2 inches; 279 x 216 mm Sheet 15 1/2 x 11
0025: James E. Allen (1894-1964)Est. $700-$1,000
Sold
Reginald Marsh (1898-1954): CONEY ISLAND BEACH #1 (SASOWSKY 191) Etching, 1939, on J Whatman laid paper, signed, dated, titled and inscribed Ed. 40 in pencil, from the edition of 17 (the intended edition of 40), framed. Plate 9
0026: Reginald Marsh (1898-1954)Est. $600-$800
Sold
Christopher Richard Wynne Nevinson (1889–1946): THE ROOF GARDEN (LEICESTER 53; GUICHARD 32; BLACK 57) Mezzotint, 1919, on laid paper, signed in pencil, the edition of 50, from the New York Set, with good margins, framed. Plate 8 7/16 x 4 3/4
0027: Christopher Richard Wynne Nevinson (1889–1946)Est. $1,500-$2,000
Sold
Christopher Richard Wynne Nevinson (1889–1946): THE TEMPLES OF NEW YORK (LEICESTER 44; GUICHARD 26; BLACK 55) Drypoint, 1919, on cream wove paper, signed in pencil, the edition of 50, from the New York Set, with good margins, framed. Plate 7 15/16
0028: Christopher Richard Wynne Nevinson (1889–1946)Est. $2,000-$3,000
Sold
Martin Lewis (1881-1962): SKYLINE, NEW YORK (MCCARRON 36) Etching and drypoint, 1919, on cream wove paper, signed in pencil, the edition of 11 (from an intended edition of 50), with full margins, framed. Plate 9 x 10 1/2
0029: Martin Lewis (1881-1962)Est. $3,000-$5,000
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Martin Lewis (1881-1962): SHADOWS ON THE RAMP (MCCARRON 64) Drypoint and sandpaper ground, 1927, on cream laid paper, signed in pencil, from the edition of approximately 75, with full margins, framed. Plate 9 x 10 1/2 inches;
0030: Martin Lewis (1881-1962)Est. $3,000-$5,000
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Martin Lewis (1881-1962): STOOPS IN SNOW (MCCARRON 89) Drypoint and sand ground, 1930, on wove paper, signed in pencil, the second state of two, from the edition of 115, with full margins, framed. Plate 9 7/8 x 14 7/8 inches;
0031: Martin Lewis (1881-1962)Est. $15,000-$20,000
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Martin Lewis (1881-1962): EAST SIDE NIGHT, WILLIAMSBURG BRIDGE; SUBWAY STEPS (MCCARRON 71; 90) Two drypoints, 1928 and 1930 (printed 1980-1982), on wove paper, numbered #8 and #10 in pencil, restrikes from cancelled plates
0032: Martin Lewis (1881-1962)Est. $800-$1,200
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Armin Landeck (1904-1984): YORK AVENUE, SUNDAY MORNING (KRAEFT 78) Drypoint, 1939, on wove paper, signed, dated and inscribed Ed 100 in pencil, with full margins, framed. Plate 8 x 13 inches; 203 x 330 mm Sheet 12 x 16 7/8
0033: Armin Landeck (1904-1984)Est. $600-$800
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Stow Wengenroth (1906-1978): FROM THE WEATHER BUREAU, NEW YORK, NEW YORK (STUCKEY 106) Lithograph, 1940, on wove paper, signed and inscribed Ed/40 in pencil, second state of two, from the edition of 40, with full margins,
0034: Stow Wengenroth (1906-1978)Est. $1,500-$2,500
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Thomas Hart Benton (1889-1975): MISSOURI FARMYARD (FATH 10) Lithograph, 1936, signed in pencil, from the edition of 250, published by Associated American Artists, New York, with full margins, framed. Image 10 1/8 x 16 inches; 257 x
0035: Thomas Hart Benton (1889-1975)Est. $800-$1,200
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Thomas Hart Benton (1889-1975): LOADING CORN (FATH 65) Lithograph, 1945, on wove paper, signed in pencil, from the edition of 250, published by Associated American Artists, New York, with good margins, unframed. Image 9 5/8 x 12
0036: Thomas Hart Benton (1889-1975)Est. $1,000-$1,500
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Thomas Hart Benton (1889-1975): FORWARD PASS (FATH 85) Lithograph, 1972, on BFK Rives paper, signed in pencil, from the edition of 250, published by Associated American Artists, New York, with full margins, framed. Image 12 7/8 x
0037: Thomas Hart Benton (1889-1975)Est. $5,000-$8,000
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John Steuart Curry (1897-1946): JOHN BROWN (COLE 34) Lithograph, 1939, on wove paper, signed in pencil, from the edition of 250, published by Associated American Artists, New York, with full(?) margins, framed. Image 14 13/16 x 10
0038: John Steuart Curry (1897-1946)Est. $4,000-$6,000
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Grant Wood (1891-1942): APPROACHING STORM (COLE 19) Lithograph, 1940, on wove paper, signed in pencil, from the edition of 250, published by Associated American Artists, New York, with good margins, framed. Image 12 x 9
0039: Grant Wood (1891-1942)Est. $4,000-$6,000
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Edna Boies Hopkins (1872-1937): WHITE HYDRANGEA (PHLOX) (VASSEUR 53) Color woodcut, 1907-08, on Japan paper, signed and numbered 28 in pencil, with the artist's red peapod chop mark in the image and with red Tiré à 50 ink
0040: Edna Boies Hopkins (1872-1937)Est. $5,000-$7,000
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Mary Burr Russell (1898-1977): FROM MY STUDIO WINDOW Color woodcut, circa 1929, on Japan paper, inscribed with the artist's name Mary B. Russell and initialed LRC in pencil, full margins, framed. Image 11 1/2 x 9 1/8 inches; 292 x
0041: Mary Burr Russell (1898-1977)Est. $1,000-$1,500
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Walter Henry Williams (1920-1998): CAGED BIRD Color woodcut, 1966, on imitation Japan paper, signed, dated, titled, inscribed imp and numbered 126/210 in pencil, published by the International Graphic Arts Society, with full margins,
0042: Walter Henry Williams (1920-1998)Est. $600-$800
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Romare Bearden (1911-1988): UNTITLED (STREET SCENE) (CORLETT PL. 40) Color offset lithograph, circa 1972, on wove paper, signed and numbered 2/50 in pencil, with full margins, framed. Image 9 5/8 x 19 3/16 inches; 244 x 487 mm
0043: Romare Bearden (1911-1988)Est. $1,200-$1,800
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Jacob Lawrence (1917-2000): THE LIBRARY (NESBETT 78-1) Color screenprint, 1978, on wove paper, signed, dated, titled and numbered 41/100 in pencil, printed by the Screenprint Workshop, East Hampton, New York, published by Five
0044: Jacob Lawrence (1917-2000)Est. $5,000-$7,000
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Jacob Lawrence (1917-2000): ASPIRATION (NESBETT L88-I) Color lithograph, 1988, on Arches paper, signed and numbered 53/200 in pencil, printed by Stone Press Editions, Seattle, published by the NAACP Special Contribution Fund on
0045: Jacob Lawrence (1917-2000)Est. $2,000-$3,000
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Diego Rivera (1886-1957): EL MERCADO DE FLORES (ITTMANN 161) Color lithograph, 1930, on wove paper watermarked Umbria Italia, signed, dated and numbered 57-100 in pencil, published by Weyhe Gallery, New York, with full
0046: Diego Rivera (1886-1957)Est. $2,000-$4,000
Sold
Rufino Tamayo (1899-1991): PORTRAIT DE FEMME (PEREDA 105) Color lithograph, 1969, on BFK Rives paper, signed and numbered 137/150 in pencil, from Mujeres, published by Touchstone Publishers, New York, with full margins,
0047: Rufino Tamayo (1899-1991)Est. $1,000-$1,500
Sold
Friedensreich Hundertwasser (1928-2000): FLOODED SLEEP (ÜBERSCHWEMMTER TRAUM) (KOSCHATZKY 62) Color woodcut, 1973, on Japan paper, signed, dated, inscribed and numbered 187/200 in black ink, from Midori No Namida, printed by Matashiro
0048: Friedensreich Hundertwasser (1928-2000)Est. $3,000-$5,000